The less said about Griff the Invisible, the better. This wan, fey little Australian film stretches the notion of quirkiness far past the snapping point -- though the film itself has very little in the way of snap.
Do whatever you have to do to see the following two films in immediate sequence, back-to-back, double feature style: Rise of the Planet of the Apes and Project Nim. My memories of the two films have blurred into one four hour ape-a-thon retro chimp-epic.
Some will say: This is yet another movie about the civil-rights movement moment in our history, in which the white people are the heroes, saving the black characters. But that's far too simplistic a reading of The Help.
It's not worth a spoiler alert to point out that racecar driver Ayrton Senna dies at the end of Senna, Asif Kapadia's routine sports documentary from ESPN Films, and which receives a theatrical release this week.
Based on a true story, The Whistleblower is dark, grim and harrowing. It tells the tale of Kathy Bolkovac (Rachel Weisz), a Nebraska cop looking to make some big dough so she can afford to follow her children.
Dominic Cooper's stunning dual performance as Latif Yahia and Uday Hussein is unlike anything I've ever seen before, playing both kidnapper and captive, owner and slave, criminal and witness, with two utterly distinct, mesmerizing performances.
You don't have to be a Deadhead or a Ken Kesey-phile to find the fun and the wistfulness in Magic Trip, Alex Gibney and Alison Ellwood's reconstruction of the famous cross-country bus trip by Ken Kesey and his Merry Pranksters.
Captain America unreels with machine-like efficiency from end-to-end. It's loaded with enough action and emotion to lure in audiences not steeped in comic book minutia, but also peppered with tie-ins and callbacks.
Cowboys and Aliens is a mess on so many levels: improbable casting, ridiculous wardrobe choices, plot (see below), rampant kumbaya-ism, lame homages, and a screenplay only a screenwriter's mother could like.
Spending almost two hours in the dark with Steve Carell, Julianne Moore, Ryan Gosling, and Emma Stone is really so much fun that you're to be forgiven if you don't realize, by the time you walk out, that you've just seen a very important film.
Crazy, Stupid, Love is the summer's most enjoyably surprising film: a comedy that knows how to pay more attention to the feelings it explores than to creating a conveyor belt for punchlines. It earns its laughs -- and then some.