Huffpost Review

The singer's voice has matured significantly -- along with his haircut and wardrobe; this time out, Maxwell has recast himself as a grown-up with all its musical and lyrical upgrades.

This low-key, sometimes melancholy comedy is a road movie with a twist. While this couple does have a series of misadventures, there's never a moment when they lose each other.

Ever since Cat Stevens embraced Islam, the West has been clueless when it comes to accepting the former superstar. His latest release, Roadsinger, is a good start in rebuilding that emotional bridge to Stevens.

In a time when even bad comic book films like The Spirit have a certain 'are you kidding me?' nerve, Wolverine is shocking in its adherence to formula and lack of imagination.

The film weaves old footage of Tyson with interviews with the contemporary version, showing the discrepancy between the menacing block of granite he once was and the tired, doughy man he has become.

Together Through Life is a tonic whose pace is moderate, music is organic, lyrics are intelligent, and feel is refreshingly human.

Radiohead delivers not just one version of their Collector's Editions, but two. Sounds too good to be true? Well, let's take a look at what each of these collections offer.

With a basic reverence for the original record, Morrison's live arrangements allow for musicians to add new layers of strata though jams, while acknowledging forty years has passed since the original was slated.

Their biggest influences seem to be British, right down to the "oh-oh-oh" backup vocals and percussive post-punk guitars but there ain't nothing un-American about the way The Cops kick ass.

What Doesn't Kill You makes damn sure you understand from the outset that the events you're about to witness actually happened to director Brian Goodman.

It's best movie you could expect for a remake of Dog Day Afternoon with Van Damme as himself: saggy, unwieldy, but funny, captivating, and a welcome return to celebrity for my favorite C-list star.

With a career track record comprised of doing exactly what he wanted to do and receiving hyperbolic pop-appraise, Kanye did the only thing Kanye could: He made an anti-pop album.