A tragedy like this brings us face-to-face with our existential vulnerabilities -- vulnerabilities to harm, death, and loss -- and the existential vulnerability of all those we love and, perhaps worst of all, the limitedness or our ability to protect them.
We are 12 adults preparing for a play. We are veterans and family members of veterans. The audience will be civilians. Just as children learn through play, so is our play teaching us, transforming us.
Following the devastation left in the path of Hurricane Sandy, I invite those who are suffering from this massive collective trauma to view this speech.
Human beings have great difficulty accepting and dwelling in such existential vulnerability. We fall into what the philosopher Martin Heidegger called idle talk.
(An invited conversation between myself [RDS] and Russian social philosopher and journalist Sergei Roganov [SR].)
RDS: You were kind enough to contac...
Tisha B'Av has been a way for the Jewish community to confront and contain trauma through the telling of stories. But after 9/11, how can we have unity when we aren't clear what story we are telling?
Is there an alternative to ideological illusion and the rhetoric of evil? Yes, there is. We must remember our common human vulnerabilities and bring them into a collective conversation within which our existential anxiety can be held and better borne.
The terrorist attack of September 11, 2001 was a devastating collective trauma that inflicted a rip in the fabric of the American psyche. In horrifyin...
Earthquakes, especially catastrophic ones, shake our confidence in the very ground we stand on and confront us with the groundlessness of our existence, wherein no certainty, safety, or continuity of being can be assured.
Angelenos who live by the San Andreas Fault Line live in a vague state of anxiety. It is an existential anxiety -- about our own existence and the existence of all those whom we love.
The attack of 9/11 shattered our collective illusions of safety, inviolability, and grandiose invincibility, illusions that had long been mainstays of the American historical identity.
With roots in African music, the blues was born in the Mississippi delta as a distinctively African American musical genre in response to the de-humanizing traumas of slavery and its aftermath.
"There is so much to tell, but I hope that this small sample will convey the feelings and needs of the Haitians. In many ways, I feel that our trip was such a small contribution that it barely has meaning."
Richard Bernstein has written an important philosophical inquiry into the phenomenon of evil (Bernstein 2002), an inquiry that will be of great value to psychoanalysts.