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    <title>Chris Brown on The Huffington Post</title>
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     <updated>2009-12-03T12:27:37Z</updated>
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 <entry>
    <title> Chris Brown &#039;Really Hurting Inside&#039; (VIDEO)</title>
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    <published>2009-12-03T12:27:37Z</published>
    <updated>2009-12-03T12:27:37Z</updated>
    
    <author>
        <name>The Huffington Post News Team</name>
        <uri>http://www.huffingtonpost.com/the-news/</uri>
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        Last month Rihanna &lt;a href=&quot;http://www.huffingtonpost.com/2009/11/02/rihanna-on-good-morning-a_n_342752.html&quot;&gt;told Diane Sawyer &lt;/a&gt;about getting beaten by Chris Brown in February, and now it&#039;s Brown&#039;s turn to sit down with ABC. &lt;a href=&quot;http://abcnews.go.com/GMA/Entertainment/chris-brown-interview-rihanna-robin-roberts/story?id=9233381&quot;&gt;&#039;Good Morning America&#039;&lt;/a&gt; aired a preview of his &#039;20/20&#039; interview with Robin Roberts. &lt;br /&gt;
&lt;br /&gt;
&quot;I never ever had problems with anger. No, no domestic violence with any of my past girlfriends,&quot; Brown said. &quot;I never was that kind of person. I look at it, and it&#039;s really, like really difficult. It&#039;s like, &#039;How could I be that person?&#039;&quot;&lt;br /&gt;
&lt;br /&gt;
Roberts shows Brown a clip of &lt;a href=&quot;http://www.huffingtonpost.com/2009/11/05/rihanna-embarrassed-she-w_n_346649.html&quot;&gt;Rihanna describing how he had &quot;no soul in his eyes&quot; while beating her&lt;/a&gt; and questions the sincerity of his remorse.&lt;br /&gt;
&lt;br /&gt;
&quot;People see me smiling and kind of nonchalantly giving answers,&quot; Brown said. &quot;I&#039;m like, really hurting inside. It&#039;s like, really devastating for me.&quot; &lt;br /&gt;
&lt;br /&gt;
Brown&#039;s full interview will air on ABC&#039;s &#039;20/20&#039; Friday at 10 pm. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;WATCH:&lt;/strong&gt;&lt;br /&gt;
&lt;script src=&quot;http://abcnews.go.com/javascript/portableplayer?id=9236579&amp;amp;autoStart=false&quot;&gt;&lt;/&lt;br /&gt;
script&gt; &lt;br /&gt;
&lt;br /&gt;
&lt;center&gt;&lt;p style=&quot;font-size:large;&quot;&gt;&lt;em&gt;Get HuffPost Entertainment On &lt;a href=&quot;http://www.facebook.com/pages/HuffPost-Entertainment/70072372362&quot;&gt;Facebook&lt;/a&gt; and &lt;a href=&quot;http://twitter.com/huffent&quot;&gt;Twitter!&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;&lt;/center&gt;&lt;br /&gt;

            &lt;p&gt;Read more: &lt;a href=&quot;/tag/rihanna&quot;&gt;Rihanna&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown&quot;&gt;Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/robin-roberts&quot;&gt;Robin Roberts&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown-beats-rihanna&quot;&gt;Chris Brown Beats Rihanna&lt;/a&gt;, &lt;a href=&quot;/tag/music&quot;&gt;Music&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown-2020&quot;&gt;Chris Brown 20/20&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown-rihanna&quot;&gt;Chris Brown Rihanna&lt;/a&gt;,  &lt;a href=&quot;/entertainment&quot;&gt;Entertainment News&lt;/a&gt;&lt;/p&gt;

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    <title> Chris Brown On &quot;20/20&quot;: R&amp;B Star To Appear On ABC Show</title>
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    <published>2009-11-27T17:15:54Z</published>
    <updated>2009-11-27T17:15:54Z</updated>
    
    <author>
        <name>The Huffington Post News Team</name>
        <uri>http://www.huffingtonpost.com/the-news/</uri>
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        NEW YORK &amp;mdash; ABC says Chris Brown will appear on its &quot;20/20&quot; newsmagazine Dec. 11.&lt;br /&gt;
&lt;br /&gt;
In what&#039;s billed as an in-depth interview, the singer will discuss his assault of ex-girlfriend and recording superstar Rihanna in February. He is on probation for the beating.
            &lt;p&gt;Read more: &lt;a href=&quot;/tag/chris-brown-20-20&quot;&gt;Chris Brown 20 20&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown&quot;&gt;Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown-20-20-interview&quot;&gt;Chris Brown 20 20 Interview&lt;/a&gt;,  &lt;a href=&quot;/media&quot;&gt;Media News&lt;/a&gt;&lt;/p&gt;

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    <title> Anger As &#039;GMA&#039; Books Chris Brown After Canceling Adam Lambert</title>
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    <published>2009-11-26T08:27:29Z</published>
    <updated>2009-11-26T08:27:29Z</updated>
    
    <author>
        <name>The Huffington Post News Team</name>
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        ABC has booked Rihanna-beater Chris Brown for an interview and a performance on &quot;Good Morning America&quot; -- right after the network canceled guy-kisser Adam Lambert.&lt;br /&gt;
&lt;br /&gt;
Brown will do a taped tell-all with Robin Roberts, followed by a performance of songs from his new album. But TV insiders say the appearance, slated to air the week after next, has outraged feminists and gay activists who wonder why a convicted girlfriend abuser is more palatable to the network than an openly gay man who broke no laws with his raunchy performance on the &quot;American Music Awards.&quot; 
            &lt;p&gt;Read more: &lt;a href=&quot;/tag/adam-lambert&quot;&gt;Adam Lambert&lt;/a&gt;, &lt;a href=&quot;/tag/television&quot;&gt;Television&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown&quot;&gt;Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/good-morning-america&quot;&gt;Good Morning America&lt;/a&gt;,  &lt;a href=&quot;/entertainment&quot;&gt;Entertainment News&lt;/a&gt;&lt;/p&gt;

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    <title>Mike Ragogna:   HuffPost Reviews : Beyonce, Rihanna, Buddy Holly, The Doors, Susan Boyle, and More</title>
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    <published>2009-11-23T00:12:31Z</published>
    <updated>2009-11-23T00:12:31Z</updated>
    
