Film is big business. We track its annual contribution to the "entertainment" sector in billions of dollars. But film is much more than simply entertainment. Film, it turns out, is an ideal catalyst for change.
With only two categories rewarding documentary filmmaking at the annual Academy Awards, the nonfiction film community realized it had a void to fill in recognizing the outstanding work in their field.
In one of the latest efforts that takes education beyond testing and the classroom, students in New York City are hitting the streets for some visual ...
Blazing the trail with novel ways to approach distribution, filmmaker Robert Greenwald has forged a new model for a mashup of documentary filmmaking and political activism.
This week I released via YouTube -- in an attempt to make it some type of "of the people, for the people" -- my documentary We the Tiny House People: Small Homes, Tiny Flats & Wee Shelters in the New and Old World.
There are no more movie stars. I blame TMZ and its reality show brethren, who have taken all the mystery out of celebrity. In movie-making, like pretty much every other business, the paradigm has changed, and we must respond accordingly.
Bringing some much-needed positive energy to a country wracked by economic woes, the theme of this year's TEDx event was disruption. From politics to storm chasing to filmmaking; how do we change the rules of the game?
It's rare to work in an established art form where you can work with and be influenced by those who invented the genre.
Not so for documentary filmm...
Caroline Baron of FilmAid and Lisa Russell of MDGFive made the case that film can be sued to change the lives of the undeserved at their UN Week Digital Media Lounge session yesterday.