After being outsiders, the Coens are in the strange position of having critics seemingly tripping over each other to lionize whatever they do -- and I feel like that's what might be happening with their latest film Inside Llewyn Davis.
We are awash in films examining the Beats and the roots of the generation shift that occurred from the late 1950s through the 1960s - but none with a clearer eye than Joel and Ethan Coen's Inside Llewyn Davis.
One of the most significant challenges of the film is to make us feel as if we're seeing this lifestyle with a fresh eye. The film does a terrific job of putting us in the era and making us feel like we're actually there.
On the Road starts off speeding, snapping the audience's heads back against their padded seats, and kidnapping them. Taking 'em to the 1940s, America. At some point each voyeur has to decide whether they are in or out.