    <author>
        <name>Mike Ragogna</name>
        <uri>http://www.huffingtonpost.com/mike-ragogna/</uri>
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        &lt;strong&gt;Beyoncé -&lt;em&gt; I Am...Yours&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;img alt=&quot;2009-11-22-41gysv5k0PL._SL500_AA240_.jpg&quot; src=&quot;http://images.huffingtonpost.com/2009-11-22-41gysv5k0PL._SL500_AA240_.jpg&quot; width=&quot;240&quot; height=&quot;240&quot; /&gt;&lt;br /&gt;
&lt;br /&gt;
&quot;You had me at hello,&quot; sings Beyoncé Knowles as the soul-pop diva embraces scores of outreached hands while working her way to the stage through a crowd of 1500 at the Wynn Hotel&#039;s Encore Theater in Las Vegas. Thus begins her new two-hour plus concert CD/DVD &lt;em&gt;I Am...Yours&lt;/em&gt; taped in August that is meant to be an intimate, elegant framing of the singer, although that intimacy will seem super-sized when the program is broadcast on ABC-TV this Thanksgiving. This &quot;concert&quot; is a staged, stripped-down reconfiguration by Beyoncé and co-director Nick Wickham (filmed by Ed Burke) of her current touring extravaganza that covers her biggest hits (like &quot;Halo,&quot; &quot;Sweet Dreams,&quot; and &quot;If I Were A Boy&quot;), and even shoehorns-in a Destiny&#039;s Child tribute as she whisks us through her career highlights in two tidy acts plus an &quot;intermission&quot; that is nothing of the sort (it&#039;s a jazz medley with a dance payoff). &lt;br /&gt;
&lt;br /&gt;
Beyoncé&#039;s performances are backed by her Suga Mama ensemble plus an orchestra whose satin interpretations pump lush over pomp (much like her Thierry Mugler wardrobe), and the retro, mood-lit platform casts the vocalist in a Diana Ross light--a comparison to the latter artist being an obvious intention. Beyoncé&#039;s &lt;em&gt;I Am...Yours&lt;/em&gt; is a satisfying decade-and-then-some retrospective that reveals the artist&#039;s interesting back story with a personal warmth not always emphasized by our current cast of pop stars. &lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Start Here&lt;/strong&gt;: &quot;Halo,&quot; &quot;Destiny&#039;s Child Medley,&quot; and &quot;That&#039;s Why You&#039;re Beautiful&quot;&lt;br /&gt;
&lt;br /&gt;
Tracks:&lt;br /&gt;
&lt;br /&gt;
CD 1&lt;br /&gt;
1. Hello&lt;br /&gt;
2. Halo&lt;br /&gt;
3. Irreplaceable&lt;br /&gt;
4. Sweet Dreams Medley&lt;br /&gt;
5. If I Were A Boy&lt;br /&gt;
6. Scared Of Lonely&lt;br /&gt;
7. That&#039;s Why You&#039;re Beautiful&lt;br /&gt;
8. Satellites&lt;br /&gt;
9. Resentment&lt;br /&gt;
10. Déjà Vu Jazz Medley&lt;br /&gt;
11. Déjà Vu&lt;br /&gt;
&lt;br /&gt;
CD 2&lt;br /&gt;
1. I Wanna Be Where You Are&lt;br /&gt;
2. Destiny&#039;s Child Medley&lt;br /&gt;
3. Work It Out&lt;br /&gt;
4. &#039;03 Bonnie &amp; Clyde&lt;br /&gt;
5. Crazy In Love&lt;br /&gt;
6. Naughty Girl&lt;br /&gt;
7. Get Me Bodied&lt;br /&gt;
8. Single Ladies (Put A Ring On It)&lt;br /&gt;
9. Finale&lt;br /&gt;
&lt;br /&gt;
DVD / Blu-ray&lt;br /&gt;
Act One - Intimate...&lt;br /&gt;
Scene One: Hello Introduction&lt;br /&gt;
Scene Two: Halo&lt;br /&gt;
Scene Three: Irreplaceable&lt;br /&gt;
Scene Four: Sweet Dreams Medley&lt;br /&gt;
Scene Five: If I Were A Boy&lt;br /&gt;
Scene Six: Scared of Lonely&lt;br /&gt;
Scene Seven: That&#039;s Why You&#039;re Beautiful&lt;br /&gt;
Scene Eight: Satellites&lt;br /&gt;
Scene Nine: Resentment&lt;br /&gt;
&lt;br /&gt;
Intermission&lt;br /&gt;
Déjà Vu Jazz medley&lt;br /&gt;
Déjà Vu&lt;br /&gt;
Tap Sequence&lt;br /&gt;
&lt;br /&gt;
Act Two - Storytelling&lt;br /&gt;
Scene One: I Wanna Be Where You Are&lt;br /&gt;
Scene Two: Destiny&#039;s Child&lt;br /&gt;
Scene Three: Beyoncé&lt;br /&gt;
Scene Four: Single Ladies (Put A Ring On It)&lt;br /&gt;
Finale And End Credits&lt;br /&gt;
&lt;br /&gt;
Bonus Feature&lt;br /&gt;
What Happens In Vegas... (Behind The Scenes)&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;FYI - Beyoncé just won Best R&amp;B/Soul Female Artist at the 2009 American Music Awards&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Rihanna - &lt;em&gt;Rated R&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;img alt=&quot;2009-11-22-51AsV0Ex6UL._SL500_AA240_.jpg&quot; src=&quot;http://images.huffingtonpost.com/2009-11-22-51AsV0Ex6UL._SL500_AA240_.jpg&quot; width=&quot;240&quot; height=&quot;240&quot; /&gt;&lt;br /&gt;
&lt;br /&gt;
Debuting tonight on the ABC-TV network is the Anthony Mandler-directed video for &quot;Russian Roulette,&quot; the first single from Rihanna&#039;s new studio album, &lt;em&gt;Rated R&lt;/em&gt;. The track--produced by label mate Ne-Yo--as well as the album, deviate from the path &lt;em&gt;A Girl Like Me&lt;/em&gt; and &lt;em&gt;Good Girl Gone Bad&lt;/em&gt; hip-hopped along, though familiar collaborators such as Chase &amp; Status, Justin Timberlake, Tricky Stewart, and others reappear to lend support. &lt;br /&gt;
&lt;br /&gt;
In many ways, especially after Chris Brown&#039;s alleged brutal attack earlier this year, the 21-year-old has every right to let loose the angry, and &lt;em&gt;Rated R&lt;/em&gt; takes a walk on the primal side to achieve this. Actually, if these songs were any darker or more pointed in attitude, this album might have had to have been titled &lt;em&gt;Rated NC-17&lt;/em&gt;. In some places, her Caribbean accent seems thicker than on her previous albums, perhaps due to this being more of a catharsis than a stab at six or more U.S. pop hits. &quot;Hard&quot; hits exactly in that way, though the Timberlake original &quot;Cold Case Love&quot; resides on the other end of the emotional spectrum. &lt;br /&gt;
&lt;br /&gt;
Of course, guests include many producer/songwriter contributors, plus the eternally cool Slash adds a solid but whack guitar part on &quot;Rockstar 101,&quot; an absurd track that normally wouldn&#039;t fit on an album like this but does because almost no musical stone is left unturned. From this perspective, &lt;em&gt;Rated R&lt;/em&gt; succeeds for its guts and spilling of them, and it&#039;s nice that Def Jam allowed this artist to record the album she needed to as opposed to another volume of potential greatest hits.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Start Here&lt;/strong&gt;: &quot;Mad House,&quot; &quot;Russian Roulette,&quot; &quot;Cold Case Love,&quot; and &quot;Stupid In Love&quot;&lt;br /&gt;
&lt;br /&gt;
Tracks:&lt;br /&gt;
&lt;br /&gt;
1. Mad House	&lt;br /&gt;
2. Wait Your Turn	&lt;br /&gt;
3. Hard&lt;br /&gt;
4. Stupid In Love	&lt;br /&gt;
5. Rockstar 101&lt;br /&gt;
6. Russian Roulette	&lt;br /&gt;
7. Fire Bomb&lt;br /&gt;
8. Rude Boy	&lt;br /&gt;
9. Photographs&lt;br /&gt;
10. G4L&lt;br /&gt;
11. Te Amo	&lt;br /&gt;
12. Cold Case Love	&lt;br /&gt;
13. The Last Song&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Buddy Holly - &lt;em&gt;Not Fade Away: The Complete Studio Recordings And More&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;img alt=&quot;2009-11-22-510St0txM9L._SL500_AA240_.jpg&quot; src=&quot;http://images.huffingtonpost.com/2009-11-22-510St0txM9L._SL500_AA240_.jpg&quot; width=&quot;240&quot; height=&quot;240&quot; /&gt;&lt;br /&gt;
&lt;br /&gt;
With this six-disc box set, the final and best statement has been made on the music of Buddy Holly. Over the 203 preserved tracks, compilation producer and Holly authority Andy McKaie unites the early rocker&#039;s Brunswick, Coral, and Decca recordings with quite a few alternate takes, previously unreleased leftovers, every classic hit and b-side, and those now-famous apartment tapes...in short, everything. Additional remastering has been done expertly by sonic genius Erick Labson, and the 80-page book features annotations, important photos, and liner notes that couldn&#039;t be better by rock &#039;n&#039; roll aficionados and wordsmiths, Billy Altman and Bill Dahl. &lt;br /&gt;
&lt;br /&gt;
This is the type of box that deserves a Grammy, regardless of it being a mere six CDs as opposed to the dense, over-100-disc gatherings of past awards. Buddy Holly is &lt;em&gt;not&lt;/em&gt; arguably one of the most important chapters of and most influential figures in music&#039;s recorded history, he simply is. And there&#039;s also no argument that Buddy Holly is the creative inspiration for generations of musicians both famous and obscure that have followed. If by some bizarre reason there isn&#039;t at least a nomination, then the oh-so-important Grammy board needs to collectively resign.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Start Here&lt;/strong&gt;: Anywhere You Want&lt;br /&gt;
&lt;br /&gt;
Tracks:&lt;br /&gt;
&lt;br /&gt;
CD 1&lt;br /&gt;
1. My Two-Timin&#039; Woman&lt;br /&gt;
2. I&#039;ll Just Pretend&lt;br /&gt;
3. Take These Shackles From My Heart&lt;br /&gt;
4. Footprints In the Snow&lt;br /&gt;
5. Flower Of My Heart&lt;br /&gt;
6. Door To My Heart&lt;br /&gt;
7. Soft Place In My Heart&lt;br /&gt;
8. Gotta Get You Near Me Blues&lt;br /&gt;
9. I Gambled My Heart&lt;br /&gt;
10. You And I Are Through&lt;br /&gt;
11. Down The Line&lt;br /&gt;
12. Baby, Let&#039;s Play House&lt;br /&gt;
13. Down The Line&lt;br /&gt;
14. You And I Are Through&lt;br /&gt;
15. Baby, It&#039;s Love&lt;br /&gt;
16. Memories&lt;br /&gt;
17. Queen Of The Ballroom&lt;br /&gt;
18. Memories&lt;br /&gt;
19. Moonlight Baby (aka Baby, Won&#039;t You Come Out Tonight)&lt;br /&gt;
20. I Guess I Was Just A Fool&lt;br /&gt;
21. Don&#039;t Come Back Knockin&#039;&lt;br /&gt;
22. Love Me&lt;br /&gt;
23. Midnight Shift&lt;br /&gt;
24. Midnight Shift (false start/alternate)&lt;br /&gt;
25. Don&#039;t Come Back Knockin&#039; (alternate)&lt;br /&gt;
26. Don&#039;t Come Back Knockin&#039;&lt;br /&gt;
27. Blue Days, Black Nights&lt;br /&gt;
28. Love Me&lt;br /&gt;
29. Baby Won&#039;t You Come Out Tonight&lt;br /&gt;
30. I Guess I Was Just A Fool&lt;br /&gt;
31. It&#039;s Not My Fault&lt;br /&gt;
32. I&#039;m Gonna Set My Foot Down&lt;br /&gt;
33. Changin&#039; All Those Changes&lt;br /&gt;
34. Rock-A-Bye Rock&lt;br /&gt;
35. Because I Love You&lt;br /&gt;
&lt;br /&gt;
CD 2&lt;br /&gt;
1. Rock Around With Ollie Vee&lt;br /&gt;
2. I&#039;m Changin&#039; All Those Changes&lt;br /&gt;
3. That&#039;ll Be The Day&lt;br /&gt;
4. Girl On My Mind&lt;br /&gt;
5. Ting-A-Ling&lt;br /&gt;
6. Rock Around With Ollie Vee&lt;br /&gt;
7. Modern Don Juan&lt;br /&gt;
8. You Are My One Desire (false start)&lt;br /&gt;
9. You Are My One Desire&lt;br /&gt;
10. Gone (incomplete)&lt;br /&gt;
11. Gone&lt;br /&gt;
12. Gone (alternate take)&lt;br /&gt;
13. Have You Ever Been Lonely (incomplete alternate)&lt;br /&gt;
14. Have You Ever Been Lonely (alternate)&lt;br /&gt;
15. Have You Ever Been Lonely&lt;br /&gt;
16. Brown-Eyed Handsome Man&lt;br /&gt;
17. Good Rockin&#039; Tonight&lt;br /&gt;
18. Rip It Up&lt;br /&gt;
19. Blue Monday&lt;br /&gt;
20. Honky Tonk&lt;br /&gt;
21. Blue Suede Shoes&lt;br /&gt;
22. Shake Rattle And Roll (partial)&lt;br /&gt;
23. Bo Diddley&lt;br /&gt;
24. Ain&#039;t Got No Home&lt;br /&gt;
25. Holly Hop&lt;br /&gt;
26. Brown-Eyed Handsome Man&lt;br /&gt;
27. Bo Diddley&lt;br /&gt;
28. I&#039;m Looking For Someone To Love&lt;br /&gt;
29. That&#039;ll Be The Day&lt;br /&gt;
30. Last Night (undubbed)&lt;br /&gt;
31. Maybe Baby (first version)&lt;br /&gt;
32. Words Of Love&lt;br /&gt;
33. Mailman Bring Me No More Blues&lt;br /&gt;
34. Not Fade Away (alternate overdub)&lt;br /&gt;
35. Not Fade Away&lt;br /&gt;
36. Everyday&lt;br /&gt;
&lt;br /&gt;
CD 3&lt;br /&gt;
1. Ready Teddy&lt;br /&gt;
2. Valley Of Tears&lt;br /&gt;
3. That&#039;ll Be The Day (greetings to Bob Thiele)&lt;br /&gt;
4. That&#039;ll Be The Day (greetings to Murray Deutsch)&lt;br /&gt;
5. That&#039;ll Be The Day (greetings to Bill Randle)&lt;br /&gt;
6. Peggy Sue (alternate take)&lt;br /&gt;
7. Peggy Sue&lt;br /&gt;
8. Listen To Me&lt;br /&gt;
9. Oh Boy (undubbed)&lt;br /&gt;
10. I&#039;m Gonna Love You Too&lt;br /&gt;
11. Send Me Some Lovin&#039; (undubbed)&lt;br /&gt;
12. It&#039;s Too Late (undubbed)&lt;br /&gt;
13. Oh Boy&lt;br /&gt;
14. An Empty Cup (And A Broken Date)&lt;br /&gt;
15. Rock Me My Baby&lt;br /&gt;
16. Rock Me My Baby (alternate)&lt;br /&gt;
17. You&#039;ve Got Love&lt;br /&gt;
18. Maybe Baby&lt;br /&gt;
19. Send Me Some Lovin&#039;&lt;br /&gt;
20. It&#039;s Too Late&lt;br /&gt;
21. Tell Me How&lt;br /&gt;
22. Little Baby&lt;br /&gt;
23. (You&#039;re So Square) Baby I Don&#039;t Care&lt;br /&gt;
24. Look At Me&lt;br /&gt;
25. Mona (rehearsal)&lt;br /&gt;
26. Mona (version 1)&lt;br /&gt;
27. Mona (version 2)&lt;br /&gt;
28. Mona (version 3)&lt;br /&gt;
29. Rave On&lt;br /&gt;
30. That&#039;s My Desire (two false starts plus undubbed master)&lt;br /&gt;
31. Well...All Right Well...All Right&lt;br /&gt;
32. Fool&#039;s Paradise (alternate take 1)&lt;br /&gt;
33. Fool&#039;s Paradise (alternate take 2)&lt;br /&gt;
34. Fool&#039;s Paradise (undubbed master)&lt;br /&gt;
&lt;br /&gt;
CD 4&lt;br /&gt;
1. Think It Over (false start &amp; rehearsal take)&lt;br /&gt;
2. Think It Over (undubbed alternate)&lt;br /&gt;
3. Think It Over (undubbed master)&lt;br /&gt;
4. Take Your Time (false start &amp; alternate take)&lt;br /&gt;
5. Take Your Time&lt;br /&gt;
6. Fool&#039;s Paradise&lt;br /&gt;
7. Think It Over&lt;br /&gt;
8. Lonesome Tears&lt;br /&gt;
9. It&#039;s So Easy&lt;br /&gt;
10. Heartbeat&lt;br /&gt;
11. Love&#039;s Made A Fool Of You (undubbed)&lt;br /&gt;
12. Early In The Morning&lt;br /&gt;
13. Now We&#039;re One (fragment)&lt;br /&gt;
14. Now We&#039;re One&lt;br /&gt;
15. Come Back Baby&lt;br /&gt;
16. Reminiscing (undubbed)&lt;br /&gt;
17. True Love Ways (mono mix)&lt;br /&gt;
18. True Love Ways (stereo mix)&lt;br /&gt;
19. It Doesn&#039;t Matter Anymore (mono)&lt;br /&gt;
20. It Doesn&#039;t Matter Anymore (stereo)&lt;br /&gt;
21. Raining In My Heart (mono)&lt;br /&gt;
22. Raining In My Heart (stereo)&lt;br /&gt;
23. Moondreams (mono)&lt;br /&gt;
24. Moondreams (stereo)&lt;br /&gt;
25. You&#039;re The One&lt;br /&gt;
26. That&#039;s What They Say (w/fragment)&lt;br /&gt;
27. What To Do&lt;br /&gt;
28. Peggy Sue Got Married&lt;br /&gt;
29. That Makes It Tough&lt;br /&gt;
30. Crying, Waiting, Hoping&lt;br /&gt;
31. Learning The Game&lt;br /&gt;
32. Wait Till The Sun Shines Nellie&lt;br /&gt;
&lt;br /&gt;
CD 5&lt;br /&gt;
1. Slippin&#039; And Slidin&#039; (slow version #1)&lt;br /&gt;
2. Slippin&#039; And Slidin&#039; (slow version #2)&lt;br /&gt;
3. Slippin&#039; And Slidin&#039; (fast version)&lt;br /&gt;
4. Drown In My Own Tears (fragment)/Buddy &amp; Maria Elena talking in apartment&lt;br /&gt;
5. Dearest (alternate take)&lt;br /&gt;
6. Dearest&lt;br /&gt;
7. Untitled Instrumental (a/k/a Buddy&#039;s Guitar/listed as &quot;Tremolo Instrumental&quot;)&lt;br /&gt;
8. Love Is Strange&lt;br /&gt;
9. Smokey Joe&#039;s Café&lt;br /&gt;
10. Peggy Sue Got Married&lt;br /&gt;
11. Crying, Waiting, Hoping&lt;br /&gt;
12. That&#039;s What They Say (version 2)&lt;br /&gt;
13. What To Do&lt;br /&gt;
14. Learning The Game&lt;br /&gt;
15. That Makes It Tough&lt;br /&gt;
16. Baby Won&#039;t You Come Out Tonight&lt;br /&gt;
17. Because I Love You&lt;br /&gt;
18. Changin&#039; All Those Changes&lt;br /&gt;
19. I&#039;m Gonna Set My Foot Down&lt;br /&gt;
20. It&#039;s Not My Fault&lt;br /&gt;
21. Rock-A-Bye Rock&lt;br /&gt;
22. Brown-Eyed Handsome Man&lt;br /&gt;
23. Bo Diddley&lt;br /&gt;
24. What To Do&lt;br /&gt;
25. Peggy Sue Got Married&lt;br /&gt;
26. Crying, Waiting, Hoping&lt;br /&gt;
27. That Makes It Tough&lt;br /&gt;
28. That&#039;s What They Say&lt;br /&gt;
29. Learning The Game&lt;br /&gt;
30. Reminiscing&lt;br /&gt;
31. Wait Till The Sun Shines Nellie&lt;br /&gt;
32. Dearest (version 2)&lt;br /&gt;
33. Slippin&#039; And Slidin&#039; (slow version 2)&lt;br /&gt;
&lt;br /&gt;
CD 6&lt;br /&gt;
1. Baby Let&#039;s Play House (I Wanna Play House With You)&lt;br /&gt;
2. Down The Line&lt;br /&gt;
3. Wait Til&#039; The Sun Shines Nellie (overdub version 2)&lt;br /&gt;
4. Reminiscing&lt;br /&gt;
5. Flower Of My Heart&lt;br /&gt;
6. Door To My Heart&lt;br /&gt;
7. Soft Place In My Heart&lt;br /&gt;
8. I Gambled My Heart&lt;br /&gt;
9. Gotta Get You Near Me Blues&lt;br /&gt;
10. Gone (version 3)&lt;br /&gt;
11. Rip It Up&lt;br /&gt;
12. Honky Tonk&lt;br /&gt;
13. Blue Suede Shoes&lt;br /&gt;
14. Shake Rattle And Roll&lt;br /&gt;
15. You And I Are Through&lt;br /&gt;
16. Baby It&#039;s Love&lt;br /&gt;
17. Memories&lt;br /&gt;
18. Queen Of The Ballroom&lt;br /&gt;
19. Love&#039;s Made A Fool Of You&lt;br /&gt;
20. Wishing (mono)&lt;br /&gt;
21. Wishing (stereo)&lt;br /&gt;
22. Maybe Baby&lt;br /&gt;
23. That&#039;s My Desire&lt;br /&gt;
24. Have You Ever Been Lonely (version 1)&lt;br /&gt;
25. Good Rockin&#039; Tonight&lt;br /&gt;
26. Blue Monday&lt;br /&gt;
27. Ain&#039;t Got No Home&lt;br /&gt;
28. Holly Hop&lt;br /&gt;
29. Slippin&#039; And Slidin&#039;&lt;br /&gt;
30. You&#039;re The One&lt;br /&gt;
31. Love Is Strange&lt;br /&gt;
32. (Ummm, Oh Yeah) Dearest&lt;br /&gt;
33. Smokey Joe&#039;s Café&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;The Doors - &lt;em&gt;Live In New York&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;img alt=&quot;2009-11-22-41YL0jY35cL._SL500_AA240_.jpg&quot; src=&quot;http://images.huffingtonpost.com/2009-11-22-41YL0jY35cL._SL500_AA240_.jpg&quot; width=&quot;240&quot; height=&quot;240&quot; /&gt;&lt;br /&gt;
&lt;br /&gt;
Appearing in New York City for the last time before Jim Morrison died, The Doors blues-rocked for four nights at the Felt Forum, a smaller-than-the-Garden arena whose acoustics were preferred by the band after having played the larger venue in the previous year. &lt;em&gt;Live In New York&lt;/em&gt; is a six-CD sprawl that presents all of the performances, those concerts having gone down as some of the band&#039;s most significant live works (over the years, only a few selected songs have been released across their box set and the album &lt;em&gt;Absolutely Live&lt;/em&gt;). &lt;br /&gt;
&lt;br /&gt;
These shows included takes on classic blues numbers and some of their oldest material as the band revisited their roots for revitalization, and the concerts also launched songs such as &quot;Roadhouse Blues,&quot; &quot;Ship Of Fools,&quot; and &quot;Peace Frog&quot; whose studio counterparts would later make up the core of the &lt;em&gt;Morrison Hotel&lt;/em&gt; album. Each night&#039;s set list was altered at the time for freshness (the last night including John Sebastian sitting-in), and with Bruce Botnick&#039;s new mixes, the recordings themselves sound as immediate as if you were at the Forum during those legendary concerts.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Start Here&lt;/strong&gt;: &quot;Roadhouse Blues,&quot; &quot;Light My Fire,&quot; &quot;Little Red Rooster,&quot; and &quot;Back Door Man&quot;&lt;br /&gt;
&lt;br /&gt;
Tracks:&lt;br /&gt;
&lt;br /&gt;
CD 1&lt;br /&gt;
Start Of Show&lt;br /&gt;
Roadhouse Blues&lt;br /&gt;
Ship Of Fools*&lt;br /&gt;
Break On Through (To The Other Side)*&lt;br /&gt;
Tuning&lt;br /&gt;
Peace Frog&lt;br /&gt;
Blue Sunday&lt;br /&gt;
Alabama Song (Whisky Bar)&lt;br /&gt;
Back Door Man*&lt;br /&gt;
Love Hides*&lt;br /&gt;
Five To One*&lt;br /&gt;
Tuning/Breather&lt;br /&gt;
Who Do You Love&lt;br /&gt;
Little Red Rooster&lt;br /&gt;
Money&lt;br /&gt;
Tuning&lt;br /&gt;
Light My Fire*&lt;br /&gt;
More, More, More&lt;br /&gt;
Soul Kitchen*&lt;br /&gt;
End Of Show&lt;br /&gt;
&lt;br /&gt;
CD2&lt;br /&gt;
Start Show 2&lt;br /&gt;
Jim How Ya Doing?&lt;br /&gt;
Roadhouse Blues&lt;br /&gt;
Break On Through (To The Other Side)*&lt;br /&gt;
Ship Of Fools&lt;br /&gt;
Crawling King Snake&lt;br /&gt;
Alabama Song (Whisky Bar)&lt;br /&gt;
Back Door Man*&lt;br /&gt;
Five To One&lt;br /&gt;
Pretty Neat, Pretty Good&lt;br /&gt;
Build Me A Woman&lt;br /&gt;
Tuning/Breather&lt;br /&gt;
Who Do You Love*&lt;br /&gt;
Tuning/Breather&lt;br /&gt;
Wild Child*&lt;br /&gt;
Cheering/Tuning&lt;br /&gt;
When The Music&#039;s Over&lt;br /&gt;
&lt;br /&gt;
CD3&lt;br /&gt;
Tuning/Breather&lt;br /&gt;
Light My Fire*&lt;br /&gt;
Hey, Mr. Light Man!&lt;br /&gt;
Soul Kitchen*&lt;br /&gt;
Jim&#039;s Fish Joke&lt;br /&gt;
The End&lt;br /&gt;
End Of Show&lt;br /&gt;
&lt;br /&gt;
CD 4&lt;br /&gt;
Start Show 3&lt;br /&gt;
Roadhouse Blues*&lt;br /&gt;
Ship Of Fools*&lt;br /&gt;
Break On Through (To The Other Side)*&lt;br /&gt;
Tuning/Breather&lt;br /&gt;
Universal Mind*&lt;br /&gt;
Alabama Song (Whisky Bar) - False Start*&lt;br /&gt;
Alabama Song (Whisky Bar)*&lt;br /&gt;
Back Door Man*&lt;br /&gt;
Five To One&lt;br /&gt;
Tuning/Breather&lt;br /&gt;
Moonlight Drive&lt;br /&gt;
Who Do You Love*&lt;br /&gt;
Calling Out For Songs&lt;br /&gt;
Money*&lt;br /&gt;
Tuning/Breather&lt;br /&gt;
Light My Fire&lt;br /&gt;
More, More More&lt;br /&gt;
When The Music&#039;s Over*&lt;br /&gt;
Good Night - End Show&lt;br /&gt;
&lt;br /&gt;
CD 5&lt;br /&gt;
Start Show 4&lt;br /&gt;
Roadhouse Blues*&lt;br /&gt;
Peace Frog*&lt;br /&gt;
Alabama Song (Whisky Bar)*&lt;br /&gt;
Back Door Man&lt;br /&gt;
Five To One&lt;br /&gt;
We Have A Special Treat&lt;br /&gt;
Celebration Of The Lizard&lt;br /&gt;
Alright Let&#039;s Boogie&lt;br /&gt;
Build Me A Woman&lt;br /&gt;
When The Music&#039;s Over*&lt;br /&gt;
More, More, More&lt;br /&gt;
&lt;br /&gt;
CD 6&lt;br /&gt;
Soul Kitchen*&lt;br /&gt;
For Fear Of Getting Too Patriotic&lt;br /&gt;
Petition The Lord With Prayer&lt;br /&gt;
Light My Fire&lt;br /&gt;
Only When The Moon Comes Out&lt;br /&gt;
Close To You&lt;br /&gt;
The Encore Begins&lt;br /&gt;
Rock Me*&lt;br /&gt;
What To Do Next?&lt;br /&gt;
Going To N.Y. Blues*&lt;br /&gt;
Tuning/Breather&lt;br /&gt;
Maggie M&#039;Gill*&lt;br /&gt;
Tuning/Breather&lt;br /&gt;
Gloria*/End Of Show&lt;br /&gt;
&lt;br /&gt;
*previously unreleased&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Susan Boyle - &lt;em&gt;I Dreamed A Dream&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;img alt=&quot;2009-11-22-51KWvTsndtL1._SL500_AA240_.jpg&quot; src=&quot;http://images.huffingtonpost.com/2009-11-22-51KWvTsndtL1._SL500_AA240_.jpg&quot; width=&quot;240&quot; height=&quot;240&quot; /&gt;&lt;br /&gt;
&lt;br /&gt;
It was lots of fun over this past year to read everyone&#039;s quick-witted and dim-witted blogs about Scottish singer Susan Boyle, the 48-year-old housewife who amazed millions of British and YouTube viewers with her renditions of &quot;Cry Me A River&quot; and &lt;em&gt;Les Misérables&lt;/em&gt;&#039; &quot;I Dreamed A Dream.&quot; That title says almost everything you need to know about the self-proclaimed &quot;wee-wifey,&quot; Boyle successfully having challenged convention while following her heart&#039;s desire by appearing on &lt;em&gt;Britain&#039;s Got Talent&lt;/em&gt;. And when the middle-aged pop idol appeared on &lt;em&gt;America&#039;s Got Talent&lt;/em&gt;, her eerily good take on The Rolling Stones&#039; &quot;Wild Horses&quot; earned her a standing ovation, that performance expanding her presence in U.S. households beyond the internet.&lt;br /&gt;
&lt;br /&gt;
This new album--naturally, titled &lt;em&gt;I Dreamed A Dream&lt;/em&gt;--features a few of Boyle&#039;s most internationally popular reworks including the above-mentioned as well as covers of John Stewart&#039;s original &quot;Daydream Believer&quot; (the old Monkees and Anne Murray hit), and a touching version of Madonna&#039;s &quot;You&#039;ll See.&quot; With faith playing a major role in her personal life, Susan Boyle&#039;s &quot;Amazing Grace,&quot; &quot;Silent Night,&quot; and &quot;How Great Thou Art&quot; were necessary inclusions, as were the self-confident and assertive &quot;Who I Was Born To Be&quot; and the song &quot;Proud&quot; that practically is an anthem for anyone who is, well, proud of their lives.&lt;br /&gt;
&lt;br /&gt;
