Rectify is like the moody art-school sister of True Detective, the elegant, lyrical aunt of The Killing; the perfect combination of drama, suspense, doubt and dysfunction.
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I kept wanting to dismiss The Baytown Outlaws and it kept yanking me back into it. Again, I emphasize that it has no interest in being a great film, just an entertaining one with a grindhouse ethos.
Nobody's perfect, least of all The Perfect Host, a thriller that quickly spins out of control, despite a daring performance by David Hyde Pierce in the title role.
When a wanted bank robber stumbles into his L. A. house as he prepares for a dinner party, Pierce is perfect as victim, but then who is the more dangerous?
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