Considering Austin is regarded as one of the best cities in the world for music, especially live music when you can actually see what the musician is wearing, it seems fitting that SXSW is dipping its toes into style as well.
Fred Kaplan's enlivening 1959: The Year Everything Changed, argues that the '50s -- a decade that saw the invention of the microchip and the creation of explosive art -- has been misunderstood in hindsight.
Basically, The Other Side Of Zero -- the new album by Elizabeth & The Catapult -- is a commentary on the parallels of Elizabeth Ziman's New York City life and Leonard Cohen's inability to achieve Buddhist ideals.
I never would have imagined that the recent installment of the Miles Davis podcast on JazzOnline.com would set off such a firestorm of debate. But that's what happened when Henry Rollins was added to the mix.
It's disappointing that Hugh Hefner: Playboy, Activist and Rebel isn't a better movie. Not that it's a bad one. But, were cable standards a little less skittish, it would fit right in on the Biography channel.
This weekend, the legendary R&B songwriting team will receive honorary doctorates in recognition of the 3500 songs they've produced over their 35-year partnership. In this interview, they reflect on their extraordinary careers.
As a showman, Peter Wolf is right up there with Mick Jagger and James Brown. He doesn't put out a batch of unrelated songs, he makes what used to be called "albums," and they take you on a carefully sequenced adventure.
Written by the great Richard Rogers and Lorenz Hart for the 1937 musical Babes In Arms, "My Funny Valentine" is one of those genuinely timeless standards that put the Great in the Great American Songbook.
With Layne Staley's death, Alice In Chains was all but done. But fourteen years later, here we are with something that sounds a lot like what the group would have had they returned to the studio a couple years later.