This will be an album to watch because it could very well shake up the Top Ten based on interest from mature and Christian demos as well as the extremely curious. You&#039;ve got to root for the underdogs when they&#039;re this honest about their convictions, and Susan Boyle is like a singing Rocky of her generation on both sides of the pond. Sure, her vibrato warbles in spots, her read sounds a little lost when tackling lyrics that get wordy, and this will be a tough listen for anyone without ears for the easy listening format. But makin&#039; rekkids is a new experience for Boyle, and she did it pretty well this time out without a trace of Mrs. Elva Miller on the microphone. In a year when Barbra Streisand can have one of the biggest albums of her career, Susan Boyle comes to the plate ignoring the signals. Watch her point the bat at us with an evil grin then proceed to hit a homer.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Start Here&lt;/strong&gt;: &quot;Wild Horses,&quot; &quot;You&#039;ll See,&quot; and &quot;I Dreamed A Dream&quot;&lt;br /&gt;
&lt;br /&gt;
Tracks: &lt;br /&gt;
&lt;br /&gt;
1. Wild Horses&lt;br /&gt;
2. I Dreamed A Dream&lt;br /&gt;
3. Cry Me A River&lt;br /&gt;
4. How Great Thou Art	&lt;br /&gt;
5. You&#039;ll See&lt;br /&gt;
6. Daydream Believer&lt;br /&gt;
7. Up To The Mountain	&lt;br /&gt;
8. Amazing Grace&lt;br /&gt;
9. Who I Was Born To Be	&lt;br /&gt;
10. Proud&lt;br /&gt;
11. The End Of The World	&lt;br /&gt;
12. Silent Night&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;An Interview With The Jimmies&#039; Ashley Albert&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;img alt=&quot;2009-11-23-515ilsnNjjL._SL500_AA240_.jpg&quot; src=&quot;http://images.huffingtonpost.com/2009-11-23-515ilsnNjjL._SL500_AA240_.jpg&quot; width=&quot;240&quot; height=&quot;240&quot; /&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Mike Ragogna&lt;/strong&gt;: How would you best describe a &quot;Jimmie&quot;?&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Ashley Albert&lt;/strong&gt;: &quot;Jimmies,&quot; in the northeast, are sprinkles that you put on ice cream. &quot;The Jimmies&quot; had become my company name...what I like about it is that their only purpose on ice cream is to add a little extra fun. They have no nutritional value, they&#039;re not even particularly delicious, and there&#039;s no reason for them to be there except if you want to add a tiny bit more fun than what ice cream already offers. So I like the idea that The Jimmies are just there for a little extra fun. Make that a lot more fun. &lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;MR&lt;/strong&gt;: Yeah, and you can&#039;t say the word without smiling at the end of it. Nicely played!&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;AA&lt;/strong&gt;: I&#039;m a namer, like in general, and people come to me when they have babies, new businesses, books, or products, that&#039;s my thing. I would actually start a company that did that if I could think of a good enough name for it. &lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;MR&lt;/strong&gt;: There seem to be many Jimmies, but it&#039;s also your persona. How does that duplicity work in Jimmies World?&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;AA&lt;/strong&gt;: Originally, when The Jimmies came about, it was just me. I got a record producer and made the album with him, then I had auditions in New York and cast the band. I&#039;d never been in a band before, I didn&#039;t know anything, I just sort of went like, &quot;I don&#039;t know, what&#039;s in a band...a bass player, a keyboard player, a drummer,&quot; so I sort of picked those instruments. It&#039;s always been a work-for-hire kind of thing, and I now have a stable of great guys I can call upon at any moment.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;MR&lt;/strong&gt;: You have a couple of different projects, the DVD/CD &lt;em&gt;Trying Funny Stuff&lt;/em&gt; and the older CD &lt;em&gt;Make Your Own Someday&lt;/em&gt; that&#039;s been out for a while, right?&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;AA&lt;/strong&gt;: Yeah, that&#039;s been out for about three years, but it&#039;s never gotten any national distribution. So once I made this deal with Barnes &amp; Noble, we decided to re-release it. It had been a pretty underground record, and it won a bunch of &quot;Best Album Of The Year&quot; raves and a bunch of awards, but really, only the parents who were in the super-super in-the-know had heard the record. Since the DVD was sort of a companion piece to the CD because it&#039;s all the music from it, we decided to release them both at the same time.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;MR&lt;/strong&gt;: So Barnes &amp; Noble saw the genius of your Jimmies?&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;AA&lt;/strong&gt;: Yeah, which is incredible because we did it independently. Usually, a big place like Barnes &amp; Noble isn&#039;t interested in working with an independent artist, they want to work with major labels and distributors. It&#039;s very difficult, in general, for an independent artist to get brick-and-mortar stores. They really only want the franchise stuff that&#039;s on TV that&#039;s already guaranteed to sell. It&#039;s amazing, they have it on their overheads, and someone told me when they walked in the store, we were playing on their sound system. We&#039;re their &quot;gift&quot; buy, and they even have us on their end-cap...they&#039;ve really gotten behind it. I get on the phone with them all the time, and for such a big company, it feels very personal and they&#039;re good people. So, I&#039;m completely blown away, excited, and grateful that they&#039;re taking a chance on us.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;MR&lt;/strong&gt;: It&#039;s like you&#039;re trailblazing for independent artists as you elevate your presence there.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;AA&lt;/strong&gt;: Now we just have to get people to buy it so that more independent artists will be able to get in there!&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;MR&lt;/strong&gt;: And even with a Barnes &amp; Noble backing projects like these, artists like yourself who create children&#039;s music have a tough go of it since parents don&#039;t necessarily know what they&#039;re looking for. Like for most genres, touring seems to be the best way to support a project.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;AA&lt;/strong&gt;: We have a great booking agent, the same as The Imagination Movers, which is amazing. There are times when people call for them and when they can&#039;t afford paying for them, they kind of slide us into that slot if they still need a musical act. &lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;MR&lt;/strong&gt;: Who takes care of the details for your tours?&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;AA&lt;/strong&gt;: I do everything myself from the negotiations of the contract to packing up the bubble machine to getting us hotel rooms. &lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;MR&lt;/strong&gt;: Taking the show that&#039;s on &lt;em&gt;Trying Funny Stuff&lt;/em&gt; must be interesting to recreate on the road since there&#039;s a lot going on.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;AA&lt;/strong&gt;: It&#039;s a tremendous effort to get out there and tour, and like you said, it&#039;s so hard to get the awareness out to parents, even to come out to the shows. They just don&#039;t have time...if it&#039;s not on TV or they just don&#039;t know about it, you can&#039;t ask parents to do the investigative research to find out. So, I&#039;m focusing on trying to find alternative ways to get in front of families, and that&#039;s more effective than doing one-off shows here and there.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;MR&lt;/strong&gt;: Making music for children that aren&#039;t super-young also must be challenging.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;AA&lt;/strong&gt;: The challenge for us, and also one of the great things, is that we&#039;re one of the few kid bands out there that are making music for elementary school-aged kids. A lot of the kids bands are aiming at the younger toddlers and pre-school kids, and there&#039;s not a lot of contact made with elementary school kids. The problem is the older kids will watch the young stuff until they get old enough, and then they move on to the Hannah Montanas and Jonas Brothers of the world. So, no one has to make music for that age group, they just get buckled-in, they just have to hook the older kids and the younger kids, then the middle kids will follow. &lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;MR&lt;/strong&gt;: Is there has to be a lot of satisfaction in directing music at that age group?&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;AA&lt;/strong&gt;: I love that we&#039;re doing it for them, they&#039;re the best kids. They&#039;re not only the ones that are still young enough to be silly and laugh and have fun, but they&#039;re old enough that they have a sense of humor, a sense of language, and they&#039;re able to follow the nuances of puns and my style of ridiculousness. &lt;br /&gt;
&lt;br /&gt;
&lt;img alt=&quot;2009-11-23-41WilMQSwL._SL500_AA200_.jpg&quot; src=&quot;http://images.huffingtonpost.com/2009-11-23-41WilMQSwL._SL500_AA200_.jpg&quot; width=&quot;200&quot; height=&quot;200&quot; /&gt;&lt;br /&gt;
&lt;br /&gt;
1. What&#039;s That Sound?	 &lt;br /&gt;
2. Bedhead	 &lt;br /&gt;
3. Spanimals &lt;br /&gt;
4. The Peanut Butter Polka	 &lt;br /&gt;
5. Cool To Be Uncool	 &lt;br /&gt;
6. Do The Elephant	 &lt;br /&gt;
7. Teeth &lt;br /&gt;
8. What&#039;s On Your Shirt?	 &lt;br /&gt;
9. Punxsutawney Phil	 &lt;br /&gt;
10. Somebody&#039;s Birthday	 &lt;br /&gt;
11. Taddy	 &lt;br /&gt;
12. Huptsha Huptsha	 &lt;br /&gt;
13. Soaper the Scaredy-Bot	 &lt;br /&gt;
14. Tuesday Blues	 &lt;br /&gt;
15. Googlie Mooglie&lt;br /&gt;
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&lt;strong&gt;INTERMISSION&lt;/strong&gt;: &lt;strong&gt;Hey, check out the new Paramore video, &quot;Brick By Boring Brick&quot;!&lt;/strong&gt;:&lt;br /&gt;
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&lt;strong&gt;Pressing Press Releases&lt;/strong&gt;:&lt;br /&gt;
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&lt;strong&gt;MySpace Music Invites Fans to GET CLOSE TO LADY GAGA with New Contest&lt;/strong&gt;&lt;br /&gt;
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Site Premieres New Album from Adam Lambert Titled For Your Entertainment&lt;br /&gt;
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Win a chance to meet Lady Gaga, attend her rehearsal and &quot;Monster Ball&quot; concert in Boston all while capturing it on camera. MySpace Music announced today an exclusive contest with international pop superstar Lady Gaga to win the chance to film the first U.S concert of her tour on December 1st in Boston, MA; the video will be edited and featured on the homepage of MySpace.  The Fame Monster herself will be choosing fan-submitted videos claiming why they deserve to &quot;get close&quot; to the superstar. The contest kicks off today at Lady Gaga&#039;s official MySpace profile at: http://www.myspace.com/ladygaga. The chosen fans will be flown to Boston, equipped with cameras, to document her performance and share their experiences. The day they arrive they will head to the venue to watch Lady Gaga rehearse and meet and interview her. At the end of the night, the winners will hand in their cameras and their footage will be edited together into a comprehensive concert piece fully shot by her biggest fans and, in essence, creating three new official live videos for Lady Gaga.&lt;br /&gt;
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In addition to the aforementioned contest, music fans can listen to Adam Lambert&#039;s highly anticipated debut album, For Your Entertainment, in full and for free exclusively on MySpace Music (http://www.myspace.com/adamlambert) and iLike (http://www.iLike.com/adamlambert) . The exclusive album stream will be available on MySpace Music and iLike a week in advance of For Your Entertainment&#039;s release on November 23, 2009.&lt;br /&gt;
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&lt;strong&gt;GLEEFUL NEWS! - CAST VERSIONS OF &quot;BOOTYLICIOUS,&quot; &quot;IMAGINE,&quot; &quot;TRUE COLORS,&quot; AND CAST MASH-UP OF &quot;HAIR/CRAZY IN LOVE,&quot; AMONG SONGS FEATURED IN &quot;GLEE&quot; WEDNESDAY, NOVEMBER 25, ON FOX&lt;/strong&gt;&lt;br /&gt;
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 Columbia Records and Twentieth Century Fox Television today released select songs on iTunes featured in this week&#039;s episode of GLEE, including cast versions of Beyonce&#039;s &quot;Bootylicious,&quot; John Lennon&#039;s &quot;Imagine,&quot; Cyndi Lauper&#039;s &quot;True Colors&quot; and a cast mash-up of &quot;Hair&quot; from the musical and Beyonce&#039;s &quot;Crazy in Love.&quot;&lt;br /&gt;
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In this week&#039;s all-new episode, airing Wednesday, Nov. 25 (9:00-10:00 PM ET/PT) on FOX, WILL (Matthew Morrison) is concerned that SUE (Jane Lynch) is up to no good, so he pays a visit to an instructor of a competing Glee Club (guest star Eve) to see what information she might be leaking, which leads to the club getting a look at their hair-rising competition. Meanwhile, KURT (Chris Colfer) gives RACHEL (Lea Michele) a makeover to impress FINN (Cory Monteith), but he may have ulterior motives in the &quot;Hairography&quot; episode of GLEE.  &lt;br /&gt;
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In addition to these new songs, cast versions of Diana Ross and Lionel Richie&#039;s &quot;Endless Love,&quot; The Pretenders&#039; &quot;I&#039;ll Stand By You,&quot; Jennifer Paige&#039;s &quot;Crush,&quot; Paul Anka&#039;s &quot;(You&#039;re) Having My Baby,&quot; Bill Withers&#039; &quot;Lean On Me,&quot; cast mash-up of The Police&#039;s &quot;Don&#039;t Stand So Close To Me&quot; with Gary Puckett and the Union Gap&#039;s &quot;Young Girl,&quot; Ike &amp; Tina Turner&#039;s &quot;Proud Mary,&quot; &quot;Defying Gravity&quot; from Broadway&#039;s &quot;Wicked,&quot; Billy Idol&#039;s &quot;Dancing With Myself,&quot; Young MC&#039;s &quot;Bust A Move,&quot; Neil Diamond&#039;s &quot;Sweet Caroline,&quot; Sisqo&#039;s &quot;Thong Song,&quot; Jill Scott&#039;s &quot;Hate On Me,&quot; The Supremes&#039; &quot;You Keep Me Hangin&#039; On,&quot; Jordin Sparks and Chris Brown&#039;s &quot;No Air,&quot; Avril Lavigne&#039;s &quot;Keep Holding On,&quot; Queen&#039;s &quot;Somebody To Love,&quot; Heart&#039;s &quot;Alone,&quot; Journey&#039;s &quot;Don&#039;t Stop Believin&#039;,&quot; &quot;Maybe This Time&quot; from &quot;Cabaret,&quot; Céline Dion&#039;s &quot;Taking Chances,&quot; Rihanna&#039;s &quot;Take A Bow,&quot; Carrie Underwood&#039;s &quot;Last Name,&quot; Jazmine Sullivan&#039;s &quot;Bust Your Windows,&quot; Kanye West&#039;s &quot;Gold Digger,&quot; REO Speedwagon&#039;s &quot;Can&#039;t Fight This Feeling,&quot; Salt-N-Pepa&#039;s &quot;Push It&quot; and Duffy&#039;s &quot;Mercy,&quot; as well as mash-ups of Bon Jovi&#039;s &quot;It&#039;s My Life&quot; with Usher&#039;s &quot;Confessions Part II&quot; and Beyoncé&#039;s &quot;Halo&quot; with Katrina and the Waves&#039; &quot;Walking on Sunshine,&quot; are also available for purchase via all digital service providers.&lt;br /&gt;
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&quot;Glee: The Music, Volume 1,&quot; which features music heard in the first season of the series, is currently available for purchase. Released on November 3, the album sold in excess of 113,000 units in its first week alone and garnered an astounding No. 4 spot on the Billboard Top 200 Album Chart. And for fans who just can&#039;t get enough of GLEE&#039;s high-spirited music, &quot;Glee: The Music, Volume 2&quot; hits stores on Tuesday, Dec. 8.&lt;br /&gt;
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GLEE, the genre-defying new musical comedy series, follows an optimistic teacher who - against all odds and a malicious cheerleading coach - attempts to save McKinley High&#039;s Glee Club from obscurity while helping a group of aspiring underdogs realize their true star potential. Starring Dianna Agron, Chris Colfer, Jessalyn Gilsig, Jane Lynch, Jayma Mays, Kevin McHale, Lea Michele, Cory Monteith, Matthew Morrison, Amber Riley, Mark Salling and Jenna Ushkowitz, GLEE is produced by Ryan Murphy Television in association with 20th Century Fox Television. Ryan Murphy, Brad Falchuk and Ian Brennan are co-creators of the series. Murphy, Falchuk and Dante Di Loreto serve as executive producers, while Ian Brennan serves as co-executive producer.&lt;br /&gt;
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&lt;strong&gt;NORMA JEAN PERFORMING NEW SONG &quot;KILL MORE PRESIDENTS&quot; ON THE EXPLOSIONS 2009 TOUR&lt;/strong&gt;&lt;br /&gt;
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CREATING LIVE MUSIC VIDEO VIA FAN VIDEO CLIPS WITH PRIZE PACK GIVEAWAYS&lt;br /&gt;
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NEW ALBUM OUT SUMMER 2010 &lt;br /&gt;
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Calling all Norma Jean fans--get your video phones &amp; flip cams charged and ready to record the live performance of their new song, &quot;Kill More Presidents,&quot; for their current EXPLOSIONS 2009 Tour.  The band is asking fans to use their portable digital cameras to film the band playing the new song live and then upload to a microsite after the show.  Norma Jean will then create a live music video with all material coming from fan submissions.  &lt;br /&gt;
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For those who submit video clips, Norma Jean offer a hefty set of prizes from such sponsors as Monster Energy, Activision/Tony Hawk RIDE, Alternative Press Magazine, Denny&#039;s, Keep A Breast, Rockett Clothing and Hot Topic.  Those without a digital video camera can still submit their email address for the Norma Jean mailing list and enter to win the second tier prize pack.  Winners will be chosen at random.&lt;br /&gt;
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Norma Jean will be playing &quot;Kill More Presidents&quot; live on the 2009 EXPLOSIONS tour with support from Horse The Band, The Chariot, and Arsonists Get All The Girls.  A new Norma Jean album is slated for summer 2010.&lt;br /&gt;
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Click here for the contest microsite: http://www.normajeannoise.com/video/ &lt;br /&gt;
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&lt;strong&gt;PATTY GRIFFIN TO RELEASE GOSPEL-INSPIRED ALBUM&lt;/strong&gt;&lt;br /&gt;
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DOWNTOWN CHURCH TO BE RELEASED JANUARY 26, 2010&lt;br /&gt;
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EMI/Credential Recordings is excited to announce that Patty Griffin is set to release Downtown Church, a gospel-inspired set on January 26, 2010. It is Griffin&#039;s seventh album and was produced by Buddy Miller. Downtown Church was cut live in The Downtown Presbyterian Church on 5th Ave. N. in Nashville over the first week of January 2009 with Griffin singing from the pulpit. It features vocal support from Emmylou Harris, Raul Malo, Jim Lauderdale, Shawn Colvin, Mike Farris, Buddy and Julie Miller as well as Regina and Ann McCrary, whose father was one of the founding members of the legendary gospel group the Fairfield Four. The musicians are bassist Dennis Crouch and drummer Jay Bellerose who played with Miller in the Alison Krauss/Robert Plant touring band, as well as long-time Griffin guitarist Doug Lancio, Stuart Duncan on fiddle, John Deaderick on piano and Russ Pahl on steel guitar among others.&lt;br /&gt;
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The idea for Downtown Church started with EMI&#039;s Peter York suggesting to Griffin that she should consider doing an album of gospel songs. His suggestion grew out of a version of &quot;Waiting For My Child,&quot; the song Griffin recorded with Mavis Staples for the Oh Happy Day compilation. Griffin&#039;s answer was simple: &quot;That would be great, as long as Buddy Miller is producing it.&quot; She continued, &quot;I still feel like black gospel music, what&#039;s come out of the United States from slavery, is really the foundation for almost everything that I love. I&#039;m talkin&#039; Beatles and everything. That, to me, is just basic. The foundation.&quot;&lt;br /&gt;
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When Miller and Griffin started work on the record, the producer sent the singer his favorite gospel songs. &quot;Buddy dumped so many songs onto my iTunes that it crashed,&quot; Griffin said. &quot;That was a year before we even started making the record. And then he sent me a couple of CDs. There were like 100 songs to start. It was pretty fun going through all that stuff; I got through the first 50 and had everything I needed.&quot;&lt;br /&gt;
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Like Griffin&#039;s previous six albums, Downtown Church is stylistically diverse, focusing not only on the black gospel tradition but also on the white Southern gospel songs of Hank Williams and Alfred G. Karnes (one of the dozens of artists not named Carter or Rodgers who were recorded by Ralph Peer in Bristol, TN, during the late 1920s), and one beautiful nod to Hispanic gospel traditions. Alongside, two Griffin originals and a closing hymn attributed to St. Francis of Assisi round out the record.&lt;br /&gt;
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Her own contributions came after listening to a goodly handful of Bob Dylan&#039;s religious work. &quot;Buddy sent me a lot of that stuff,&quot; she says. &quot;It&#039;s just not my point of view. The songs I&#039;m singing, I&#039;m just interpreting someone else&#039;s ideas, and I&#039;m not tied to those ideas. Listening to Dylan, who&#039;s contemporary, and who&#039;s in my genre, if I may be so bold as to say that, I felt like I really had to write my own and put a couple in there that feel like me.&quot;&lt;br /&gt;
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Griffin and her band will be touring throughout 2010.&lt;br /&gt;
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&lt;strong&gt;LISA GERMANO NEWS AND MORE&lt;/strong&gt;&lt;br /&gt;
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   Ida Con Snock is the 21st full length album by legendary rambler, cartoonist, and &quot;outsider&quot; folk singer, guitarist Michael Hurley.  The new album features Hurley accompanied by NYC&#039;s premier acoustic experimentalists Ida.  Ida Con Snock was recorded at Levon Helm Studios in Woodstock and Brooklyn Studios in Brooklyn engineered by Justioan Guip and Andy Taub respectively. Ida Con Snock is his second for the Gnomonsong label distributed by Revolver USA.  &lt;br /&gt;
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    Ida&#039;s less-is-more finesse shines through brightly on these rich studio recordings, melding perfectly with Michael&#039;s inimitable playing, singing and songwriting. While many of his contemporaries have expired or are long past their creative prime, his muse is still at full strength. Many of these songs are already familiar to Hurley devotees: there are seven originals and five loving covers of 50&#039;s rock &#039;n&#039; roll chestnuts, C&amp;W and folk vintage here.  They all bubble with laid back ease and tremolodic goodness.&lt;br /&gt;
