Hall dwells specifically at the intersection of Art and Policy, his work aiming to touch people in the everyday. That is so cliché that it hurts as I strip the meaning of that universality down to a feel-good thing to say. I don't mean it that way.
Fred Kaplan's enlivening 1959: The Year Everything Changed, argues that the '50s -- a decade that saw the invention of the microchip and the creation of explosive art -- has been misunderstood in hindsight.
I am fascinated by artists who find themselves and their art careers later in life. Unlike, say, mathematicians and scientists who allegedly peak before 30, artists tend to mature and get better with age like a fine wine