The deeper into the school I travel the more I understand that the walls of SLA are both context and text, a place where a capstone project looks like a question stenciled onto a slate-blue wall.
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In 1984, several overactive graffiti taggers were given the option to either go to jail or take part in a new city beautification initiative.
I think we are moving toward an era where the traditional enjoyment of art in a passive way in a space will not die, but will find itself joined by art that subversively injects itself into our everyday life.
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