John Green's YA novel The Fault in Our Stars is currently #16 at Amazon and the guy is a promotional genius. So how does he use his fame? To attack independent authors and tilt at windmills.
Going through my first Kickstarter campaign, I learned a lot that I wanted to share with others considering this route to crowdfund a novel or writing project:
For years publishers have insisted that what happened to the music industry won't happen to them. Yet when we see what's happening in publishing I fail to find an instance where publishers aren't subscribing to the same model music companies did.
We all get the silent treatment, regardless of where we are in our careers. Don't let it discourage you. Instead use this time as a way to assess, realign, or add to your skill set. I promise that if you do, someday the cone of silence will lift.
Guy shares his thoughts on publishing and why he decided to forgo the traditional model and go indie. In this interview Guy talks about his views on what it means to be self-published.
In this interview Guy talks about the process of self-publishing and what makes it a better option. Guy shares his thoughts on publishing and why he decided to forgo the traditional model and go indie.
Guy shares his thoughts on publishing and why he decided to forgo the traditional model and go indie. In this first of a five-part interview, Guy talks about his decision to self-publish and how his book APE came to be.
Seeing your book cover for the first time is like waiting for that guy from Match.com to show up at the restaurant. You've laid out your expectations and supposedly so has he. But will he actually look like the date of your dreams?
With all of the options out there to publish, it's pretty tempting to just point and click your way to a completed book. It's hard enough to compete in publishing. Put in the effort and put forth your best book. Does your book deserve anything less?
Do you believe reviews? A majority of us don't, but more often than not we believed the consumer reviews. Not so much anymore, especially now when reviews can be bought, or in some cases, simply faked.
From writing through production, I was done in two months. That included having the book professionally edited and copy-edited, getting a cover designed, my own proofreading, and seeing the novella formatted and loaded for Kindle and the Nook.
Questions arise about the viability of poetry publishing in an age of narrow audiences and little financial reward, and about gate-keeping, quality control, editorial integrity and the technologies of dissemination.
For many authors, the decision to indie publish is a no-brainer. Sure, it's work, but it's interesting work, and you have a shot at fair compensation for your efforts.
Yale, Harvard, Oxford, Princeton--these are the names that instinctively come to mind when university presses are mentioned. But hold on--there's something brewing in Huntsville, Texas, too.