"I've always been a roots enthusiast really, it's always been based around the blues and folk music, so there are large areas of influence there. I didn't just want to just make a straight blues album."
Perhaps you have noticed that 2013 is the centenary of the premiere of Stravinsky's The Rite of Spring. Next year there will be much thought given to the one hundredth anniversary of the outbreak of World War I.
Yannick Nézet-Séguinmost most appealing trait is the keen aggression he has, tempered by superb restraint. Add to that his youthful enthusiasm and openness, his will to succeed and the friendly and positive mood he inspires in the orchestra members, and you've got a winner.
Turns out that Cusack, who ports a strong intellectual bent, is a huge "Rite of Spring" guy. Loving the music and fascinated by the 1913 Stravinsky riots, he ventured to Bunker Hill to see the performance.
Exactly one hundred years ago, a riot broke out among the Parisian sophisticates attending the premiere performance by the Ballets Russes of Le Sacre du printemps, otherwise known as The Rite of Spring..
The arts are in a parlous state, but contrary to popular belief, it isn't the fault of unions or the absence of arts education in our schools. The arts are in trouble because there is simply not enough excellent art being created.
I was expecting something unpredictable early in 2007, when I made my way to Gleason's Gym in Brooklyn to watch the iconoclastic classical musicians and composers known as the International Street Cannibals mix it up with some young boxers.
The New York State Theater at Lincoln Center, home of the New York City Opera, is dark as it undergoes a year of renovation. It is a house of past and perhaps future artistic importance in two art forms.