April Nordbee, a 29-year-old mother of two who lives in Wisconsin, has found her life completely changed over the past two years, all as the result of a lucky keystroke error she made during a Google search that caused her to discover the life and work of artist Marcel Duchamp.
Magritte's paintings, while traditional in technique (often oil on canvas), are innovative and witty in concept. Doubling, fragmentation, displacement, and irrational juxtapositions are his favored strategies.
It's a large box-type edifice built at a reported cost of more than $75 million into a sandstone cliff on a promontory a 30-minute ferry ride from Hobart, Tasmania's capital, on the north bank of the Derwent River.
A collection of drawings by Steven Assael is on display right now at Forum Gallery in Manhattan. Assael is universally known by high-technique figurative painters working in the United States today, among whom his skills are legendary.
John Bauer grew up immersed in the primal, face to face with the concept of the infinite, as a surfer raised in the beach culture of La Jolla, in Southern California. To hear him describe his experience of the ocean is to glimpse the conceptual existentialism in his work.
It is in Dieter Meier's work as an artist where he best melds his chameleon-like thirst for adventure, with his comic sense of the futility of any endeavor. Now, his evolution as an artist and performer is on view in a show, Dieter Meier the Yello Years.
All art is allusive, connected more or less visibly with earlier works of art. But in the modern era a number of artists have gone beyond earlier uses of allusion, in not only referring to other works, but quoting them precisely, and doing so with a frequency that exceeds earlier practice.
César's sculptures show us what Giacometti's work might have looked like if he had been locked in a junk yard with a spot welder. Whatever the material or method, whether figurative or abstract, the sculptures of César share a concern with surface texture.
Their conversation, conducted by email over several days, illustrates two people with profoundly different outlooks on their many points of commonality working towards a shared vocabulary for talking about art.
I'm often asked how a former banker becomes an artist. I think of myself as an artist who became a banker who then came full circle back to art. Now I go to my sculpture studio every day keeping even longer hours than I did as a banker.