Watchmen's capitalization proceeds in earnest, and with renewable controversy, in Minutemen, Darwyn Cooke's Before Watchmen prequel series opener. But perspective is everything.
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In its finale, Supernatural delivered not only one of the finest hours of network television of 2010, but it also supplied one of the most intellectually and satisfying closures any sci-fi or horror series ever broadcast.
There has been a lot of press about audiences seeing the movie more than once, but that would really only reward aesthetes and those who found the basic plot incomprehensible the first time.
Watchmen lays out and alternate America in a stunning opening sequence that presents the 20th century as a relentless slog of war and murder. If hope is on the menu, it's in short supply.
The production is handsome, the acting is exceptional, and the special effects are mostly effective. But, at the end of the day, Watchmen is not an exciting story.
Based on one of the most collected and memorable comic book runs in history, the movie Watchmen tries to be all things cosmic and ambiguously moral to all of us.
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