This nearly four-hour documentary by Barak Goodman, a long-time "American Experience" producer and director, is a smear job, though more the death-by-a-thousand-cuts approach than a straight-ahead takedown.
Mayor Jon Gnarr Kristinsson -- better known as comedian Jon Gnarr -- relaxes in a rocking chair in a comfy sitting chamber, just off the conference room that's part of his suite of offices in Reykjavik City Hall.
She's a nonagenarian who, when dressed in black, looks a little like a bobble-head with a pipe-cleaner body. But, at the age of 91, entertainer Carol Channing has amazing energy and a rare spirit for life.
I feel as though I carved a solid four days of films out of the 2012 Sundance Film Festival, concluding with a final day that offered four films, the best of which was at once mysterious and compelling.
Despite what no doubt were state-of-the-art visual effects thanks to the involvement of LucasFilm, Red Tails is further proof that visual tricks and flashily edited action sequences aren't enough to make a movie interesting.
This year has produced two films that explore minority attitudes toward sexuality: Rashaad Ernesto Green's Gun Hill Road, and now Dee Rees' Pariah, which explores the life of one young black woman whose parents are in deep denial about the fact that she's a lesbian.
Carnage refocuses itself in this film. Unlike the play, it is not simply about the breakdown of civilization -- or at least, of civilized behavior. It's about the very untwining of the ties that shelter civilization from the dominance of self-interest.