This exhibition proposes that artists are mapmakers, their works, maps, and their audience, orienteers. It also suggests a correlation between its content and form. If maps and mapping strategies are the content, then a virtual exhibition is its form.
Monasteries sanctify space and time with ritual and prayer. Cristina Barroso sanctifies them with the painterly tagging of maps, calendars, and other abstractions of space and time.
Mindful of Paul Valery's painfully true contention that "Love is being stupid together," how about ten poems and ten paintings that celebrate the art of being stupid together? Come on, just this once.