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Margot Fonteyn

Introducing: Joshua Beamish, Choreographer

Ken Ludden | Posted 12.04.2014 | Arts
Ken Ludden

Philanthropists and visionary entrepreneurs must sustain companies which will allow brilliant choreographers like Beamish to create their body of work without distraction. This type of support is a necessary step to creating The Coming Golden Age of Fine Art.

A Lesson from Detroit - America's Heart, and Soul

Ken Ludden | Posted 11.17.2014 | Arts
Ken Ludden

Detroit has been at the heart of America since its founding in 1701. Over the years, Detroit has always been the center of America. Located geographically to connect America with Canada via the natural water systems, it is the way in to America's heart.

A Brief Visual History Of Ballet In The 20th Century

The Huffington Post | Katherine Brooks | Posted 11.03.2014 | Arts

As holiday season approaches, visions of sugar-plum fairies inevitably begin dancing in our heads. 'Tis the time of "The Nutcracker," and other classi...

The Coming Golden Age Of Fine Art

Ken Ludden | Posted 10.30.2014 | Arts
Ken Ludden

Why else endure thousands of hours developing skills unless truly dedicated to the life those skills ultimately require? For a fine artist it is impossible to rest, or feel fulfilled, in any other way.

Margot Fonteyn: An Enduring Magic and Majesty

Ken Ludden | Posted 09.07.2014 | Arts
Ken Ludden

Margot Fonteyn was a simple dancer. She wanted urgently to live up to the expectations of others, placing no limit on how hard she would work to do that. In 1935, just 16, she danced her first leading role in The Sleeping Beauty.

The Lost Generation in the Audience

Phil Chan | Posted 03.08.2013 | Arts
Phil Chan

It is our responsibility in the field to continue to push the artform to exciting new levels, and to also offer educational opportunities to the next generation.

Margot Fonteyn

AP | SYLVIA HUI | Posted 05.25.2011 | World

LONDON — Previously secret papers declassified Friday revealed that British ballerina Margot Fonteyn was heavily involved in plotting a coup to ...