If you lust after New York the way you think it was during the time when Dorothy Parker, Robert Benchley and Alexander Wolcott made priceless remarks while getting drunk at the Algonquin Round Table don't miss Dirty Little Songs.
Truth is, Tyrell's effortlessly infallible phrasing has the effect of making what he does appealingly conversational. The emotion he's experiencing is a component of his seemingly off-handed -- smile-smile-smile -- style. Let's just say he's singing for all generations.
A series of shorts that were screened at the recent Frameline 37 Film Festival revealed thrilling combinations of imagination and technique. Some were animated, some were not. What each film boasted, however, was an abundance of fantastical possibilities.
In the tiny town of Nyack, in the shadows of the Tappan Zee Bridge, the Rockland County Jazz and Blues Society and the Nyack Library once again provide a superlative matching of two local jazz musicians as part of their Carnegie Concert series.
The budget was $105 million, and as the May 10 opening of Baz Lurhmann's 3D adaptation of The Great Gatsby approaches, it feels like another $105 million is being spent to promote it. Gatsby is everywhere -- but is this Gatsby?
When I heard rumors about Jay-Z and Beyonce heading to Cuba, I was feeling pretty confident about my trendy choice to go that way. But then I bagged Cuba, and booked a flight to Vienna, Austria, home of the Lipizzaner stallions and Wienerschnitzel.
A constellation of Broadway, television and film stars lit up the stage of the historic Saban Theater in Beverly Hills this past Saturday for the 29th annual S.T.A.G.E. Gala. The event, Broadway My Way raised $285,000.00 for AIDS Project Los Angeles.
"My mother is Irish-American and my father is Afro-Panamanian, so it's kind of been the story of my life to be a bridge between different cultures and different styles, and musically, that's between jazz and R&B."
I tip my hat to Kathleen Marshall, who directed and choreographed the revival of Anything Goes with the intention of adding plenty of snap, crackle, and pop to a show that is nearly 80 years old. The result is quite astounding.
Screwball comedy is an art -- and it reached its apex in the Thirties. Cole Porter's 1933 Nymph Errant sets the genre to music. It's a frothy mix of racy innuendo (for the time) and exotic adventure, now at the Clurman Theater on off-Broadway's Theater Row.
You may be asking yourself, so how relevant can a 1930s show taking place aboard a cruise ship, starring a gangster and a plucky cabaret singer and featuring a couple of crisscrossed lovers really be in 2012 NYC? The short answer is very.