The story is the time-honored trope of the martial artist who must decide between selling his abilities for money or using them to pursue spiritual goals. Can he find his way back to his own values once he's gone over to the dark side of raw capitalism?
Wherever I go, whether it's a trip around the world or to the local supermarket to pick up Frosted Flakes, I live in a fantasy world that revolves around the idea that I am Neo from The Matrix -- regardless of how much of a mom I look like in real life.
Can a certain level or type of violence actually make a popcorn action film less enjoyable and/or null the would-be happy ending? Arguably there should be some kind of proverbial line in the sand when it comes to casual carnage in 'just for fun' action pictures.
Side by Side should be required viewing in any film school worth its salt and, undoubtedly, will be. But as up-to-the-minute as it is, by next year, it undoubtedly will be dated. And, before long, it will be a curiosity.
In an upcoming film titled Side By Side, Keanu Reeves as well as director Chris Kenneally and producer Justin Szlasa ask a provocative question: What does the future of filmmaking hold, and can the two formats -- digital and film -- both survive and thrive, "side by side"?