The Telluride Film Festival offers a great span of cinema, from premiering Oscar contenders to silent-era black-and-white gems to small budget independents that will never play widely but may earn an enduring cult audience.
Everyone has someone that they would kill to meet and listen to, and the producers at the sixth Produced By Conference at Warner Bros. got to have their wishes more than fulfilled with writer, director, producer Francis Ford Coppola.
With credits dating back to 1954, Roger Corman has one of Hollywood's longest running careers, and every step of the way has fearlessly pioneered ideas in filmmaking, through all of new media's many definitions over the decades.
If you want to see how Coppola and his daughter, Sofia, think a modern gentiluomo should live, you have to drive through the gorgeous territory of Basilicata in southern Italy, along the Ionian coast, up to the hill town of Bernalda.
Why is an episode about victory named after one of the most famous defeats in world history? Is it because the crushing blow to Napoleon proved to be a smashing victory for the British Empire and its allies?
Forty-two years ago, the Oscar-winning saga about a fictional crime family was released nationally. Sonny Grosso had been hired by The Godfather's director Francis Ford Coppola to also help with the real challenges of filming the mafia family saga in New York.
Secrets and lies carried the day in most of the five films I saw Monday at the Toronto International Film Festival. But then, aren't the most interesting movies built around them? It's so obvious that Mike Leigh used the idea as the title of one of his finest efforts.
For the most part, I've avoided the psycho killer sub-genre as that would merit its own piece. Instead, I've focused on films that betray mental illness in somewhat subtler, but no less striking, ways.