Her work is infused with the concerns of the outsider, the downtrodden, the marginalized and the oppressed. War, social justice and a call for an acknowledgement of the world's ills permeate her material.
The exhibition's color scheme is gaudy and disjunctive like the colors of a thrift store's multiplicity of objects. The Claytons' palette is skillfully mismatched in a tongue-in-cheek nod to the untrained chromatic discord of paintings found in secondhand stores.
Jean-Michel Basquiat's "Pegasus" (1987) has always intimidated me. It was usually one of the last works I showed students when I taught Basquiat, and I never said much about it. Its massive size, allover writing and symbols overwhelmed me.
I met Derek Haffar at the Museum of Arts and Design during one of his Artist Studio hours last year. He was working on reconfigured, fragmented or broken castings of people. I walked in and convinced him to mask me.
In the movie Memento Leonard Shelby (played by Guy Pearce) has completely lost his ability to make new memories and and finds his way in the world by obsessively photographing everything and every moment in his experience.
I was up for the sunrise and climbed the Inca ruins with my paints. Words cannot adequately capture how truly spectacular this site is, and how amazing that they could build these structures in this inaccessible place.
Drawing is a highly complex beast which involves so many different elements at the various skill levels. Rather than get into all of those details, I'm going to boil it down to four fundamental directives that will help improve your drawing skills across all skill levels and media.