It's not worth a spoiler alert to point out that racecar driver Ayrton Senna dies at the end of Senna, Asif Kapadia's routine sports documentary from ESPN Films, and which receives a theatrical release this week.
Based on a true story, The Whistleblower is dark, grim and harrowing. It tells the tale of Kathy Bolkovac (Rachel Weisz), a Nebraska cop looking to make some big dough so she can afford to follow her children.
Dominic Cooper's stunning dual performance as Latif Yahia and Uday Hussein is unlike anything I've ever seen before, playing both kidnapper and captive, owner and slave, criminal and witness, with two utterly distinct, mesmerizing performances.
You don't have to be a Deadhead or a Ken Kesey-phile to find the fun and the wistfulness in Magic Trip, Alex Gibney and Alison Ellwood's reconstruction of the famous cross-country bus trip by Ken Kesey and his Merry Pranksters.
Captain America unreels with machine-like efficiency from end-to-end. It's loaded with enough action and emotion to lure in audiences not steeped in comic book minutia, but also peppered with tie-ins and callbacks.
Cowboys and Aliens is a mess on so many levels: improbable casting, ridiculous wardrobe choices, plot (see below), rampant kumbaya-ism, lame homages, and a screenplay only a screenwriter's mother could like.
Spending almost two hours in the dark with Steve Carell, Julianne Moore, Ryan Gosling, and Emma Stone is really so much fun that you're to be forgiven if you don't realize, by the time you walk out, that you've just seen a very important film.
Crazy, Stupid, Love is the summer's most enjoyably surprising film: a comedy that knows how to pay more attention to the feelings it explores than to creating a conveyor belt for punchlines. It earns its laughs -- and then some.
Will is a family film with a soccer theme, and you would think that with the soccer excitement throughout the world last week for the women's soccer finals, businessmen would grab such a heartwarming movie with this theme.
A Little Help could have been one of those minor black-comedy indy gems. Instead, it's just OK, a set of interesting ideas wrapped in a less-interesting package, tied together by the evocative central performance of Jenna Fischer.
Not quite as much fun as Thor, not nearly as bad as Green Lantern, Captain America: The First Avenger feels less like an exciting comic-book-hero movie than required reading for a course called The Avengers, arriving in theaters next summer.