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     Hurley&#039;s unque gifts as a songwriter are something that hasn&#039;t gone unnoticed by new a generation of respected musicians. In recent years, Michael was invited to tour with alt-country heroes Son Volt and Lucinda Williams. He&#039;s also shared bills with Smog and Palace Brothers; played with the Giant Sand rhythm section; and has appeared with and played on and been covered by Vetiver on record and onstage. His songs have also been covered by indie stars Cat Power and Yo La Tengo among many others.&lt;br /&gt;
http://www.snockonews.net/&lt;br /&gt;
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    Still harvesting and sustaining in the deep woods of Vermont , MV &amp; EE (Matt &quot;MV&quot; Valentine, once the brawn of the Tower Recordings, and Erika &quot;EE&quot; Elder, CEO of Heroine Celestial Agriculture and The MV &amp; EE Medicine Show) are following their 2008 release Drone Trailer with their feature-film-for-the-blind Barn Nova, which marks their return to the Ecstatic Peace! label.&lt;br /&gt;
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     MV &amp; EE aspire to the sort of beautifully rewarding standard in their documented output that Sun Ra or The Grateful Dead achieved. It is with Ecstatic Peace! that their most consistent works have been born and continue reach fans with The Golden Road, their most constant band. Together with Doc Dunn (pedal steel, rhythm guitar, vocals, drums) and Mike Smith (Rickenbacker 4001, vocals) who appeared on Drone Trailer as well as J Mascis (drums, guitar, plate reverb) and Woods&#039; Jeremy Earl (vocal, drums) they take you on the ride now known as Barn Nova and here they jam. Justin Pizzoferrato also appears contributing percussion, space echo and aiding once again at the controls.  This album was recorded at MV &amp; EE&#039;s own home studio &quot;Maximum Arousal Farm&quot; as well as their current local New England rooms of choice, &quot;Bank Row&quot; (an old mid 1900&#039;s bank) and J&#039;s home studio &quot;Bisquiteen.&quot;&lt;br /&gt;
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www.myspace.com/mveebummerroad&lt;br /&gt;
http://www.ecstaticpeace.com/kits/barnnova_kit.html&lt;br /&gt;
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     Magic Neighbor is the eighth album from singer/songwriter/multi-instrumentalist Lisa Germano. The album was recorded by Jamie Camdiloro at his home in Los Angeles, produced by Germano. Magic Neighbor is her third release on Young God Records.&lt;br /&gt;
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      Germano didn&#039;t approach the recording with the intent of &quot;making a record;&quot; she just needed to address these songs and decide whether they&#039;d be meaningful to anyone besides her. Lacking the means of recording at home she began working with Camdiloro where they&#039;d left off with in the maybe world tracking voice and piano. Besides new songs, Lisa revisited older compositions that&#039;d never been rendered properly, including some that were among the first she&#039;d ever written. She re-worked some lyrics, added more instrumentation, and then brought in Sebastian Steinberg (Soul Coughing) on acoustic bass and Greg Leisz on pedal steel. None of the arrangements were worked out beforehand; all the playing was improvised in the studio.   &lt;br /&gt;
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     The final results are impossibly poignant and often heartbreakingly beautiful. Her production has a powerful, imaginative effect - seductive and truly magical. No one sounds like her. You get the feeling you&#039;re walking through her dreams as you listen. The intensity of feeling in her singing is a little frightening sometimes - it&#039;s like she&#039;s singing very close to your ear, leading you through her ultra emotional world. Magic neighbor was written about Germano&#039;s neighbor who put her two cats to sleep because... she wanted a new kitchen. But it&#039;s a positive record about trying to be happy with all the sad shit in the world, dealing with your own fights and being the mighty one who rises above it and contributes something of worth.&lt;br /&gt;
http://www.lisagermano.com/&lt;br /&gt;
www.myspace.com/lisagermano&lt;br /&gt;
http://younggodrecords.com/&lt;br /&gt;
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     &quot;To start again, we&#039;re the lucky ones&quot; opens &quot;Shelter,&quot; the first track on The Swimmers&#039; People Are Soft, and with it rings the sound of the band reinventing itself. Following the success of 2008&#039;s Fighting Trees--which garnered rave reviews from The Philadelphia Inquirer, Magnet, The Tripwire and Time Out Chicago--Steve and Krista Yutzy-Burkey, Scott French and Rick Sieber decided to start fresh by building a home studio from the ground up and recording a new album entirely on their own.  The hard-won results feature intensely personal songwriting couched in distorted synthesizer hooks, crushing electric guitars and dark reverb swells.  &quot;It was a very focused and isolated time in the studio, and much of the grit was in the mixing process.  These songs were darker and more intricate than the last record, and they demanded a very affected, refined sound,&quot; says lead singer/songwriter Steve Yutzy-Burkey.&lt;br /&gt;
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     Steve met his wife Krista, the Swimmers&#039; keyboard player, when she was a harp performance major at a small liberal arts college in Indiana.  At the same college, Steve played in various groups with bass player Rick Sieber, who was working towards a degree in Library Science. The three graduated and relocated to Philadelphia, where Steve, in response to an intriguing job listing, became a pipe organ tuner.  There, he and drummer Scott French began recording music together as they repaired and tuned massive church organs. Their piano-pounding, vocal harmony-laden debut album was proclaimed by influential WXPN program director Bruce Warren to be &quot; the best record not released in 2007,&quot; and Fighting Trees was subsequently picked up for release by MAD Dragon Records.&lt;br /&gt;
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www.myspace.com/helloswimmers&lt;br /&gt;
http://theswimmers.com/press&lt;br /&gt;
www.maddragonrecords.com&lt;br /&gt;
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     What Will We Be is the sixth full length release from Devendra Banhart who exploded on the international music scene in 2002 quickly winning a coterie of devoted fans as well as an unusually hefty amount of critical kudos right from the outset. The new album was recorded in a sleepy Northern California town throughout the Spring of 2009 co-produced by Devendra and Paul Butler (from UK outfit Band Of Bees).  What Will We Be is his label debut for Warner Brothers Records.&lt;br /&gt;
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     On What Will We Be Devendra attains the same clarity and focus as his groundbreaking solo work.  The album is dominated by powerfully melodic, mid-tempo numbers played with relaxed expertise. But there&#039;s also ambitious stylistic range displayed with the inclusion of evanescent ballads like &quot;Meet Me At Lookout Point,&quot; the epic riff-rocker &quot;Rats&quot; sprightly R&amp;B flavored groovers on &quot;Baby,&quot;  and the sultry Latin-flavored  stunner &quot;Brindo,&quot;  the Roxy-inspired &quot;16th &amp; Valencia, Roxy Music&quot; among other pleasant surprises.&lt;br /&gt;
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     The basic recording line-up was Devendra on vocals and guitar; Noah Georgeson (producer of Banhart&#039;s last two albums, Little Joy, Bert Jansch and Joanna Newsome) on guitar and backing vocals, Greg Rogove (Priestbird) on drums and backing vocals; Luckey Remington (The Pleased) on bass and vocals and Rodrigo Amarante (Los Hermanos, Little Joy) on guitar and backing vocals. All the musicians involved played a part in arranging the songs recorded. Devendra and company took up residence in a private home, North of San Francisco, and set up a recording studio in it.&lt;br /&gt;
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www.devendrabanhart.com  &lt;br /&gt;
myspace.com/devendrabanhart&lt;br /&gt;
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&lt;strong&gt;THE AVETT BROTHERS ANNOUNCE 2010 SPRING TOUR&lt;/strong&gt;&lt;br /&gt;
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AUSTIN CITY LIMITS PERFORMANCE ON JANUARY 23rd&lt;br /&gt;
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The Avett Brothers are thrilled to announce their 2010 spring tour dates.  With their album I and Love and You debuting at number 16 on the Billboard charts and selling over 40,000 units during the first week alone, these North Carolina rockers haven&#039;t shown any signs of slowing down. &lt;br /&gt;
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On the heels of an extremely successful 2009 year with their critically acclaimed Rick Rubin produced album I and Love and You, and an extensive electrifying US tour, The Avett Brothers gear up to remind fans just how powerful a musical force this quartet is.  Beginning their spring tour on February 4th in Athens, OH the band will travel throughout the US and end up in Cumberland, MD on May 28th (see below for full itinerary).  &lt;br /&gt;
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The Avett Brothers recently taped a special performance for  PBS&#039; Austin City Limits.  Austin City Limits is the longest-running music series in American television history.  With this performance, the Avett Brothers join the celebrated ranks with music legends and innovators from every genre including the likes of Willie Nelson, Johnny Cash, Jerry Lee Lewis and Fats Domino.  This momentous performance will air January 23rd on PBS. &lt;br /&gt;
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This year, the brothers have been wowing late night audiences across America with performances on The Late Show with David Letterman , The Late Late Show with Craig Ferguson and more recently, Late Night with Jimmy Fallon where they debuted their second single &quot;Slight Figure of Speech.&quot;&lt;br /&gt;
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The video for &quot;Slight Figure of Speech&quot; premieres today on the comedy site, FunnyOrDie.com, with a guest appearance by funny man Andy Daly.  The video was directed by fellow North Carolina native Jody Hill, the brain behind HBO&#039;s cult classic &quot;Eastbound &amp; Down&quot;.&lt;br /&gt;
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Paste Magazine hails I and Love and You as one of the &quot;Best Albums of the Decade&quot;. The Boston Globe calls The Avett Brothers&#039; live performance &quot;electric energy of rock &#039;n&#039; roll with the spirit of old-fashioned storytelling&quot;.  The Village Voice affirms they play &quot;with the ferocity of a punk band, strumming them out with a hard locomotive chug, hopping in place, harmonizing in one moment and screaming hoarsely in the next.&quot;  Esquire Magazine proclaims, &quot;If they are sex, they are sex with the lights on.&quot;&lt;br /&gt;
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THE AVETT BROTHERS 2010 SPRING TOUR DATES:&lt;br /&gt;
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1/01 Atlanta, GA, Fox Theatre&lt;br /&gt;
1/03 Dallas, TX, Granada Theater&lt;br /&gt;
2/24 Athens, OH, Ohio University&lt;br /&gt;
2/26 Ithaca, NY, State Theatre&lt;br /&gt;
2/27 Cleveland, OH, House of Blues&lt;br /&gt;
2/28 Indianapolis, IN, Egyptian Room @ Murat Centre&lt;br /&gt;
3/02 Columbia, MO, Missouri Theatre&lt;br /&gt;
3/03 Midwest City, OK, Rose State PAC&lt;br /&gt;
3/05 Minneapolis, MN, First Avenue&lt;br /&gt;
3/06 Milwaukee, WI, Turner Hall Ballroom&lt;br /&gt;
3/07 Chicago, IL, House of Blues&lt;br /&gt;
3/09 Ann Arbor, MI, Michigan Theater&lt;br /&gt;
4/17 Oakland, CA, Fox Theater&lt;br /&gt;
4/18 Reno, NV, Grand Sierra Theatre&lt;br /&gt;
4/20 Boulder, CO, Boulder Theater&lt;br /&gt;
4/21 Boulder, CO, Boulder Theater&lt;br /&gt;
4/23 Tucson, AZ, Rialto Theatre&lt;br /&gt;
4/24 Mesa, AZ, Mesa Arts Center/Ikeda Theater&lt;br /&gt;
4/25 Indio, CA, Stagecoach Festival&lt;br /&gt;
4/27 Sacramento, CA, Crest Theatre&lt;br /&gt;
4/28 Santa Barbara, CA, Arlington Theatre&lt;br /&gt;
4/29 San Diego, CA, House of Blues&lt;br /&gt;
5/02 Wilkesboro, NC, MerleFest&lt;br /&gt;
5/28 Cumberland, MD, Del Fest: Allegany County Fairgrounds&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;THE GUESS WHO&#039;S SO LONG, BANNATYNE (1971) AND ROCKIN&#039; (1972) REISSUED ON CD&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
LIMITED EDITION REISSUES CONTINUE ICONOCLASSIC RECORDS&#039; ACCLAIMED GUESS WHO REISSUE PROGRAM&lt;br /&gt;
&lt;br /&gt;
First time on CD in U.S.&lt;br /&gt;
&lt;br /&gt;
So Long, Bannatyne releases December 8, 2009; Rockin&#039; releases January 12, 2010&lt;br /&gt;
&lt;br /&gt;
Iconoclassic Records announces the latest releases in the label&#039;s continuing reissue program of the original albums by The Guess Who. SO LONG, BANNATYNE, originally released in 1971, will be reissued on December 8, 2009; ROCKIN&#039; (from 1972) will follow on January 12, 2010. Both releases are now available for pre-order. Each album has been digitally remastered from the original master tapes by Grammy®-winning engineer Vic Anesini and features extensive liner notes with new interviews and song commentary from all of the living band members as well as producer Jack Richardson. Each CD edition is limited to 3,000 non-numbered limited edition copies. &lt;br /&gt;
&lt;br /&gt;
The Guess Who proved they could weather a significant personnel change with 1970&#039;s commercially and artistically triumphant Share The Land, welcoming guitarists Kurt Winter and Greg Leskiw onboard as replacements for Randy Bachman, with the guitarists joining long-standing members Burton Cummings (vocals, keyboards), Jim Kale (bass) and Garry Peterson (drums). The 1971 follow-up to Share The Land, SO LONG, BANNATYNE saw the band branching out, embracing more eclectic and less polished and commercial material, much of it with a considerably darker hue than the band&#039;s earlier hits and heavily influenced by John Lennon&#039;s visceral Plastic Ono Band. &lt;br /&gt;
&lt;br /&gt;
Unprepared at the time for the band&#039;s latest evolution, at the time of its release BANNATYNE was saddled by many fans and critics alike with the tag of being the beginning of the end for the band as a vital hit-making proposition. But to a fresh set of ears, a fascinating lyrical continuity emerges that reveals a band and its principal writers burdened by success, cynical, tormented; the result being a kind of ad hoc concept record centering around themes of desperation, anger, disillusionment, resignation and an interminable bleakness, topics frontman Burton Cummings would continue to explore throughout the rest of The Guess Who&#039;s lifespan.&lt;br /&gt;
&lt;br /&gt;
Iconoclassic Records&#039; limited edition reissue of SO LONG, BANNATYNE appends the contemporaneous &quot;Albert Flasher&quot; b/w &quot;Broken&quot; single as bonus tracks, making this the definitive edition of a landmark album.&lt;br /&gt;
&lt;br /&gt;
ROCKIN&#039;, originally released in 1972, represented a back-to-basics album for The Guess Who. Recorded and mixed in just 4 1/2 days of what were often live-in-the-studio sessions, ROCKIN&#039; captures the band at its loosest, cracking jokes, remembering songs from their youth, and demonstrating the casual brilliance that marked one of rock&#039;s finest and most underrated ensembles. Frontman Burton Cummings recalls ROCKIN&#039; as &quot;the best GW time of my entire GW time...we started getting drum sounds about noon on Monday, and we turned in the finished, mixed masters about 3 p.m. on Friday.&quot;&lt;br /&gt;
&lt;br /&gt;
The twin-guitars of Kurt Winter and Greg Leskiw power one of The Guess Who&#039;s hardest rocking releases. Yet in true early &#039;70s Guess Who fashion, ROCKIN&#039; features an all-inclusive definition of rock, from the heavy riffs of opening track and single &quot;Heartbroken Bopper,&quot; the &#039;50s-styled boogies &quot;Get Your Ribbons On&quot; and &quot;Running Bear,&quot; the harmony-driven &quot;Smoke Big Factory,&quot; the socially conscious &quot;Guns, Guns, Guns,&quot; and the psychedelic multipart suite that closed the original album. &lt;br /&gt;
&lt;br /&gt;
A longtime cult-favorite among their fans, The Guess Who&#039;s ROCKIN&#039; has been augmented with two previously unreleased bonus tracks exclusive to this limited edition release, including &quot;Lost Sheep,&quot; a dry run for the &quot;Hi Rockers!&quot; medley that arguably betters its originally released counterpart. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Motion City Soundtrack Announce US Headlining Tour in Support of Major Label Debut&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
My Dinosaur Life - Due Out January 19th on Columbia Records&lt;br /&gt;
 &lt;br /&gt;
Tour Kicks-off with a Hometown Show on January 23rd at First Avenue in Minneapolis, MN&lt;br /&gt;
 &lt;br /&gt;
Motion City Soundtrack announce a US headlining tour in support of their highly-anticipated new album and major label debut - My Dinosaur Life - due out January 19th on Columbia Records.  The tour kicks-off with a hometown show at First Avenue in Minneapolis and Motion City Soundtrack will be joined by fellow rockers Set Your Goals, This Providence and The Swellers for the entire tour.  Tickets for the shows listed below go on sale at 10AM this Friday, November 20th.&lt;br /&gt;
 &lt;br /&gt;
The upcoming 2010 tour will be Motion City Soundtrack&#039;s first trek in over a year and first in support of their new album My Dinosaur Life.  Produced by Blink-182&#039;s Mark Hoppus and mixed by Andy Wallace, this will be the band&#039;s fourth studio album and major label debut.  Fans can pre-order the album now and the band is offering a special deluxe edition only available through the MCS store which you can access via the band&#039;s web site www.motioncitysoundtrack.com. &lt;br /&gt;
 &lt;br /&gt;
As the band gears up for the new album and tour ahead, fans and critics alike can follow Justin Pierre on the &quot;Dino Trail&quot; at www.mydinosaurlife.com and catch the guys when they join up with Weezer in December.   &lt;br /&gt;
 &lt;br /&gt;
Check out www.motioncitysoundtrack.com for the most up-to-date information.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;CASH MONEY FOUNDERS WILLIAMS BROTHERS &amp; HIT ARTIST JAY SEAN TO APPEAR AT PACE UNIVERSITY FOR &#039;WHERE DO I SIGN?&quot; SEMINAR NOV. 23rd&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
Professor Vernon J. Brown&#039;s class to spotlight relationship between entertainment lawyers and their clients&lt;br /&gt;
 &lt;br /&gt;
It&#039;s back to school for Cash Money CEOs and co-founders Ronald &quot;Slim&quot; Williams, brother Bryan &quot;Birdman&quot; Williams and their latest hit artist Jay Sean.&lt;br /&gt;
 &lt;br /&gt;
The principals behind the historic, New Orleans-based hip-hop label will take part in &quot;Where Do I Sign?,&quot; Pace University School of Law Professor Vernon J. Brown&#039;s Entertainment Law class on the White Plains, N.Y., campus Monday evening, Nov. 23, from 6-8 p.m.&lt;br /&gt;
 &lt;br /&gt;
&quot;The goal is to give my entertainment law students practical knowledge in working with their clients and interacting with label executives,&quot; Brown explains. &quot;What artists expect from their attorneys and what they should expect from their clients. The class is like Inside the Actor&#039;s Studio for lawyers, offering practical advice for the way things actually work in the real world.&quot;&lt;br /&gt;
 &lt;br /&gt;
Brown has invited a number of his clients to address his class over the past four years, with the discussions focusing on how resolving legal issues has shaped the individual artists&#039; and label executives&#039; careers, with an extensive question-and-answer session. &quot;My long-range goal is to give a similar class to junior high school and high school students, to make them aware of other careers that exist in the entertainment world other than as performers,&quot; he says.&lt;br /&gt;
 &lt;br /&gt;
The Williams recently marked the 10th anniversary of their distribution deal with Universal Music Group for their groundbreaking label, which over the years has produced hit albums by Lil Wayne, Drake, Jay Sean, Juvenile, B.G., Turk, Big Tymers, Mannie Fresh, Hot Boys and Baby/Birdman, two of Bryan Williams&#039; hip-hop alter egos. Jay Sean is the label&#039;s latest success, with a chart-topping single in &quot;Down&quot; and his U.S. debut album, All or Nothing, hitting stores on Monday (11/23).&lt;br /&gt;
 &lt;br /&gt;
Brown, who has been Cash Money&#039;s business manager and attorney for 14 years and one of the industry&#039;s leading business managers for more than two decades, is a graduate of City College of New York, a licensed Certified Public Accountant who earned his law degree from Pace University, where he has taught Entertainment Law for the past four years. As Chairman/CEO of V. Brown &amp; Company, he represents clients in all areas of entertainment, including fashion (supermodels Jessica Stam, Marisa Miller, Miranda Kerr, Coco Rocha), sports (Allan Houston, Charlie Ward, Ty Law, Michael Redd, Clinton Portis and Dwight Freeney), recording artists (Notorious B.I.G., Erykah Badu, Brian McKnight, Ne-Yo), film producers, performers (Steve-O) and directors (Harold &quot;Hype&quot; Williams).&lt;br /&gt;
 &lt;br /&gt;
&lt;strong&gt;TREY SONGZ GETS &quot;READY&quot; FOR THANKSGIVING BY ASSISTING HIS COMMUNITY&lt;br /&gt;
PETERSBURG, VIRGINIA  IN HIS &quot;FEED FOR LOVE CAMPAIGN&quot;&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
R&amp;B SUPERSTAR&#039;S &quot;SONGZ FOR PEACE FOUNDATION&quot; TO GIVE 500 TURKEYS TO FAMILIES;&lt;br /&gt;
CHARITY EVENT SLATED FOR TUESDAY, NOVEMBER 24th;&lt;br /&gt;
&lt;br /&gt;
*STUDENTS HAVE BEEN PRE-SELECTED* &lt;br /&gt;
&lt;br /&gt;
Songbook Entertainment/Atlantic recording artist Trey Songz will celebrate the upcoming Thanksgiving holiday by giving turkeys to families in his home state of Virginia.  The Grammy-nominated singer/songwriter&#039;s philanthropic &quot;Songz For Peace Foundation&quot; - in partnership with Richmond&#039;s 106.5 The Beat! - will give Thanksgiving turkeys to 500 families on Tuesday, November 24th in Petersburg, Virginia, beginning at 10:30 am. The 500 turkeys will be given to the families of children attending the 9 different schools in Trey&#039;s hometown of Petersburg, Virginia. 50 children will be selected from each school, with 100 children being selected from the singer&#039;s alma mater.&lt;br /&gt;
&lt;br /&gt;
Trey&#039;s new album, &quot;READY,&quot; made a phenomenal chart debut earlier this fall, entering Billboard&#039;s &quot;Top R&amp;B/Hip-Hop Albums&quot; tally at #2.  The album - which includes the hits &quot;I Need A Girl,&quot; &quot;LOL :-) (Feat. Gucci Mane and Soulja Boy Tell &#039;Em),&quot; and &quot;Successful (Drake &amp; Trey Songz)&quot; - also exploded into the #3 spot on the overall SoundScan/Billboard 200.&lt;br /&gt;
Trey is also becoming a major online superstar, with his www.TreySongz.com currently ranked as Atlantic Records&#039; #2 most trafficked artist pages.  Furthermore, Trey&#039;s loyal army of Twitter followers at @songzyuuup is nearing 500,000 and growing.&lt;br /&gt;
&lt;br /&gt;

