Husbands embraces clichés, stereotypes and tropes to make a point: Most old ideas are only as meaningless or as negative as their context. Few of these notions are intrinsically detrimental, as the judgements we attach to them exist only in our minds.
Even when we're not talking about food, we're often talking about food. Food is so engrained in our everyday vernacular that we barely notice it. But where do these food clichés and food-related idioms come from?
At a certain age, does everyone feel like they have had every conversation they are ever going to have -- that every conversation (other than those with intimates) is pre-packaged, as if chosen from a sampler menu on an airplane playlist?
The beauty of price, in contrast, is that it represents a consensus, a vote as it were, of the collective judgment of something's relative value. A Rembrandt's worth is not "incalculable" but is actually $33 million at Christie's.