What if you were a skeptic -- and your very skepticism resulted in you missing out on the very thing you refused to believe in? That's also the comic notion at the heart of Seth Rogen and Evan Goldberg's This Is the End,.
The Purge is a high-concept blunt instrument of a thriller, a movie that offers a straightforward set-up and few subsequent surprises. It does exactly what you expect and doesn't really go anywhere you don't assume it will.
I want to applaud Joss Whedon's Much Ado About Nothing for all the things it does right, and I will. But Whedon's side project -- between his various TV and Marvel-related entertainments -- gets one thing unfortunately wrong: It's never very funny.
Shown at Sundance under the title Toy's House, Jordan Vogt-Roberts' The Kings of Summer is a coming-of-age tale that touches a lot of bases and explores a variety of tones in ways that most films are too timid to do.
I often note how difficult it is to create a comedy that's not only smart and funny but also charming and surprising. But first-time director Craig Zisk, a TV veteran, has done that with The English Teacher.
Never a filmmaker for whom story seemed particularly important, Baumbach collaborated here with his star, Greta Gerwig, for what feels like an amorphous and fragmentary story of a delusional young woman who doesn't seem to want to grow up.
Adapted and extrapolated from Henry James' novel of the same name, What Maisie Knew is a film that puts the audience right in the title character's world -- and forces it to experience it the way she does.
Though a bit literal for a film that traffics in magical realism, Deepa Mehta's Midnight's Children is both dreamy and dramatic, a fascinating view of Indian history seen through the prism of a personal -- and occasionally twinned -- story.