This week we get the revivals of Tom Stoppard's somewhat autobiographical The Real Thing (1982), at the American Airlines Theatre, and Terrence McNally's Lips Together, Teeth Apart (1991), at Second Stage's Tony Kiser Theatre.
We have a lot of fun watching these couples flirt, banter and reconcile, yet there's an absence of true emotion that left me feeling lighter than I should have in a play about jealousy, knowledge and the preservation of one's self in a marriage.
Secrets and lies carried the day in most of the five films I saw Monday at the Toronto International Film Festival. But then, aren't the most interesting movies built around them? It's so obvious that Mike Leigh used the idea as the title of one of his finest efforts.
The Impossible depicts the chaos that surrounds any rescue mission after a large natural disaster. The narrative of the Bennett family reminds us of the enduring bond between all survivors of a catastrophe and of the need to be involved with the destiny of all, not the destiny of one.
I first met Irvine Welsh at the Edinburgh Book Festival. I was a huge fan of Trainspotting. And now that the prequel to Trainspotting is out, I thought I would pick his brain about writing, books and Scotland.
Director Bryan Singer delivered an exciting and entertaining movie with good performances, despite the fact that no one was calling for Jack and the Beanstalk -- or really any fairy tale, for that matter -- to be made into a movie.
Once again, America has taken a look at the latest revisionist fairy tale and sighed a collective, "Why?" Jack the Giant Slayer flopped at the box-office in its opening weekend, despite a mammoth budget and attractive leads.