Among its many virtues, The Life and Death of Colonel Blimp (1943) is a rare, dreamy, Technicolor depiction of London during the blitz.
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The late Deborah Kerr was the kind of star and personality we rarely see anymore: a lady first and foremost, who, even playing women of dubious virtue, projected an innate sense of class, dignity, even nobility.
A WOMAN'S GLOVED HAND turns the pages of a program, aided by her male companion. The camera assumes their point of view. With this brilliant segue, di...
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