Stories We Tell -- Sarah Polley's third as a director -- looks at Polley's family history, focusing on the story of her mother, Diane, who died when Polley was 11. Polley uses the film to explore the central mystery of her own life: her real parentage.
Onata Aprile is at the center of the film as Maisie, in an almost eerily natural, watchful performance. She always seems to be in the camera's focus, while the marital squabbles and romantic entanglements explode in the background.
In the film about Jackie Robinson's first year in the majors, Chapman shows up spitting one racial epithet after another from in front of the Phillies' dugout at Ebbets Field, a monologue of bitter bigotry that left Tudyk feeling slightly hungover after each day of filming.
Everyone knows who Gen. Douglas MacArthur was. But Gen. Bonner Fellers? Not so much. So when actor Matthew Fox took on the role of Fellers in Emperor, which opened in limited release March 8, he figured the interpretation was up to him.
Getting a movie made is an Olympian task. Getting a movie made and released is even tougher. So Alex Karpovsky's accomplishment -- writing, directing and starring in two movies that are being released the same day as a double-feature -- seems positively Herculean.
It was supposed to be a documentary about the dead zones in the Chesapeake Bay. But the material he was reading about the pollution of the bay was too scary. So director Barry Levinson made a horror movie instead: The Bay.
At the age of 30, having deliberately stepped away from acting and show business for five years to figure out what she wanted to do, Gaby Hoffman has decided that acting is a choice she wants to make for herself.
The Kings of Cool picks up the story of the Savages trio -- the weed-dealing Ben, Chon and Ophelia -- a few years before Savages. Prequel? Not exactly -- at least writer Don Winslow doesn't look at it that way.
The first time, it was about creating a concert. This time, say Neil Young and Jonathan Demme, it was about capturing one. And doing it as faithfully -- both visually and, more important, aurally -- as possible.