            &lt;p&gt;Read more: &lt;a href=&quot;/tag/chase-status&quot;&gt;Chase &amp;amp; Status&lt;/a&gt;, &lt;a href=&quot;/tag/andy-mckaie&quot;&gt;Andy McKaie&lt;/a&gt;, &lt;a href=&quot;/tag/billy-altman&quot;&gt;Billy Altman&lt;/a&gt;, &lt;a href=&quot;/tag/slash&quot;&gt;Slash&lt;/a&gt;, &lt;a href=&quot;/tag/jim-morrison&quot;&gt;Jim Morrison&lt;/a&gt;, &lt;a href=&quot;/tag/les-miserable&quot;&gt;Les Miserable&lt;/a&gt;, &lt;a href=&quot;/tag/encore-theater&quot;&gt;Encore Theater&lt;/a&gt;, &lt;a href=&quot;/tag/buddy-holly&quot;&gt;Buddy Holly&lt;/a&gt;, &lt;a href=&quot;/tag/john-sebastian&quot;&gt;John Sebastian&lt;/a&gt;, &lt;a href=&quot;/tag/neyo&quot;&gt;Ne-Yo&lt;/a&gt;, &lt;a href=&quot;/tag/madison-square-garden&quot;&gt;Madison Square Garden&lt;/a&gt;, &lt;a href=&quot;/tag/bill-dahl&quot;&gt;Bill Dahl&lt;/a&gt;, &lt;a href=&quot;/tag/susan-boyle&quot;&gt;Susan Boyle&lt;/a&gt;, &lt;a href=&quot;/tag/wynn-hotel&quot;&gt;Wynn Hotel&lt;/a&gt;, &lt;a href=&quot;/tag/anthony-mandler&quot;&gt;Anthony Mandler&lt;/a&gt;, &lt;a href=&quot;/tag/john-stewart&quot;&gt;John Stewart&lt;/a&gt;, &lt;a href=&quot;/tag/felt-forum&quot;&gt;Felt Forum&lt;/a&gt;, &lt;a href=&quot;/tag/mrs-miller&quot;&gt;Mrs. Miller&lt;/a&gt;, &lt;a href=&quot;/tag/anne-murray&quot;&gt;Anne Murray&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown&quot;&gt;Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/beyonce&quot;&gt;Beyoncé&lt;/a&gt;, &lt;a href=&quot;/tag/barbra-streisand&quot;&gt;Barbra Streisand&lt;/a&gt;, &lt;a href=&quot;/tag/destinys-child&quot;&gt;Destiny&amp;#039;s Child&lt;/a&gt;, &lt;a href=&quot;/tag/ed-burke&quot;&gt;Ed Burke&lt;/a&gt;, &lt;a href=&quot;/tag/thierry-mugler&quot;&gt;Thierry Mugler&lt;/a&gt;, &lt;a href=&quot;/tag/tricky-stewart&quot;&gt;Tricky Stewart&lt;/a&gt;, &lt;a href=&quot;/tag/wynn-resort&quot;&gt;Wynn Resort&lt;/a&gt;, &lt;a href=&quot;/tag/erick-labson&quot;&gt;Erick Labson&lt;/a&gt;, &lt;a href=&quot;/tag/rihanna&quot;&gt;Rihanna&lt;/a&gt;, &lt;a href=&quot;/tag/diana-ross&quot;&gt;Diana Ross&lt;/a&gt;, &lt;a href=&quot;/tag/the-doors&quot;&gt;The Doors&lt;/a&gt;, &lt;a href=&quot;/tag/entertainment-news&quot;&gt;Entertainment News&lt;/a&gt;, &lt;a href=&quot;/tag/suga-mama&quot;&gt;Suga Mama&lt;/a&gt;, &lt;a href=&quot;/tag/the-monkees&quot;&gt;The Monkees&lt;/a&gt;, &lt;a href=&quot;/tag/youtube&quot;&gt;Youtube&lt;/a&gt;, &lt;a href=&quot;/tag/grammy-award&quot;&gt;Grammy Award&lt;/a&gt;, &lt;a href=&quot;/tag/justin-timberlake&quot;&gt;Justin Timberlake&lt;/a&gt;, &lt;a href=&quot;/tag/madonna&quot;&gt;Madonna&lt;/a&gt;, &lt;a href=&quot;/tag/rocky-baloboa&quot;&gt;Rocky Baloboa&lt;/a&gt;, &lt;a href=&quot;/tag/the-avett-brothers&quot;&gt;The Avett Brothers&lt;/a&gt;, &lt;a href=&quot;/tag/lady-gaga&quot;&gt;Lady GaGa&lt;/a&gt;, &lt;a href=&quot;/tag/ashley-albert&quot;&gt;Ashley Albert&lt;/a&gt;, &lt;a href=&quot;/tag/the-jimmies&quot;&gt;The Jimmies&lt;/a&gt;,  &lt;a href=&quot;/entertainment&quot;&gt;Entertainment News&lt;/a&gt;&lt;/p&gt;

