There's nothing more powerful than a community of passionate people. If that community happens to be loyal fans or readers of your book, chances are they'll see the negative review and respond accordingly.
I'm a hybrid author who has jumped from a traditional publisher to indie publishing and back to a traditional house again. As I start my fourth novel, I have no contract for the next one. Do I want to go solo when I publish my next book, or stay where I am?
Of course, I had no idea how much money a publicist would cost, and I was gobsmacked by their fees. Finally, though, I found a publicist who used to work at a big traditional house and seemed experienced and smart. Here's what I've learned in that time.
Family and friends are often the inspiration for getting published and are profusely thanked in acknowledgements and recognized in dedications. However, unless they are successful authors, editors or in the publishing business, their encouragement is just loving support.
Super!, a brand-new, Kickstarter-backed indie comic book, is all over the place. It has superheroes, as the name might suggest, but it also includes robots, drunkards, and corporate entities that seem too big to fail.
If the cover intrigues potential readers, they'll read the product description and the sample pages. And that's where you'll hook them. From there, if your book lives up to the promise the cover made, your reader will make the journey from interested stranger to avid fan.
There's a lot of buzz right now about Amazon's Matchbook Program. But only one traditional publishing house is willing to try it -- and only on a limited basis. So, where does that leave indie authors, who are wondering whether or not they should jump in?
For years publishers have insisted that what happened to the music industry won't happen to them. Yet when we see what's happening in publishing I fail to find an instance where publishers aren't subscribing to the same model music companies did.