I often note how difficult it is to create a comedy that's not only smart and funny but also charming and surprising. But first-time director Craig Zi...

Neither terrible nor revelatory, Ramaa Mosley's The Brass Teapot is the kind of movie you might stumble across on cable and stick with, if only because, well, you've got nothing better to do.

With Soderbergh's Ocean's 11 heist series over, the director is clearly looking for another genre franchise to do for fun between his more challenging and experimental pieces. Haywire fits that description.

Ever since the 1951 book The Catcher In the Rye, stories about angsty, alienated, financially secure (mostly male) teenagers in existential crisis over "what it all means" have become a staple of movies, TV and literature.

This slight coming-of-age tale works better than it has any right to, thanks to the performances by the young actors and several of the supporting cast.

Henry Winkler's film Ceremony is as good an example of faux Wes Anderson as you'll find. Not that it's a good film; or an original one.

Sam Davis, the overconfident young author in "Ceremony," is not unlike his own children's book character, a deep-sea diver intent on winning Chloe the...

Despite the age-old stereotype in Hollywood (pun intended) of casting much younger actresses opposite older actors, Uma Thurman is one of the few luck...

Despite the old plot chestnut of crashing a wedding, Ceremony feels quirky and heart-felt. It fashions comedy from, one suspects, the filmmaker's pain, creating a direct pipeline from life to screen.

This isn't your older brother's Kevin Smith. The New Jersey indie filmmaker, made famous for his slacker comedy cult classics 'Clerks' and 'Mallrats,...

Vanity Fair features the new wave of Young Hollywood in the August issue, with a cover starring Kristen Stewart, Blake Lively, Emma Roberts, and Amand...