Given the zeitgeist about the death penalty and the execution of innocent people from the Troy Davis Case -- and the presidential campaign of Texas Gov. Rick Perry -- the timing couldn't be better for the release of the documentary, Incendiary: The Willingham Case.
The Human Centipede II is barely a film. It is technically a 85-minute motion picture that promises to offend and shock on an here-fore-unheard of level, a promise that guarantees disappointment by virtue of its very offering.
If great art holds a mirror up to society, The Ides of March holds that mirror up to politics and tilts it back at a flattering 15-degree angle: everyone looks thinner, and you can barely see the hairlines receding.
50/50 no doubt will be dismissed by critics who distrust movies that deal with feelings, rather than ideas. But it proves that it's possible to be emotional and thoughtful -- and funny -- at the same time.
Puncture is an intensely earnest little film, one that deals with a serious issue while trying to tell an equally compelling personal story. Unfortunately, it fades from memory almost before it's left the screen.
Although Contagion generated feelings of hypochondria, I found the movie's medical validity very satisfying. And when I say "satisfying," I mean I squealed with delight every time I heard a Microbiology 1650 buzzword.
Killer Elite is a serviceable action-thriller that eventually runs out of ideas. What starts as a complex tale with strong action set-pieces eventually dwindles to formula, unable to keep as many balls in the air as it promises.
His recent airplane exploits aside, Gerard Depardieu remains one of the great actors of French film. And the fabulous brute adds further to his legacy with the comic, touching My Afternoons with Margueritte.
Warrior is, above all, an emotionally engaging and uncommonly thoughtful family drama. It rises above most in its genre by refusing to pit 'good' against 'evil' and by refusing to pander to our lowest emotional denominator.
There are laughs to be had in A Good Old Fashioned Orgy, though they're inconsistent and haphazard. The whole movie has that sloppy feel, as though it were assembled from leftover parts of other, better comedies.
Set in two different eras, with two different trios playing the same characters, The Debt is gripping and gritty, a thriller that breeds genuine excitement in both of the time periods in which it is set.