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            </entry> <entry>
    <title>Steve Marmel:  Hey, Carrie (and Chris Brown, and Jon Gosselin, and Others) -- You Can Leave Now</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/steve-marmel/hey-carrie-and-chris-brow_b_353310.html" />
    <id>http://www.huffingtonpost.com/steve-marmel/hey-carrie-and-chris-brow_b_353310.html</id>
    
    <published>2009-11-11T01:27:07Z</published>
    <updated>2009-11-11T01:27:07Z</updated>
    
    <author>
        <name>Steve Marmel</name>
        <uri>http://www.huffingtonpost.com/steve-marmel/</uri>
    </author>
    <content type="html" xml:lang="en-US" xml:base="http://www.huffingtonpost.com/">
        &lt;p style=&quot;text-align: left;&quot;&gt;So, Carrie Prejean is having a bit of week, isn&#039;t she?&lt;/p&gt;&lt;br /&gt;
&lt;p&gt;I mean, one week you&#039;re the darling of the conservative movement, and the next thing you know, you&#039;re being called a hypocrite as your image as a high-falutin&#039; blonde ball of judgment stops meshing with the low-falutin&#039; images you sent your boyfriend five years ago. &amp;nbsp;&lt;/p&gt;&lt;br /&gt;
&lt;p&gt;Right now, there are a lot of people doing an endzone dance over Prejean&#039;s misfortune. &amp;nbsp;&lt;/p&gt;&lt;br /&gt;
&lt;p&gt;Luckily, she&#039;s apparently an actual blonde (sorry. &amp;nbsp;Easy joke) and doesn&#039;t seem bright enough to navigate the Mark Sanford-esque minefield she&#039;s laid out for herself. &amp;nbsp; On CNN she made the case that it wasn&#039;t a sex tape because she was by herself. &amp;nbsp; What is that - the &quot;I tried it but did not inhale&quot; defense for pornography?&lt;/p&gt;&lt;br /&gt;
&lt;p&gt;But there she is, on all the shows, screaming conspiracy, as though liberals travelled back in time and put the camera on the tripod. &amp;nbsp; Honestly, if liberals had a time machine, they&#039;d go back in time and try to take out Glenn Beck, like the Terminator robots went after John Connor. &amp;nbsp;This mess is ALLLLL you, kiddo.&amp;nbsp;&lt;/p&gt;&lt;br /&gt;
&lt;p&gt;And I see a pattern.&lt;/p&gt;&lt;br /&gt;
&lt;p style=&quot;padding-left: 30px;&quot;&gt;Levi Johnston is doing Playgirl while suing for custody of his kid. &amp;nbsp;Classy.&lt;/p&gt;&lt;br /&gt;
&lt;p style=&quot;padding-left: 30px;&quot;&gt;Chris Brown releases a statement after Rihanna talks about the abuse.&lt;/p&gt;&lt;br /&gt;
&lt;p style=&quot;padding-left: 30px;&quot;&gt;Jon Gosselin keeps wearing Ed Hardy jerk-wear, dating out of a dumpster, and whines that he can&#039;t get his life back on track. &amp;nbsp;&lt;/p&gt;&lt;br /&gt;
&lt;p style=&quot;padding-left: 30px;&quot;&gt;Jennifer Aniston keeps wanting you to know she&#039;s found love. &amp;nbsp;&lt;/p&gt;&lt;br /&gt;
&lt;p style=&quot;padding-left: 30px;&quot;&gt;And even as we speak, Sarah Palin is doing something ill-conceived and self-destructive to the Republican party. &amp;nbsp;Keep it up! &amp;nbsp;You&#039;re doing great!&lt;/p&gt;&lt;br /&gt;
&lt;p&gt;And I think: &amp;nbsp;Whatever happened to people shutting up and going away for a little bit? &amp;nbsp;To taking a step back, licking your wounds looking at what went wrong?&lt;/p&gt;&lt;br /&gt;
&lt;p&gt;Chris Brown has a statement? &amp;nbsp;Are you kidding me? &amp;nbsp;&lt;em&gt;Chris Brown?!?&lt;/em&gt; &amp;nbsp;The only thing anybody wants to hear from him right now is &quot;Sorry&quot; and then &quot;Hey, It&#039;s 2016 ...can I come out now?&quot; &amp;nbsp;And then, most of us would like to see him punched back into obscurity for a few more years.&lt;/p&gt;&lt;br /&gt;
&lt;p&gt;Ladies. &amp;nbsp;Dudes. &amp;nbsp;Go away a little bit. &amp;nbsp;Take a trip. &amp;nbsp;Hide in your basement. &amp;nbsp;Live with your mother. &amp;nbsp;Burn your &quot;Affliction shirts,&quot; you look ridiculous. &amp;nbsp;Make some smart decisions.&lt;/p&gt;&lt;br /&gt;
&lt;p&gt;Give the public some time to either remember you fondly, like they do Bill Clinton - or be able to laugh warmly at you as a moment in time, like we do M.C. Hammer and his big goofy pants.&lt;/p&gt;&lt;br /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;br /&gt;
&lt;p&gt;&lt;br /&gt;
&lt;img src=&quot;http://images.huffingtonpost.com/2009-11-11-mc_hammer.jpg&quot; alt=&quot;2009-11-11-mc_hammer.jpg&quot; width=&quot;400&quot; height=&quot;340&quot; /&gt;&lt;/p&gt;&lt;br /&gt;
&lt;p&gt;How can we stop being sick of you if you won&#039;t go away?&lt;/p&gt;&lt;br /&gt;
&lt;p&gt;Go away.&lt;/p&gt;
            &lt;p&gt;Read more: &lt;a href=&quot;/tag/rihanna&quot;&gt;Rihanna&lt;/a&gt;, &lt;a href=&quot;/tag/miss-california-carrie-prejean&quot;&gt;Miss California Carrie Prejean&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown&quot;&gt;Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/jennifer-aniston&quot;&gt;Jennifer Aniston&lt;/a&gt;, &lt;a href=&quot;/tag/carrie-prejean&quot;&gt;Carrie Prejean&lt;/a&gt;, &lt;a href=&quot;/tag/jon-gosselin&quot;&gt;Jon Gosselin&lt;/a&gt;, &lt;a href=&quot;/tag/levi-johnston&quot;&gt;Levi Johnston&lt;/a&gt;, &lt;a href=&quot;/tag/entertainment-news&quot;&gt;Entertainment News&lt;/a&gt;, &lt;a href=&quot;/tag/political-news&quot;&gt;Political News&lt;/a&gt;,  &lt;a href=&quot;/media&quot;&gt;Media News&lt;/a&gt;&lt;/p&gt;

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            </entry> <entry>
    <title> Rihanna: You&#039;re Blinded By Love</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/2009/11/10/rihanna-youre-blinded-by-_n_352780.html" />
    <id>http://www.huffingtonpost.com/2009/11/10/rihanna-youre-blinded-by-_n_352780.html</id>
    
    <published>2009-11-10T14:10:53Z</published>
    <updated>2009-11-10T14:10:53Z</updated>
    
    <author>
        <name>The Huffington Post News Team</name>
        <uri>http://www.huffingtonpost.com/the-news/</uri>
    </author>
    <content type="html" xml:lang="en-US" xml:base="http://www.huffingtonpost.com/">
        NEW YORK &amp;mdash; Rihanna says recording songs on her new album was such an emotional experience that she sometimes had to leave the studio to prevent herself from breaking down.&lt;br /&gt;
&lt;br /&gt;
&quot;I walked out the studio a few times just trying not to be in tears,&quot; she said Monday about recording her fourth studio album, &quot;Rated R,&quot; to be released on Nov. 23.
            &lt;p&gt;Read more: &lt;a href=&quot;/tag/rihanna-chris-brown&quot;&gt;Rihanna Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/rihanna&quot;&gt;Rihanna&lt;/a&gt;, &lt;a href=&quot;/tag/rihanna-rated-r&quot;&gt;Rihanna Rated R&lt;/a&gt;, &lt;a href=&quot;/tag/music&quot;&gt;Music&lt;/a&gt;, &lt;a href=&quot;/tag/rated-r&quot;&gt;Rated R&lt;/a&gt;, &lt;a href=&quot;/tag/rihanna-beating&quot;&gt;Rihanna Beating&lt;/a&gt;,  &lt;a href=&quot;/entertainment&quot;&gt;Entertainment News&lt;/a&gt;&lt;/p&gt;

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    <title>Trish Kinney:  Rhianna and MTV Shine a Light on Domestic Violence</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/trish-kinney/rihanna-and-mtv-shine-a-l_b_351502.html" />
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    <published>2009-11-09T18:36:53Z</published>
    <updated>2009-11-09T18:36:53Z</updated>
    
