The much anticipated Rush, Ron Howard's first film since the embarrassing comedy The Dilemma (2011), shows a return to decent form, and again demonstrates why the former child actor remains one of Hollywood's most bankable directors.
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The ghosts of George Balanchine, Jerome Robbins, Alvin Ailey and too many others to name are hopefully still in residence, inspiring a new generation of artists to create great works.
Why does the media who cover Warren Beatty's work assume the topic I care most about with regard to this highly accomplished figure is how many women he slept with? It's insulting, in a way, isn't it?
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