Today we review music by Tom Waits, Lupe Fiasco, Stars, Joni Mitchell and others.
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This week, we feature music by Serge Gainsbourg, Marvin Gaye, Billie Holiday, Ann-Margret and more.
The LA Jewish Symphony's second installment of "Cinema Judaica" for its insider audience was so focused on its subject it had the air of parochial ritual. It was certainly helpful if you knew Yiddish.
This week's column features music by the B-52's, The Smashing Pumpkins, Nina Simone, Jeff Buckley, The Wallflowers and Pink Floyd.
If the AFI is going to honor lifetime achievement in film, they should do so. For starters, how about Neil Simon? He's one of the few screenwriters whose name the public actually recognizes.
Surveying the historical span of filmmaking, the use of original music appears more prevalent from the dawn of sound through the 1970s -- or perhaps it's just that the scores themselves were more memorable over this period.
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