As the show progresses, we watch this person's life branch out: in one, she's happily married to a soldier, raising children and teaching; in another she has a very successful career as an urban planner. The fatal problem with If/Then is that neither of these lives are terribly interesting.
Out of a total of 238 films, June's Frameline Film Festival included 82 features and 155 shorts from a total of 27 nations. Frameline 37 also included 14 first-time feature filmmakers. Among the films which show that "the kids are all right" are the following.
There is something magical about the power of three. Is it because of the geometrical sturdiness of a triangle? The ability of one person to pick up a story thread while the other two fade into the background? Or is it just a factor of good marketing?
Shown at Sundance under the title Toy's House, Jordan Vogt-Roberts' The Kings of Summer is a coming-of-age tale that touches a lot of bases and explores a variety of tones in ways that most films are too timid to do.
This year, I volunteered at Washington D.C., International Film Festival and got to meet some of the people involved, as well as see some of the films. My two favorites were Kings of Summer and The Deep.
While art is often said to mirror life, what about those uncanny incidents in which a prescient artist foreshadows real-life events? What about major disasters that appear in fictional form years before shocking the world in real time?
The best films about recovery from addiction are not about reaching rock bottom and making that choice to stop. Rather, like Smashed, they're about the very real and difficult task of going on, in an emotionally unshielded and intensely vulnerable way.
One of the most popular shorts at the Frameline 34 Film Festival put a comic spin on what happens when a straight woman convinces her best gay friend from college to help her make a baby. The big question on everyone's mind was whether it would translate into a 90-minute feature film.