Read More: Oil Painting, Rome, Kyle Staver, D. W. Griffith, Lawrence Alma-Tadema, Classical Painting, Intolerance Movie, Bernini, Greece, Arts News
One solution is to paint the gods as mortals see them. How do mortals see them? Indistinctly and murkily, by moonlight, with the aspect of a rustle among the leaves or a burst of feathers. This is how Kyle Staver paints the myths.
When I first saw Bondarchuk's "War and Peace," in 1968, in New York, it was presented in two parts and ran six hours. You went in the afternoon, broke for dinner, then came back for the rest. It was stupendous.