It's my (and many others') pick for the best rock concert movie ever: Martin Scorsese's The Last Waltz. For those in the dark, this was Scorsese's filming of The Band's farewell concert at San Francisco's Winterland Ballroom on Thanksgiving Day, 1976.
In our recent interview, I learned why P.J. encompasses the ability to steal every scene that he's in: the man is a free-flowing ball of crazy energy. While most guests simply walk onto the set, P.J. rode in on a skateboard and immediately knocked over a giant light stand.
What does out of touch mean, exactly? Perhaps, considering Tarantino is about to turn 50 and is deathly afraid of losing his grip, that after one "descends" into his/her 60s one has no idea what is going on or, worse, has no idea how to do the research to find out. This is preposterous.
Before long, you are on earth and in space, and feeling around your own brain, and your connection to the global history uncovered through anthropology and archaeology. Never will you be just a tourist at a World Heritage site, but a witness.
Side by Side should be required viewing in any film school worth its salt and, undoubtedly, will be. But as up-to-the-minute as it is, by next year, it undoubtedly will be dated. And, before long, it will be a curiosity.
In an upcoming film titled Side By Side, Keanu Reeves as well as director Chris Kenneally and producer Justin Szlasa ask a provocative question: What does the future of filmmaking hold, and can the two formats -- digital and film -- both survive and thrive, "side by side"?
When I first heard about the Swedish film Easy Money, presented in the US by Martin Scorsese and distributed by The Weinstein Company, I knew I had to watch it. Because when Scorsese talks, I listen and don't even get me started on the brothers Weinstein.