My head a little feverish, my heart pumping, I felt the intensity of emotion reverberate throughout my body. It's incredible that a few 14-minute films can provoke such a powerful reaction.
Last week, I caught up with Kathleen Turner to talk about going from Broadway to movies and back again, crawling up Steve Martin's leg to get a part, Warren Beatty pursuing her and why she took on her latest role in The Perfect Family.
This week I released via YouTube -- in an attempt to make it some type of "of the people, for the people" -- my documentary We the Tiny House People: Small Homes, Tiny Flats & Wee Shelters in the New and Old World.
It does not seem quite possible that Jack Nicholson could be turning 75 today. He seems ageless, particularly when you revisit his best films. And that's just what we should all do to mark the occasion.
It's a good thing that, when push comes to shove, we're really not rugged individualists. I'm thinking that it's almost time for us to accept who we are.
This 63-year-old feature looked almost as if it had been shot last week. I was intensely aware of Moira Shearer's heavy make-up and could literally see Anton Walbrook's pores. It was fascinating, hypnotic, but also more than a little distracting.
If I could get all those black and white haters out there to watch just ten titles -- movies that constituted absolutely essential viewing -- which would they be?
To paraphrase a famous quote: "Hilary -- I've seen you act, and I've seen Faye Dunaway act, and Miss Duff -- you're no Faye Dunaway." This truth is of course self-evident if you watch Faye in her prime.
Near the end of the now-classic film Chinatown, set in Los Angeles during the 1930s, working-stiff private detective Jake Gittes (Jack Nicholson) conf...
Great heist movies work by tying us to the unfortunate characters who populate them, and investing us in the outcome of their attempts to reach the same pot of gold so many of us chase.
There are plenty of films out there that make us hopeful about life and living. Film noir is a guilty pleasure where we witness the denizens of society's bottom rungs stamping on each other's feet for a higher, safer position.
It is appropriate that journalist and memoirist Allegra Huston conducts regular writing workshops called "The Imaginative Storm." If the name Huston...
Perhaps his clean-cut, boyish image obscured my ability to recognize the astonishing talent he possessed from the start. Regardless, I could see it now: Jeff Bridges has always been a lot more than a pretty face.
On the surface, it's a period detective picture. Beneath, it's much more. The film creates its own mesmerizing world through evocative music, costuming, and production design.
Even as today's high school and college students are pushed harder in school, they cannot write an essay or use descriptive language nearly as fluently as their parents and grandparents could.
Wilson is one of those mediocre, small men who have always occupied the fringes of influence but would never have imagined to insult a sitting President in bygone days.
Not only can Michael Caine deliver the acting goods with the right vehicles, but off the set he also exhibits a refreshing common sense about the film business itself.
For those of you who love cities, movies, and by extension, cities in movies, here's a batch of capital DVD titles, and the capitals that inspired them.