Last week's premiere at San Francisco Ballet proved to be an all-around artistic feat - again for Ratmansky, for the entire company of San Francisco Ballet and, yes, for Shostakovich who had not penned these compositions for the ballet stage.
Through From the Horse's Mouth "talk/dance" format, Anna Sokolow Way will offer a firsthand look at the personal experiences of dancers, actors, critics and musicians who worked with Anna over the course of her 60-year career in dance.
"it's a timeless story. Different classes, different backgrounds all of that stuff rings true and always will. And the fact that I'm going to be representing Tony for a lot of folks is not lost on me."
The National Museum of Dance has an exhibit about pointe shoes that dancers and dance-lovers will want to check out. We reached out to Assistant Director Sarah Hall Weaver to learn more about it and are excited to share some of the details with you here.
The more dramatic the movement, the harder it is to stay balanced; the higher the leap, the more difficult it is to land it gracefully. Those may sound like universal principles of motion, but you'd never know it from watching Ashley Wheater move.
Love, longing and sensuality are at the core of the Joffrey Ballet's "Spring Desire" program. Age of Innocence opens the evening with its tense, formal underpinnings -- expertly juxtaposed with moments of passion.
Rita Moreno is having a Betty White year. She is back on TV, back on the stage and although she might not be as ubiquitous as Betty White (she has yet to have a calender made about her) she certainly has better gams.
The production is hardly a surprise attack by the nose-thumbing partners. It could be said they're going after Christianity as a whole with the appearance of a slang-spouting Jesus in a lustrous blond wig.
The arts are in a parlous state, but contrary to popular belief, it isn't the fault of unions or the absence of arts education in our schools. The arts are in trouble because there is simply not enough excellent art being created.