Running away to join the circus has become much more enticing since the emergence of electro-cirque tribe, The Lucent Dossier Experience. Combining a neo-tribal, steam punk aesthetic with orchestral electronic music creates a rich and textured palette for your senses.
Now that people are learning new things faster, and recording what they are doing, it challenges others to do something more advanced, in other words, "one-upping" and that ultimately continues the trend.
Several weeks ago, when Ukrainian-American Viktor Kee decided that he would embark on a cross-country road trip to generate support for his troubled homeland, he had no idea how unpredictable the headwinds of fate could actually be.
Words fail me. Since the subject of today's dissertation is Cirque du Soleil's Amaluna, which is currently occupying a huge tent near San Francisco Bay, that verbal shortcoming is hardly cause for embarrassment. Theatrical spectacles don't always lend themselves to meaningful description.
What message are we sending to our children if we take them to a circus featuring live wild animals? Observing tigers jumping through flaming hoops or watching elephants balancing on balls sends the wrong message as this is not behavior we would find in the wild.
If you could amend the Nobel Prize charter to consolidate all the individual awards into one, Cirque du Soleil's "Totem," written and directed by Robert Lepage, at the Port of Los Angeles in San Pedro would be the first, if not only, recipient.
Vegas may not be considered the most family-friendly destination, but if you get creative, you can make sure the little ones end up with an unforgettable trip. And we don't mean that in a Hangover kind of way.