Last week's premiere at San Francisco Ballet proved to be an all-around artistic feat - again for Ratmansky, for the entire company of San Francisco Ballet and, yes, for Shostakovich who had not penned these compositions for the ballet stage.
In eight words, the German Jewish philosopher summed up the monumental challenge art has faced after the horrors of the Holocaust: How can art retain its redemptive and curative powers after such methodical human extermination?
I've never before said a final goodbye to a piece of music, but just before Christmas I packed up two enormous suitcases of quartet music and took it to my basement storage bin. It was a strange sensation, somewhat ghoulish, like burying one's self alive.
Using rarely seen footage from the Russian State Film Archives, documentarian Kevin McNeer has produced a fascinating documentary about the late Soviet political cartoonist and propaganda artist Boris Efimov.
The New York State Theater at Lincoln Center, home of the New York City Opera, is dark as it undergoes a year of renovation. It is a house of past and perhaps future artistic importance in two art forms.