Placido Domingo's collaboration with composer Lee Holdridge and librettist Richard Sparks dates back several decades and includes a number of commissioned operas for young audiences. The collaboration continues with the premiere of Dulce Rosa.
The weekend is almost upon us, which means we can close our computers for a bit and enjoy the world beyond the office for once. Planning to do exactly that, we have plotted a busy weekend full of varied diversions accordingly.
Photographic images leave their mark on the way we understand our world, and anything that helps that understanding is vital to our well-being. War Photography: Images of Armed Conflict and Its Aftermath, at the Annenberg Space for Photography does just that.
We're obviously excited it's almost the weekend, but we're also wondering if we should be feeling some type of existential angst about the fact that life seems to be passing us by so quickly... Nah.
We get to spring our clocks forward this weekend, which means less sleep, sure, but also more sun. Nothing makes us happier than leaving work when it's still light outside, so we're very much looking forward to the change in both clocks and seasons.
Artist Julian St. John has been knocked around by schizophrenia, homelessness and addiction, but he is still standing and is ready to impress the art world at the Laguna Gallery of Contemporary Art in Laguna Beach.
So, it's going to be something like 86 degrees outside tomorrow. We at Broke Girl's Guide therefore suggest, nay, insist that you cut class, play hooky at work, or be otherwise irresponsible, because life is short and sunshine is free.
In the Good Name of the Company is the opening reception for an exhibition of works from Colby Poster Printing Company curated by Jan Tumlir, with Christopher Michlig and Brian Roettinger.
Beginning in a misty, enchanted forest where a herd of horses graze and frolic under a sky of rolling clouds and a setting sun, the horses in Odysseo embark on a soulful journey: eye-popping acrobatic displays integrated with dazzling equestrian numbers.
We're going to spend the next few days in the thick of it, mixed up in a few dance parties, modern home tours, Chinese New Year celebrations, and even a miniature treehouse show. That's right -- it's all happening in Los Angeles this week.
Nestled somewhere between West Hollywood and Hancock Park is the Merry Karnowsky Gallery, where Victor Castillo's Under Heavy Measures is on view until March 2nd. Constant in Victor's themes are: blindness, conspiracy, lies, disillusionment and paranoia.
The "Capital Crimes" exhibition at BC Space Gallery, Laguna Beach, ingeniously addresses today's monetary inequality. Yet if does so with a light hand, filled as it is with humor and irony about our complex economic issues.
The pure chaos of the last month almost makes us want to go into hibernation until spring. Then again, there's way too much going on to hide at home all weekend.
The closest I get to enjoying magic comes in the form of watching Will Arnett's character on Arrested Development perform his atrocious "illusions." But Nothing To Hide has turned my personal relationship with magic from nonexistent to we're-in-love giddiness.
Presented by performance-art journal Native Strategies, the two-night Rituals and Congregations event features artist Amanda Yates channeling the spirit of Los Angeles.
Tonight is opening night of Art Los Angeles Contemporary. Now in its fourth year, the fair presents 70 international and emerging galleries with a focus on Los Angeles.
Kathryn Graf's paen to the perils of middle-aged dating has a solid premiere under the skillful direction of Steven Robman and a very talented ensemble of actors. Graf underscores the frustrations and loneliness of the dating life and the importance of friendships.