    <author>
        <name>Trish Kinney</name>
        <uri>http://www.huffingtonpost.com/trish-kinney/</uri>
    </author>
    <content type="html" xml:lang="en-US" xml:base="http://www.huffingtonpost.com/">
        Chris Brown&#039;s choices following the violent incident that took place in a car in February on the night of the Grammy Awards did not surprise me, and neither did Diane Sawyer in her recent &lt;em&gt;20/20&lt;/em&gt; interview of Brown&#039;s girlfriend, the victim of his attack.  They both pretty much did what I would have expected them to do.  On the other hand, Rhianna blew me away in the Sawyer interview and MTV&#039;s Sway turned out to be the best role model of all.  Trying to sort out what happened between these two very young, very big superstars is not an easy task.  But anytime abuse and violence against women hits the news, usually by way of celebrities, it is a rare opportunity for awareness and education surrounding an issue that most people would prefer to ignore, that thrives in secrecy and silence.  Brown reminded us of that, after Rhianna&#039;s appearance on &lt;em&gt;20/20&lt;/em&gt;, by releasing a statement saying that he feels &quot;all details should remain a private matter between us&quot;.  &lt;br /&gt;
&lt;br /&gt;
While some have said that if it can happen to this wildly successful, power couple, it can happen to anyone, in this case it is more relevant to contemplate Rhianna&#039;s take on fame in the Sawyer interview.  She describes the freedom that comes with fame, the absence of limits and boundaries or right and wrong, never being told &quot;no&quot;, just doing exactly as you please.  Chris Brown was 19 at the time of the incident, having become famous after he burst onto the music scene at just 16 years old.  He has stated that some of the biggest stars of the rap and hip-hop music scene reached out to him after the story broke so it is safe to assume that he holds membership in one of the most macho clubs in the world, a musical club whose members feel entitled by fame, money and power.   Rapper T.I., a fellow member, was criticized for his comments about Chris Brown stating that &quot;I spoke to him today.  He&#039;s cool, you know.  He&#039;s a little concerned about the situation, but he&#039;s still the same Chris ... This too shall pass.&quot;  T.I. later apologized saying he shouldn&#039;t have commented before understanding the situation, PR code for he shouldn&#039;t have expressed how he really feels because some people won&#039;t think it&#039;s cool, you know.  &lt;br /&gt;
&lt;br /&gt;
Predictably, Chris Brown obviously had a crash course on all the right things to say in the months following the February incident.  Rhianna said that he looked as though he might be reading from a teleprompter when he posted an on-line video apology.  It was no surprise to hear him say that he took responsibility, he had anger issues, this was not the person he wanted to be, and abuse of any kind is wrong.  Who is to say whether he really means those things and can even process his part in all of this yet or whether he is desperately trying to save his public image and his astoundingly successful music career.  It didn&#039;t help when he released photos of himself enjoying jet skiing, or when he wore a huge necklace allegedly valued at $30,000 that said &quot;oops&quot;, or when he twittered a photo of himself performing community service with a tag saying &quot;check out my outfit&quot;.  He was also criticized for saying on &lt;em&gt;Larry King Live&lt;/em&gt; that he didn&#039;t remember his violent outburst.  You only have to review his performance at the 2007 MTV Video Music Awards, with a surprise appearance by Rhianna, to see that he is a monumental talent and I&#039;m sure he meant it when he said that this experience has been very humbling.  &lt;br /&gt;
&lt;br /&gt;
Rhianna&#039;s powerful, focused, and tough &lt;em&gt;20/20&lt;/em&gt; appearance was surprising.  So often, media personalities who are famous in their own right are credited for a great interview, skillfully finding a way to elicit the tough answers from their guests.  But Rhianna barely needed Diane, who dwelled on the police report, asking for repeated confirmation of injuries by simply adding a question mark (he bit you?, you had a mouth full of blood?, he hit you?).  When Diane said that it takes an average of seven times for an abuse victim to return to her abuser before she finally leaves, Rhianna said it was more like eight or nine, &quot;actually.&quot;  If Rhianna had the same coaching that Chris Brown had, she is a far better student than he is.  Watching her choose her words carefully, you didn&#039;t get the impression that it was for a selfish purpose.  She seems to grasp that she has become the public face of domestic violence and a role model for young women who are in the same situation, going so far as to say she is glad it happened to her so that she can now help.  Her advice was not to act out of love because love is blind.  &quot;F love,&quot; she said.  She explained her initial return to Chris after the incident as natural, but a mistake, reporting that she quickly came to resent him and was annoyed by him.  &quot;I know how to make a decision for me.&quot;  She proved that in the interview with her strength, powerful body language, and determination.  The body heals, she said, but the scars inside are more painful and have a way of coming back.  That&#039;s pretty good insight from a 21 year old woman who has had to bear humiliating photographs of herself posted all over the world, an experience most crime victims aren&#039;t required to face.  &lt;br /&gt;
&lt;br /&gt;
Admittedly, I am not a regular MTV viewer and may even have to own up to a somewhat unfair negative opinion of the channel based on stereotypical perceptions of raunchy videos and reality programming, neither of which I actually watch.  But based on Sway&#039;s November 2 interview of Chris Brown, MTV deserves a lot of credit for the many things they did right.  It started with a staggering statistic noting that this year, 1.3 million women will be victims of a violent assault by an intimate partner.  Unlike Rhianna, Brown&#039;s body language was not empowered and he vacillated from being scared to confused to downright bewildered as to how he could find himself in this situation.  Sway, described in his MTV bio as an icon of hip-hop culture and a pivotal part of the MTV News team, never let Brown off the hook but never appeared judgmental either.  He asked the tough, appropriate questions and when Brown squirmed or gave an answer that didn&#039;t quite measure up, Sway just let it sit there and do its own damage.&lt;br /&gt;
&lt;br /&gt;
One powerful moment came when Sway showed a video clip of an interview Brown did with MTV when he was 16, talking about how abusive his stepfather was to his mom and how he and his sister urged her to leave the relationship.  Sway asked Brown what triggered his behavior, what kind of work he has done for himself since then, and what prompted some of his questionable public choices since the incident, stating that people don&#039;t believe he took it seriously enough.  Sway&#039;s questions were more insightful than Brown&#039;s answers across the board.  More statistics followed including that one in three teens will find themselves in an abusive relationship and 80 percent of teens know someone who has been a victim of abusive behavior.  Sway then brought in a developmental psychologist who said not to be ashamed if you find yourself in such a situation, confide in someone you trust, get out of the relationship and remember that violence is never acceptable, and is always wrong.  On two occasions, resources were put up on the screen where viewers could get help, including the MTV website which features videos about the warning signs of teen dating violence.  Sway ended by saying &quot;hold your head up, keep it righteous, and be safe.&quot;&lt;br /&gt;
&lt;br /&gt;
Fan comments on this story have run the gamut including suspicion that Rhianna is speaking now due to the upcoming release of her album, wanting to get this out of the way so she can move on with her career.  But who can criticize that?  As she said, it happened to her, she didn&#039;t do anything.  Some have even blamed her professional image, citing her revealing costumes as a contributing cause for the assault.  Why didn&#039;t she speak sooner?  Maybe a 21 year old girl who woke up to find 200 media at her home with helicopters circling above just needed some time to move through the experience before she tried to share it.  It takes some victims years to do that in their own living rooms.  She did it in a very responsible, public way and stepped into her survivor role with grace and strength.  What more could you ask?
            &lt;p&gt;Read more: &lt;a href=&quot;/tag/chris-brown&quot;&gt;Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/domestic-violence&quot;&gt;Domestic Violence&lt;/a&gt;, &lt;a href=&quot;/tag/2020&quot;&gt;20/20&lt;/a&gt;, &lt;a href=&quot;/tag/abc&quot;&gt;Abc&lt;/a&gt;, &lt;a href=&quot;/tag/ti&quot;&gt;T.I.&lt;/a&gt;, &lt;a href=&quot;/tag/diane-sawyer&quot;&gt;Diane Sawyer&lt;/a&gt;, &lt;a href=&quot;/tag/domestic-abuse&quot;&gt;Domestic Abuse&lt;/a&gt;,  &lt;a href=&quot;/entertainment&quot;&gt;Entertainment News&lt;/a&gt;&lt;/p&gt;

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            </entry> <entry>
    <title> Chris Brown Wishes Rihanna Had Remained Silent About Beating</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/2009/11/07/chris-brown-wishes-rihann_n_349430.html" />
    <id>http://www.huffingtonpost.com/2009/11/07/chris-brown-wishes-rihann_n_349430.html</id>
    
    <published>2009-11-07T07:05:08Z</published>
    <updated>2009-11-07T07:05:08Z</updated>
    
    <author>
        <name>The Huffington Post News Team</name>
        <uri>http://www.huffingtonpost.com/the-news/</uri>
    </author>
    <content type="html" xml:lang="en-US" xml:base="http://www.huffingtonpost.com/">
        Chris Brown has heard what Rihanna has said about her beating -- and while he supports her right to speak out, he wishes she had kept quiet. 
            &lt;p&gt;Read more: &lt;a href=&quot;/tag/chris-brown-domestic-violence&quot;&gt;Chris Brown Domestic Violence&lt;/a&gt;, &lt;a href=&quot;/tag/rihanna&quot;&gt;Rihanna&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown&quot;&gt;Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/rihanna-beating&quot;&gt;Rihanna Beating&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown-rihanna&quot;&gt;Chris Brown Rihanna&lt;/a&gt;,  &lt;a href=&quot;/entertainment&quot;&gt;Entertainment News&lt;/a&gt;&lt;/p&gt;

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            </entry> <entry>
    <title> Rihanna: Chris Brown &#039;Had No Soul In His Eyes&#039; After Beating (VIDEO)</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/2009/11/06/rihanna-chris-brown-had-n_n_348224.html" />
    <id>http://www.huffingtonpost.com/2009/11/06/rihanna-chris-brown-had-n_n_348224.html</id>
    
    <published>2009-11-06T09:13:51Z</published>
    <updated>2009-11-06T09:13:51Z</updated>
    
    <author>
        <name>The Huffington Post News Team</name>
        <uri>http://www.huffingtonpost.com/the-news/</uri>
    </author>
    <content type="html" xml:lang="en-US" xml:base="http://www.huffingtonpost.com/">
        **AP Text, Scroll down for video**&lt;br /&gt;
&lt;br /&gt;
NEW YORK - Rihanna on Friday described the horror she felt as her ex-boyfriend Chris Brown was biting and punching her during a violent argument in February, saying she saw &quot;no soul in his eyes.&quot;&lt;br /&gt;
&lt;br /&gt;
&quot;There was no person when I looked at him,&quot; the 21-year-old singer recalled during the second installment of an interview airing on ABC&#039;s &quot;Good Morning America.&quot; &quot;He had no soul in his eyes. Just blank.&quot;&lt;br /&gt;
&lt;br /&gt;
Brown was arrested Feb. 8, hours after he was accused of beating Rihanna after the two argued over another woman. He later pleaded guilty to felony assault.&lt;br /&gt;
&lt;br /&gt;
In the interview, Rihanna, who is no longer with Brown, described him as &quot;definitely my first big love.&quot; She said their relationship was intense.&lt;br /&gt;
&lt;br /&gt;
&quot;The more in love we became, the more dangerous we became for each other -- equally as dangerous,&quot; she said. &quot;It was a bit of an obsession almost.&quot;&lt;br /&gt;
&lt;strong&gt;&lt;br /&gt;
WATCH:&lt;/strong&gt;&lt;br /&gt;
&lt;object width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/vh_yg8UcgFA&amp;hl=en&amp;fs=1&amp;&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/vh_yg8UcgFA&amp;hl=en&amp;fs=1&amp;&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
&lt;br /&gt;
The attack occurred in Los Angeles&#039; Hancock Park neighborhood as Brown drove a rented sports car. She said it was triggered when she saw a text message on his phone from another woman and confronted him about it. She said he lied about it and &quot;I wouldn&#039;t drop it.&quot;&lt;br /&gt;
&lt;br /&gt;
A search warrant affidavit filed in the case stated that Brown hit, choked and bit Rihanna and tried at one point to push her from the car.&lt;br /&gt;
&lt;br /&gt;
&quot;It was ugly,&quot; she said.&lt;br /&gt;
&lt;br /&gt;
During the beating, the singer said she had no idea how it would end: &quot;That&#039;s all I kept thinking the whole time, &#039;When is it going to stop? When is it going to stop?&#039;&quot;&lt;br /&gt;
&lt;br /&gt;
Brown was sentenced to five years&#039; probation, six months of community labor and a year of domestic violence counseling after he pleaded guilty to felony assault.&lt;br /&gt;
&lt;br /&gt;
In portions of the interview aired Thursday, Rihanna warned other women facing domestic violence to not let themselves become blinded by love. She also said she regretted going back to Brown, saying it sent the wrong message to her fans.&lt;br /&gt;
&lt;br /&gt;
Brown, 20, has apologized to fans and has said he has repeatedly apologized to Rihanna for the attack. Brown will recount his perspective in an interview to air Friday on MTV.&lt;br /&gt;
&lt;br /&gt;
Despite the beating, Rihanna said she still cares about Brown.&lt;br /&gt;
&lt;br /&gt;
&quot;I don&#039;t hate him at all,&quot; she said. &quot;I actually love and care about him and I&#039;m concerned about him doing well. I want him to do well -- have a great career, have a great life, and grow up. Just take this as something that you had to go through to grow up and learn.&quot;&lt;br /&gt;
&lt;br /&gt;
Rihanna&#039;s interview coincides with the debut of her new single, &quot;Russian Roulette,&quot; from her upcoming album, &quot;Rated R.&quot; More of the ABC interview will be included in Friday evening&#039;s news magazine &quot;20/20.&quot;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;center&gt;&lt;p style=&quot;font-size:large;&quot;&gt;&lt;em&gt;Get HuffPost Entertainment On &lt;a href=&quot;http://www.facebook.com/pages/HuffPost-Entertainment/70072372362&quot;&gt;Facebook&lt;/a&gt; and &lt;a href=&quot;http://twitter.com/huffent&quot;&gt;Twitter!&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;&lt;/center&gt;&lt;br /&gt;

            &lt;p&gt;Read more: &lt;a href=&quot;/tag/chris-brown-domestic-violence&quot;&gt;Chris Brown Domestic Violence&lt;/a&gt;, &lt;a href=&quot;/tag/rihanna-chris-brown&quot;&gt;Rihanna Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/rihanna&quot;&gt;Rihanna&lt;/a&gt;, &lt;a href=&quot;/tag/rihannagma&quot;&gt;Rihanna-Gma&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown&quot;&gt;Chris Brown&lt;/a&gt;,  &lt;a href=&quot;/entertainment&quot;&gt;Entertainment News&lt;/a&gt;&lt;/p&gt;

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            </entry> <entry>
    <title> Rihanna &quot;Embarrassed&quot; She Went Back To Brown, Took &quot;8 Or 9&quot; Times To Leave (VIDEO)</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/2009/11/05/rihanna-embarrassed-she-w_n_346649.html" />
    <id>http://www.huffingtonpost.com/2009/11/05/rihanna-embarrassed-she-w_n_346649.html</id>
    
    <published>2009-11-05T08:22:33Z</published>
    <updated>2009-11-05T08:22:33Z</updated>
    
    <author>
        <name>The Huffington Post News Team</name>
        <uri>http://www.huffingtonpost.com/the-news/</uri>
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    <content type="html" xml:lang="en-US" xml:base="http://www.huffingtonpost.com/">
        (AP Text, ABC Video)&lt;br /&gt;
&lt;br /&gt;
NEW YORK -- Rihanna said Thursday that she feels &quot;embarrassed&quot; for returning to ex-boyfriend Chris Brown after he beat her in April and warned other women struggling with domestic violence to not let themselves be blinded by love.&lt;br /&gt;
&lt;br /&gt;
&quot;It&#039;s completely normal to go back. You start lying to yourself,&quot; the 21-year-old singer said on &quot;Good Morning America&quot; in her first public comments following the beating. &quot;I&#039;ll say that to any young girl who is going through domestic violence: &#039;Don&#039;t react off of love.&#039;&quot;&lt;br /&gt;
&lt;br /&gt;
Brown, 20, was arrested Feb. 8, hours after he was accused of beating Rihanna after the couple attended a pre-Grammy Awards party. He later pleaded guilty to felony assault and a judge ordered Brown and Rihanna to stay away from each other.&lt;br /&gt;
&lt;br /&gt;
In the interview, Rihanna said she was ashamed to return to Brown after the attack. &quot;That&#039;s embarrassing - that&#039;s the type of person I fell in love with. So far in love, so unconditional, that I went back,&quot; she said. &quot;That&#039;s not what I want to teach people.&quot;&lt;br /&gt;
&lt;strong&gt;WATCH (Scroll to keep reading)&lt;/strong&gt;&lt;br /&gt;
&lt;script src=&quot;http://abcnews.go.com/javascript/portableplayer?id=9003413&amp;autoStart=false&quot;&gt;&lt;/script&gt; &lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
The attack occurred in Los Angeles&#039; Hancock Park neighborhood as Brown drove a rented sports car. A Los Angeles police detective described a brutal attack in a search warrant affidavit filed in the case, stating Brown hit, choked and bit Rihanna and tried at one point to push her from the car. A photo of her bruised face was circulated on the Internet.&lt;br /&gt;
&lt;br /&gt;
Rihanna said she soon realized that, as a role model to young women, her returning to Brown sent the wrong message. &quot;When I realized that my selfish decision for love could result in some young girl getting killed, I could not be easy with that part. I could not be held responsible for telling them, &#039;Go back.&#039;&quot;&lt;br /&gt;
&lt;br /&gt;
Brown&#039;s career suffered after his arrest, with sponsors dropping him and radio stations refusing to play his music. Both he and Rihanna had to cancel several high-profile appearances, including planned performances at the Grammy Awards the day of the attack.&lt;br /&gt;
&lt;br /&gt;
Brown has apologized to fans and has said he has repeatedly apologized to Rihanna for the attack.&lt;br /&gt;
&lt;br /&gt;
In the interview Thursday, she said: &quot;I am strong. This happened to me. I didn&#039;t cause this. I didn&#039;t do it. This can happen to me and it can happen to anybody.&quot;&lt;br /&gt;
&lt;br /&gt;
ABC will air more chunks of the interview on Friday&#039;s &quot;Good Morning America&quot; and then Friday evening on the news magazine &quot;20/20.&quot;&lt;br /&gt;
&lt;br /&gt;
Rihanna&#039;s interview coincides with the debut of her new single, &quot;Russian Roulette,&quot; from her upcoming album, &quot;Rated R.&quot; It&#039;s her first CD since 2007&#039;s multiplatinum &quot;Good Girl Gone Bad.&quot;&lt;br /&gt;
&lt;br /&gt;

