If you need a good laugh (and these days, who doesn't?) you can always count on Charles Busch. In or out of drag, he's a movie-obsessed queen of comedy. His new romp, produced by New York's Primary Stages, is called The Tribute Artist. It's a hoot.
His humor, which steals liberally from movie queens and classic cinema scenes, remains. But like all Busch parodies, there are issues to explore. A skilled actor, his faux Adriana navigates the blurry lines between illusion and reality and discovers the value of honest emotion.
Downtown theater legend Charles Busch is best known for his satiric gender-bender plays. So it's something of a revelation to see him adapting a best-selling children's book into "a rabbit tale of musical mystery."
Len Cariou may well be the most persistently employed performer on the planet. He leaps fleetly from role to role, format to format and venue to venue -- theater, film, television, recordings, narration, voiceovers, documentaries and audio books.
When you sit through something as ludicrous as Williams's last play -- or so we're led to believe of a manuscript cobbled together by other peddler-meddlers -- you spend much of the time wondering whom the roiling cauldron of picked-over Williams obsessions serves.