The much anticipated Rush, Ron Howard's first film since the embarrassing comedy The Dilemma (2011), shows a return to decent form, and again demonstrates why the former child actor remains one of Hollywood's most bankable directors.
The movie Robot & Frank tells the story of an unlikely friendship between Frank, an aging former cat burglar, and a nameless eldercare robot. But Robot & Frank is no hypothetical sci-fi flight of fancy.
A caper film whose biggest thief is actually the inexorable flow of time, Robot & Frank is a terrific character study that offers the always-captivating Frank Langella the opportunity to stretch out a little bit.
Frank Langella's Dropped Names: Famous Men and Women As I Knew Them offers shrewd and often poignant observations that linger in the mind long after each chapter ends -- and there are 66 vignettes to savor.
In an Oscar-worthy performance as a doomed young woman whose disappearance 18 years ago remains a mystery, Andrew Jarecki's creation is like a true-life novelization that would make Truman Capote jealous.
Oliver Stone is never content to just make one movie; he always makes several, then squeezes them all together into one engorged package, chockablock with gaudy visuals, oversized characters and unchecked passion.
Some bad movies you slag off gleefully. Others provoke a certain disappointment at their failure, a mourning at the difference between the film's ambition and its execution. Richard Kelly's The Box is such a film.