Once upon a time in 1970, the young conceptual artist John Baldessari suggested an unusual and disturbing idea for an art project. He wanted to displa...
Reading about Swinton's collaboration with MoMA, I couldn't help but reminisce about a certain afternoon back in 1996 that I spent in the company of Quentin Crisp where sleep would also prove to be transformative -- for me.
Abramović can be viewed as a study in neediness, only partially assuaged by a designer-clothes-buying binge. But her brave attention-getting strategies defy pathography.
Last night, BOMB Magazine celebrated its 31st anniversary at Capitale in New York by honoring curator Klaus Biesenbach, playwright Marsha Norman, and ...
This week is a hard one for Kraftwerk fans. Only 450 tickets were available to the general public for each night of the German band's concert series a...
Last night, Antony and the Johnsons performed a piece specifically commissioned by the Museum of Modern Art at Radio City Music Hall. Antony Hegarty c...
NEW YORK-- There were no bold names (aside from artist Terence Koh and P.S. 1 head Klaus Biesenbach) or event photographers at the opening of the omni...
In his opening remarks to "Andy Warhol: Motion Pictures," MoMA's Chief Curator at Large Klaus Biesenbach told us to think of Warhol's screen tests -- 12 of which are presented in large-scale on the wall of one gallery -- as portraits.
I was recently in New York for the launch of Hans Ulrich Obrist's Interviews Volume 2 -- the latest edition of his "infinite conversation" with leading artistic and intellectual figures.
Marina Abramovic, the performance artist whose retrospective closed at the MoMA on Memorial Day, last night answered what she said was the number one question about her performance.