You know when you see yourself in a photo and think, "Gee I look horrible" and put it away only to find it years later and think, "Wow! I looked pretty good back then?" I had a moment like that a few days ago but it was while listening to the Metropolitan Opera Channel on Sirius.
One of the most harrowing final scenes in all of opera is the ending of Poulenc's "Dialogues of the Carmelites," when the nuns condemned by the French...
The leadership of the Metropolitan Opera recently announced that they were lowering most of their ticket prices for next season. At the same time, they announced that it is now clear that their highly successful movie theater broadcasts are cannibalizing ticket sales for their live performances.
If anyone still harbors doubts that Handel's operas can be excitingly staged, the Met's smashing new production of Giulio Cesare, which had its gala p...
The Devil certainly gets his due in the Metropolitan Opera's production of Gounod's Faust, which returned for the first time this season Thursday nigh...
NEW YORK -- Near the end of Shakespeare's "Othello," the hero speaks of the "unlucky deeds" that have brought about his downfall. The same phrase migh...
NEW YORK -- Two spontaneous eruptions from the audience just about said it all as the Metropolitan Opera revived Willy Decker's brilliantly stripped-d...
Angela Meade ruled the stage as Norma last Saturday in an alluring new production at Washington National Opera, and judging from the ovation after her first aria and the "bravas" at the finale, this singer will now add another glittering success to her list of plaudits.
NEW YORK -- The Metropolitan Opera is cutting ticket prices by an average of about 10 percent next season, when music director James Levine returns fr...
-- It's midmorning, less than 12 hours after he finished another grueling performance as the tormented Amfortas in Wagner's "Parsifal," and Peter Mat...
Verdi's Don Carlo, back on stage at the Metropolitan Opera, has more intrigue, double-crossing betrayal, and doomed love triangles than a whole season...
Few if any operas have aroused such fierce philosophical and religious debate as Parsifal, Wagner's last great work for the stage, and a new Metropoli...
"We all have many different voices," he says. "The voice is such an amazing instrument that I feel like a mad scientist who does different things with it. Like a painter, I try different colors out. It gives me joy every day of my life."
If the fleshpots of Las Vegas remind you of the ducal palace in Mantua, or vice versa, then the Metropolitan Opera's new production of Rigoletto was m...
NEW YORK -- Angela Meade, a rising star at the Metropolitan Opera, rose a notch higher as she stepped into one of the touchstone roles of the soprano ...
In opera, the music pretty much trumps history, and in Maria Stuarda Donizetti's confrontation scene between the two women at the end of Act 1, a furious 16th-century cat fight in which each hurls invective at the other, makes terrific drama.
As we alternate between the roles of spectator and performer, we owe each other inspired work before taking the stage, the kind that lays weaknesses bare, but follows with a view into our capacity to accomplish unreal things.
With every new season at The Metropolitan Opera comes a fresh batch of break-out stars, belting their way to the leading roles of infamous operas like...
While I still believe the best arts managers are those who come to solutions that are based on their organizations' unique situations, there are many arts managers who do not bring that level of creativity to their work.