Third Person, which stars Liam Neeson, Olivia Wilde, Adrien Brody and Mila Kunis, among others, is yet another attempt by writer-director Haggis to subvert the expectations of the people who come to see his films.
It's been a while since someone offered Griffin Dunne the chance to be the star of a movie. Or at least one that he wanted to star in. So when Justin Schwarz approached him with The Discoverers, Dunne was ready to say yes -- and is glad he did.
After almost 20 years in the business, Chiemi Karasawa made the move from being a script supervisor on feature films to being a producer who made documentaries. When she started making Elaine Stritch: Shoot Me, she had no intention of playing musical chairs right into the director's seat as well.
In one sense, actor Bruce Dern is an interviewer's dream: He's pithy, quotable and voluble. In another sense, Dern is an interviewer's nightmare: You ask one question and never get the chance to ask another, because he's got so much to say.
Mazet-Delpeuch, in her early 70s, is in town to talk about Haute Cuisine, a film loosely based on her experiences as personal chef for French president Francois Mitterand and her year-long-plus tenure as cook for a research lab on an island off Antarctica.
In A Single Shot, opening in limited release Friday and available on VOD, actor Sam Rockwell looks as though he's right at home as a veteran outdoorsman who keeps meat on the table with his rifle. Nothing, Rockwell says, could be further from the truth.
The parts got bigger as Hawkes developed a reputation as a character actor with the skills to play everything from goofy to menacing. He worked more and more -- and his choices expanded after he earned an Oscar nomination for 2010's Winter's Bone.
It's a temporarily rainy early evening, late in the 48th Karlovy Vary International Film Festival in the Czech Republic and the partners of New York-based BorderLine Films -- Josh Mond, Antonio Campos and Sean Durkin -- are gathered in the lobby bar of the Grand Hotel Pupp.
Based on a novel by Yasmina Khadra, the film took Doueiri six years to bring to the screen, much of it spent trying to adapt the novel with collaborator Joelle Touma, his wife, and an almost equal period trying to find the money to film in Israel and Palestinian territories.
At 74, his eyes are still exceptionally blue and a little bit mischievous. He sits calmly, listens to a question about how often he is offered roles like the one he plays in Unfinished Song, and smiles.
Stories We Tell -- Sarah Polley's third as a director -- looks at Polley's family history, focusing on the story of her mother, Diane, who died when Polley was 11. Polley uses the film to explore the central mystery of her own life: her real parentage.
Onata Aprile is at the center of the film as Maisie, in an almost eerily natural, watchful performance. She always seems to be in the camera's focus, while the marital squabbles and romantic entanglements explode in the background.
In the film about Jackie Robinson's first year in the majors, Chapman shows up spitting one racial epithet after another from in front of the Phillies' dugout at Ebbets Field, a monologue of bitter bigotry that left Tudyk feeling slightly hungover after each day of filming.