Right now I envy anyone who lives in Denver or has the chance to be at that city's Center for the Performing Arts anytime between Sept. 12 and Oct. 26, when Meredith Wilson's The Unsinkable Molly Brown debuts in a contemporary reimagining written by Dick Scanlan.
I tip my hat to Kathleen Marshall, who directed and choreographed the revival of Anything Goes with the intention of adding plenty of snap, crackle, and pop to a show that is nearly 80 years old. The result is quite astounding.
You may be asking yourself, so how relevant can a 1930s show taking place aboard a cruise ship, starring a gangster and a plucky cabaret singer and featuring a couple of crisscrossed lovers really be in 2012 NYC? The short answer is very.