            &lt;p&gt;Read more: &lt;a href=&quot;/tag/rihanna-gma&quot;&gt;Rihanna GMA&lt;/a&gt;, &lt;a href=&quot;/tag/rihanna&quot;&gt;Rihanna&lt;/a&gt;, &lt;a href=&quot;/tag/video&quot;&gt;Video&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown&quot;&gt;Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/rihanna-good-morning-america&quot;&gt;Rihanna Good Morning America&lt;/a&gt;,  &lt;a href=&quot;/entertainment&quot;&gt;Entertainment News&lt;/a&gt;&lt;/p&gt;

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            </entry> <entry>
    <title> Chris Brown &#039;Confused&#039; About His Public Image</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/2009/11/04/chris-brown-confused-abou_n_346185.html" />
    <id>http://www.huffingtonpost.com/2009/11/04/chris-brown-confused-abou_n_346185.html</id>
    
    <published>2009-11-04T16:06:30Z</published>
    <updated>2009-11-04T16:06:30Z</updated>
    
    <author>
        <name>The Huffington Post News Team</name>
        <uri>http://www.huffingtonpost.com/the-news/</uri>
    </author>
    <content type="html" xml:lang="en-US" xml:base="http://www.huffingtonpost.com/">
        NEW YORK &amp;mdash; Chris Brown says he is unsure about how the public perceives him since he attacked Rihanna.&lt;br /&gt;
&lt;br /&gt;
Brown beat up his ex-girlfriend in February and is on probation for the assault.
            &lt;p&gt;Read more: &lt;a href=&quot;/tag/rihanna&quot;&gt;Rihanna&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown&quot;&gt;Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown-beats-rihanna&quot;&gt;Chris Brown Beats Rihanna&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown-rihanna&quot;&gt;Chris Brown Rihanna&lt;/a&gt;,  &lt;a href=&quot;/entertainment&quot;&gt;Entertainment News&lt;/a&gt;&lt;/p&gt;

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            </entry> <entry>
    <title> Rihanna: I Woke Up As Britney Spears, Assault Was &#039;Humiliating&#039;</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/2009/11/04/rihanna-i-woke-up-as-brit_n_345028.html" />
    <id>http://www.huffingtonpost.com/2009/11/04/rihanna-i-woke-up-as-brit_n_345028.html</id>
    
    <published>2009-11-04T09:00:48Z</published>
    <updated>2009-11-04T09:00:48Z</updated>
    
    <author>
        <name>The Huffington Post News Team</name>
        <uri>http://www.huffingtonpost.com/the-news/</uri>
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    <content type="html" xml:lang="en-US" xml:base="http://www.huffingtonpost.com/">
        LOS ANGELES &amp;mdash; Rihanna says dealing with the media attention after being assaulted in February by ex-boyfriend Chris Brown was humiliating. But she now hopes to speak for young women who are afraid to talk openly about domestic violence.&lt;br /&gt;
&lt;br /&gt;
The 21-year-old pop star told Glamour magazine in an interview posted online Tuesday that the police photo of her bruised face that was leaked to reporters added insult to injury.
            &lt;p&gt;Read more: &lt;a href=&quot;/tag/rihanna&quot;&gt;Rihanna&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown&quot;&gt;Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/rihanna-assault&quot;&gt;Rihanna Assault&lt;/a&gt;,  &lt;a href=&quot;/entertainment&quot;&gt;Entertainment News&lt;/a&gt;&lt;/p&gt;

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    <title> The Office Wedding! (VIDEO) Jim &amp; Pam&#039;s &#039;JK&#039; Chris Brown Spoof</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/2009/10/09/the-office-wedding-video_n_314916.html" />
    <id>http://www.huffingtonpost.com/2009/10/09/the-office-wedding-video_n_314916.html</id>
    
    <published>2009-10-09T06:39:00Z</published>
    <updated>2009-10-09T06:39:00Z</updated>
    
    <author>
        <name>The Huffington Post News Team</name>
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        Jim and Pam finally tied the knot this week on The Office, and they did it in style, spoofing the &lt;a href=&quot;http://www.huffingtonpost.com/2009/07/24/amazing-wedding-ceremony_n_244241.html&quot;&gt;famous &quot;JK wedding&quot; YouTube sensation&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
To catch you up on the plot of the episode: the run-up to the wedding was rough on Pam, and she finally broke down when her veil ripped just before the ceremony. So instead of heading to the church, Jim and Pam ran off to an undisclosed location, leaving the wedding party and guests waiting. Hours later, the bride and groom returned, and the festivities began. In the video below, you see where they ran off to, and the rest of the ceremony.&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
&lt;strong&gt;WATCH &amp; SCROLL DOWN FOR ORIGINAL:&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
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&lt;br&gt;&lt;br /&gt;
&lt;center&gt;&lt;p style=&quot;font-size:large;&quot;&gt;&lt;em&gt;Get HuffPost Comedy On &lt;a href=&quot;http://www.facebook.com/pages/HuffPost-Comedy-236/58336723679?ref=ts&quot;&gt;Facebook&lt;/a&gt; and &lt;a href=&quot;http://twitter.com/HuffPostComedy&quot;&gt;Twitter!&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;
            &lt;p&gt;Read more: &lt;a href=&quot;/tag/watch-jim-and-pam-wedding&quot;&gt;Watch Jim and Pam Wedding&lt;/a&gt;, &lt;a href=&quot;/tag/video&quot;&gt;Video&lt;/a&gt;, &lt;a href=&quot;/tag/jim-and-pam-wedding-video&quot;&gt;Jim and Pam Wedding Video&lt;/a&gt;, &lt;a href=&quot;/tag/office-wedding-video&quot;&gt;Office Wedding Video&lt;/a&gt;, &lt;a href=&quot;/tag/the-office-wedding&quot;&gt;The Office Wedding&lt;/a&gt;, &lt;a href=&quot;/tag/jk-wedding&quot;&gt;Jk Wedding&lt;/a&gt;, &lt;a href=&quot;/tag/watch-the-office-wedding&quot;&gt;Watch the Office Wedding&lt;/a&gt;, &lt;a href=&quot;/tag/the-office&quot;&gt;The Office&lt;/a&gt;, &lt;a href=&quot;/tag/youtube-wedding&quot;&gt;Youtube Wedding&lt;/a&gt;, &lt;a href=&quot;/tag/watch-office-wedding&quot;&gt;Watch Office Wedding&lt;/a&gt;, &lt;a href=&quot;/tag/office-wedding&quot;&gt;Office Wedding&lt;/a&gt;, &lt;a href=&quot;/tag/office-wedding-dance&quot;&gt;Office Wedding Dance&lt;/a&gt;, &lt;a href=&quot;/tag/jim-and-pam-wedding&quot;&gt;Jim and Pam Wedding&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown&quot;&gt;Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/the-office-wedding-dance&quot;&gt;The Office Wedding Dance&lt;/a&gt;, &lt;a href=&quot;/tag/the-office-wedding-youtube&quot;&gt;The Office Wedding Youtube&lt;/a&gt;, &lt;a href=&quot;/tag/the-office-wedding-episode&quot;&gt;The Office Wedding Episode&lt;/a&gt;, &lt;a href=&quot;/tag/the-office-wedding-video&quot;&gt;The Office Wedding Video&lt;/a&gt;,  &lt;a href=&quot;/comedy&quot;&gt;Comedy News&lt;/a&gt;&lt;/p&gt;

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            </entry> <entry>
    <title> Chris Brown Lands First Post-Rihanna Beating Concert Gig</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/2009/09/26/chris-brown-lands-first-p_n_300798.html" />
    <id>http://www.huffingtonpost.com/2009/09/26/chris-brown-lands-first-p_n_300798.html</id>
    
    <published>2009-09-26T08:52:20Z</published>
    <updated>2009-09-26T08:52:20Z</updated>
    
    <author>
        <name>The Huffington Post News Team</name>
        <uri>http://www.huffingtonpost.com/the-news/</uri>
    </author>
    <content type="html" xml:lang="en-US" xml:base="http://www.huffingtonpost.com/">
        Chris Brown has landed his first concert gig since beating his ex-girlfriend Rihanna.&lt;br /&gt;
&lt;br /&gt;
He&#039;ll be headlining the Power 105.1 &quot;Powerhouse &#039;09&quot; concert, which features several other performers. And they&#039;re all on the C-list, according to MSNBC.com.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;

            &lt;p&gt;Read more: &lt;a href=&quot;/tag/chris-brown-concert&quot;&gt;Chris Brown Concert&lt;/a&gt;, &lt;a href=&quot;/tag/rihanna-chris-brown&quot;&gt;Rihanna Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown&quot;&gt;Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown-rihanna&quot;&gt;Chris Brown Rihanna&lt;/a&gt;,  &lt;a href=&quot;/entertainment&quot;&gt;Entertainment News&lt;/a&gt;&lt;/p&gt;

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            </entry> <entry>
    <title> Chris Brown Begins Sentence, Cleans Horse Stable</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/2009/09/16/chris-brown-begins-senten_n_288811.html" />
    <id>http://www.huffingtonpost.com/2009/09/16/chris-brown-begins-senten_n_288811.html</id>
    
    <published>2009-09-16T09:45:18Z</published>
    <updated>2009-09-16T09:45:18Z</updated>
    
    <author>
        <name>The Huffington Post News Team</name>
        <uri>http://www.huffingtonpost.com/the-news/</uri>
    </author>
    <content type="html" xml:lang="en-US" xml:base="http://www.huffingtonpost.com/">
        The State of Virginia isn&#039;t horsing around when it comes to Chris Brown&#039;s debt to society for his assault on Rihanna.&lt;br /&gt;
&lt;br /&gt;
Brown, 20, wearing a reflective vest and a red cap, was seen cleaning the grounds in and around a Virginia police horse stable Wednesday, part of his six-month community labor sentence. 
            &lt;p&gt;Read more: &lt;a href=&quot;/tag/rihanna&quot;&gt;Rihanna&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown&quot;&gt;Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown-sentencing&quot;&gt;Chris Brown Sentencing&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown-rihanna&quot;&gt;Chris Brown Rihanna&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown-sentence&quot;&gt;Chris Brown Sentence&lt;/a&gt;,  &lt;a href=&quot;/entertainment&quot;&gt;Entertainment News&lt;/a&gt;&lt;/p&gt;

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            </entry> <entry>
    <title> Oprah Fires Back At Chris Brown: &quot;She Hopes He Gets The Counseling He Needs&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/2009/09/03/oprah-fires-back-at-chris_n_276970.html" />
    <id>http://www.huffingtonpost.com/2009/09/03/oprah-fires-back-at-chris_n_276970.html</id>
    
    <published>2009-09-03T18:39:18Z</published>
    <updated>2009-09-03T18:39:18Z</updated>
    
    <author>
        <name>The Huffington Post News Team</name>
        <uri>http://www.huffingtonpost.com/the-news/</uri>
    </author>
    <content type="html" xml:lang="en-US" xml:base="http://www.huffingtonpost.com/">
        Oprah Winfrey is firing back at the comments Chris Brown made about her in the new People Magazine.&lt;br /&gt;

            &lt;p&gt;Read more: &lt;a href=&quot;/tag/oprah&quot;&gt;Oprah&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown&quot;&gt;Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/oprah-chris-brown&quot;&gt;Oprah Chris Brown&lt;/a&gt;,  &lt;a href=&quot;/media&quot;&gt;Media News&lt;/a&gt;&lt;/p&gt;

    </content>

        
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            </entry> <entry>
    <title> Chris Brown: &#039;Wow,&#039; I Don&#039;t Remember Beating Rihanna (VIDEO)</title>
    <link rel="alternate" type="text/html" href="http://www.huffingtonpost.com/2009/08/31/chris-brown-wow-i-dont-re_n_272803.html" />
    <id>http://www.huffingtonpost.com/2009/08/31/chris-brown-wow-i-dont-re_n_272803.html</id>
    
    <published>2009-08-31T11:31:23Z</published>
    <updated>2009-08-31T11:31:23Z</updated>
    
    <author>
        <name>The Huffington Post News Team</name>
        <uri>http://www.huffingtonpost.com/the-news/</uri>
    </author>
    <content type="html" xml:lang="en-US" xml:base="http://www.huffingtonpost.com/">
        Chris Brown has selective memory when it comes to his February assault on Rihanna that left her &lt;a href=&quot;http://www.huffingtonpost.com/2009/02/09/rihanna-bloodied-beaten-b_n_165474.html&quot;&gt;bloodied, bruised and bitten&lt;/a&gt; and recently resulted in &lt;a href=&quot;http://www.huffingtonpost.com/2009/08/25/chris-brown-sentenced-for_n_268786.html&quot;&gt;a five-year probation sentence&lt;/a&gt; for him. &lt;br /&gt;
&lt;br /&gt;
&quot;When I look at it now, it&#039;s just like, wow, like, I can&#039;t -- I can&#039;t believe that -- that actually happened,&quot; he told Larry King in his first interview since the beating, set to air Wednesday on CNN. &quot;When I look at the police reports, when I hear about the police reports, I just don&#039;t know what to think. It&#039;s like wow...It&#039;s crazy...Wow.&quot; &lt;br /&gt;
&lt;br /&gt;
Brown has been ordered to &lt;a href=&quot;http://www.huffingtonpost.com/2009/08/25/chris-brown-sentenced-for_n_268786.html&quot;&gt;stay away from Rihanna for five years&lt;/a&gt; and said he finds it &quot;difficult&quot; to be away from her because he still loves her. What would he think of Rihanna dating other guys? &quot;I definitely would be affected by it, but, at the end of the day, I mean, we&#039;re not together, so, if she&#039;s happy, I&#039;m cool.&quot; &lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;WATCH:&lt;/strong&gt;&lt;br /&gt;
&lt;script src=&quot;http://i.cdn.turner.com/cnn/.element/js/2.0/video/evp/module.js?loc=dom&amp;vid=/video/bestoftv/2009/08/30/lkl.bts.brown.hawkins.violence.cnn&quot; type=&quot;text/javascript&quot;&gt;&lt;/script&gt;&lt;noscript&gt;Embedded video from &lt;a href=&quot;http://www.cnn.com/video&quot;&gt;CNN Video&lt;/a&gt;&lt;/noscript&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;center&gt;&lt;p style=&quot;font-size:large;&quot;&gt;&lt;em&gt;Get HuffPost Entertainment On &lt;a href=&quot;http://www.facebook.com/pages/HuffPost-Entertainment/70072372362&quot;&gt;Facebook&lt;/a&gt; and &lt;a href=&quot;http://twitter.com/huffent&quot;&gt;Twitter!&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;&lt;/center&gt;
            &lt;p&gt;Read more: &lt;a href=&quot;/tag/chris-brown-domestic-violence&quot;&gt;Chris Brown Domestic Violence&lt;/a&gt;, &lt;a href=&quot;/tag/rihanna&quot;&gt;Rihanna&lt;/a&gt;, &lt;a href=&quot;/tag/video&quot;&gt;Video&lt;/a&gt;, &lt;a href=&quot;/tag/rihannachrisbrown&quot;&gt;Rihanna-Chris-Brown&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown&quot;&gt;Chris Brown&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown-sentencing&quot;&gt;Chris Brown Sentencing&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown-larry-king&quot;&gt;Chris Brown Larry King&lt;/a&gt;, &lt;a href=&quot;/tag/chris-brown-rihanna&quot;&gt;Chris Brown Rihanna&lt;/a&gt;,  &lt;a href=&quot;/entertainment&quot;&gt;Entertainment News&lt;/a&gt;&lt;/p&gt;

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