I remember when my seventeen year marriage ended. My life was a total wreck. And to be honest, if it wasn't for a movie, I don't know if I would have made it. The movie that saved my life was American Beauty.
The "hit song" is used to quickly leapfrog into another branch of entertainment or advertising -- the edges are scrubbed off of all the different genres and rap and rock and pop and electronic are melded into a vast, marketable mid region.
Our question: who are these artists giving people permission to download singles and entire albums (comprising 78 percent of downloads according to MusicMetric) for free? We were curious, so we asked. Here's the word from BitTorrent.
Despite this generation's predilection for Internet contraband, we can easily be ushered back into the fold of legality. We have benefited from a reign of anarchy on the Internet because we are opportunistic, not delinquent.
Trademarks are becoming as common as commas, yet with a far greater impact than overused punctuation. While the legal lockdown of conversational language is progressing, the copyright law and rights are being thoroughly challenged.
Traditionally, authors and readers play on the same team. Authors create content and readers read it in a mutually beneficial relationship. But e-piracy has put readers and writers at odds by offering content for free.
WikiLeak's activities give us a fresh opportunity to ask some important questions that lately haven't gotten much airing. Don't speech freedoms come with at least a modicum of responsibility in their exercise?
I hate to be Debbie Downer, but the Internet hasn't really changed anything for how we acquire and consume culture, at least not when it comes to how the business of art needs to work in order to sustain itself.
People should pay for music to support all the unknown artists out there who are trying to make it. What if internet piracy had existed in the 1960s? No Dylan? No Beatles? Would Bono be working as a longshoreman?