Thanks to a marvelously full-bodied performance by Michelle Yeoh and a complementary one by David Thewlis, The Lady overcomes its own obstacles -- principally ones of pacing -- to present a moving portrait of courage, resilience and conviction.
Crossposted with The Green Grok."We think we can wound the planet, we think we can cut costs and stick the money in our pockets and just walk away. Bu...
It's hard to believe no one has done a film tribute to Roger Corman before Corman's World: Exploits of a Hollywood Rebel, Alex Stapleton's loving time...
Can a film about an immigrant father struggling to start a gardening business be a defining work of 2011? Yes. Who was best at amplifying workers' voi...
Director John Sayles is delving into history again, and this time it's a little bit of American adventurism in the early twentieth century that's frequently glossed over in the history books: the Philippine-American War.
Amigo is a companion piece to John Sayles' new novel, A Moment in the Sun - or perhaps it's the other way around.
While it's easy to admire Sayles' a...
When it comes to stories that bear transposition to varying eras and settings, Akira Kurosawa's Seven Samurai (1954) seems a prime example of a plot t...
Whether or not Tully's work will strike a chord with contemporary readers remains to be seen. Certainly, readers of Jack Kerouac, Charles Bukowski, William Vollmann or Stephen Elliott will find something of interest in Tully's stories and prose.
I had decided before today even started to use the idea of "audience films vs. festival films" as a theme for my discussion of the day's screenings.
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The title of the film Great Directors is exceptionally misleading, given that its real title should be People Whose Films I Like and Who Agreed to Be Interviewed By Me on Camera For This Movie.
Bruce Weber's documentary-in-progress Nice Girls Don't Stay for Breakfast about actor Robert Mitchum shows the Hollywood tough guy of Westerns and noirs as a shy, modest, non-celebrity.
With the always raucous, spirited celebration of St. Patrick's Day on the near horizon here in New York City, my thoughts turn to the powerful mystique of Ireland, and the many outstanding films that reflect it.
Great activist movies portray the ongoing struggle between the welfare of working people and larger societal forces, seemingly beyond their control, that threaten their integrity, livelihood, and often, their very survival.