good producer LOVES film, and in the end the mark of a good producer is that ability to recognize the great project and then passionately share it with others.
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Both Hollywood and independents are feeling commercial pressures more than ever in an increasingly crowded marketplace. What lessons can the industry learn from the disposable filmmaker?
It has never made sense to me that those preoccupied with how movies are delivered have for years written off "physical media" as "dead" even though the evidence shows it isn't happening and won't for years to come.
"Why do movies suck?" As a qualified professional, I'm here to answer that question. If only I had some clue what the answer was. There are some mysteries that simply can't be explained.
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