A second-rate Die Hard knock-off with Gerard Butler playing the Bruce Willis role, Olympus Has Fallen is preposterously overblown, an action movie that seems to prove the old saying: If brains were gunpowder, this movie wouldn't have enough to blow its own nose.
When is a cavemen not a cavemen? In the case of the new animated movie The Croods, it's when the family of "cavemen" in question looks cosmetically like Neanderthals but seem to have the powers of superheroes.
A blend of archival footage and recreations of the cave and these people in their younger days, No Place on Earth is both a reminder of a horrifying period in history and a primer on the resilience and determination of which human beings are capable.
Funny, surprising and full of heart, the French-Canadian comedy Starbuck has nothing to do with coffee (that name, after all, came from a character in Moby-Dick) and everything to do with redefining notions of family.
The darling of the Australian Academy Awards and a hit on the festival circuit, The Sapphires is that pure treat: an aggressively entertaining movie about the struggle, uplift, romance and joy of music.
They say kids say the darndest things. But my belief is that it's 75-year-old parents who have just discovered a new movie who really blurt out classic nuggets of truth (hell, just look at Shit My Dad Says).
It's populated with characters who seem to have no interior life -- only a devotion to the pursuit of sensation via the eternal party. And, in his own oblique way, Korine offers commentary about just how empty that world is.
Why would a movie studio try to stop critics from reviewing movies? It's called a review embargo -- and it seems a little self-explanatory. But still, I'd like to take this opportunity to discuss a little movie-critic inside-baseball stuff. Perhaps we can get a larger discussion going.
Director Bryan Singer delivered an exciting and entertaining movie with good performances, despite the fact that no one was calling for Jack and the Beanstalk -- or really any fairy tale, for that matter -- to be made into a movie.
Emperor doesn't reimagine history so much as use it as the jumping-off point for a fictional historical romance set against the backdrop of impending war, when everything seems more vital and in-the-moment. Except for this sometimes plodding film.
Not to put too fine a point on it, but as someone who was working as a rock critic for the first decade and a half of Journey's existence, I always regarded them as unexplainably popular, an at-best thoroughly mediocre hit-making machine.
Every day in the U.S., 50 million people -- including one in four children -- are food insecure, meaning they don't know where their next meal is coming from. The documentary A Place at the Table attempts to put a face on this issue.
James Franco, the Energizer bunny of actors, plays Oscar Diggs, a small-time magician in a second-rate traveling circus first seen doing his show to a small crowd in the black-and-white Kansas of the early 20th Century.
Though Ray Winstone has been a TV star in Great Britain since the mid-1970s, a lot of Americans got their first sighting of the beefy British actor with Gary Oldman's 1997's Nil By Mouth or 2000's Sexy Beast.