After an exhausting day of walking and looking, ready to return to the other side of Brooklyn without much inspiration, I trundled over to one more building appropriated for art for this occasion, where I saw a new installation by Pia Coronel and G. Romero called "Palaces."
Erizku is a photographer and a self-reflective curator. He tells me that he envisioned his show as a mixtape - he's got some hits mixed in with some tracks that he might need to convince you are worth a listen.
In selecting artists for State of the Art: Discovering American Art Now, Crystal Bridges President Don Bacigalupi and Curator for Special Projects, Chad Alligood, visited nearly 1,000 artists around the country.
Ten thousand artists is a lot of people. Even with a small army of research assistants, it would have taken years for a two-man team to produce a list of that magnitude. But the idea of State of the Art is based on immediacy: works produced within the past three years or so.
An Hoang arrived in New York City in 2001 at the age of 23. Her first job was at an interior design firm on the Upper East Side, but the style desired by the clients didn't jibe with her sense of off-hand, wabi sabi elegance.
I have long had issues with death. I don't know what it is about death that disturbs me so, but it's something I have never come to terms with. And I wondered what kind of person would make art out of the ashes of dead people? Isn't that sacrilegious? Or at least in bad taste?
Alexa Torre is a Mexican photographer currently living in Mexico City. A graduate of the New England School of Photography in Boston, Massachusetts, Torre has been working on a project about her heritage and the traditional dresses of regions of Mexico.
For the third year, culture creators Brian Tate and Danny Simmons have successfully staged Curate NYC. The project offers free curatorial reviews, public exposure, and exhibition opportunities to visual artists across New York City.
Collective, indeed. As many professional dance companies struggle with the usual difficulties of production on a shoestring budget, The Dance COLEctive (TDC) offers dancers the precious gift of production support with the creative freedom to develop their own unique ideas.
Schiro began talking to women about catcalling. Wanting to bring the words alive visually, she began to collect photographs of the women, along with the catcalls that haunted them. Her collection began to take shape.
Creative magic happens when an artist is deeply involved in their art form. Add a creative partner (or two) to the mix and you've got enough knowledge and experience to spark a multitude of creative advancements.
It sounds like a typical night on the New York City musical theater scene but for one notable difference: The writers are all women, the performers are all women, the music director is a woman and the producers are both women.
On high authority I've been informed that my work is shit. Mostly I've been desensitized to such proclamations -- I can thank the Art School Critique framework for that -- but its ill-timed delivery, six days before graduation, left me shaken and stirred.
With the Whitney Museum of American Art's new downtown building (set to open in 2015) dubbed the "Whitney of the Future," we asked a few up-and-coming artists what they thought the future of art entailed. What they came up with sounds pretty darn exciting to us.
To exhibit demands a bold and exhaustive effort, far away from the security of the studio. An artist must work harder, more aggressively and creatively than the gallery to market and publicize properly. At the end of the exhibition, it is your show and yours alone.