"Wham, there it was, this huge, deep, dark poem about America that gave me something to encounter day after day after day. So that fed me," the photog...
Today is the birthday of French photographer Henri Cartier-Bresson. Considered to be the father of modern photojournalism and a master of candid photo...
Todd Burris' fashion-meets-photojournalism photography captures our nostalgia for yesteryear with a sharper eye than our memories could muster. Throug...
NEW YORK-- Time and time again folk rock legend Bob Dylan has blatantly borrowed for his lyrics. Christie's auction house acknowledged in 2009 that a ...
Aim well, shoot fast, and scram." -- Henri Cartier-Bresson
If Cartier-Bresson was still taking photos today, he would ditch his Leica and be taking ...
I entered the gallery and saw the photographs in the kind of perfect clarity only a personal viewing can provide. Before me were six achingly poignant moments of quotidian life frozen in time and rendered significant.
A few years back, I was introduced to a visual artist named Adam CK Vollick, who was filming the recording of an album. And it was unlike anything I had seen before.
Consumers want the illusion of permanence because now, more then ever, we've accepted there is none. Collectively, we're using the latest technology to reinvent a likeness of the past.
Cartier-Bresson covered the shiny lens of a Nikon with black tape so his subjects would be less inclined to notice him, and took to the streets. What he invented there was essentially photojournalism.
Henri Cartier-Bresson's abiding interest in people, the narratives of their lives, and the environments that shaped them, was deep and genuine. "It was never just a job to him," reveals his wife.
Over the last ten years, the art of photography has undergone a sex change. The rather masculine act of capturing or "shooting" a moment ("the hunt")...