A number of well-known architects have banded together to oppose the Museum of Modern Art's decision to demolish the former American Folk Art Museum b...
Claes Oldenburg is best known for his absurd, cheeky depictions of everyday objects. The pop art king takes melting ice cream sundaes, safety pins and...
For a certain breed of relatively cultured wags (including the Pulitzer Prize-winning playwright David Lindsay Abaire and, less exaltedly, me), Tilda ...
The 100-year anniversary of the 1913 New York Armory Show on February 17th brings new light to the history of modern art in this country and to the creation of MoMA. The exhibition's goal was to bring before the public art "usually neglected by current shows."
The women we look up to in the arts -- from New York City Ballet's Wendy Whelan soaring above the stage at Lincoln Center to action hero Elizabeth Streb scaling a building in London -- have their own inspiring heroines, some famous and others less known.
Shouldn't the most authoritative of our cultural institutions, certainly those renown globally, be so sensitive as to represent the history of international art with the like mindedness of diplomats to mitigating the injuries historically wrought by political and cultural colonizations?
We owe a great deal of our understanding of life during wartime to Bill Brandt, a founding father of modernist photography and one of the keenest visu...
What do you get when you combine classical and popular music, American and international musicians, opera with cabaret chamber music and rock? These are just some of the combinations you'll find at the Ecstatic Music Festival.
Today MoMA PS1 declared CODA, aka Caroline O'Donnel, the winner of the Young Architecture Program. The architect stood out amongst a group of five fin...
Abstract art often seems like one of those terms that happily appeared one day in the vocabulary of art historians only to be applied, retrospectively...
Pasolini became world renowned in 1964 with the opening of his film about Jesus: The Gospel According to Matthew. It was reviewed in Life magazine, at that time America's major weekly picture magazine.
Describing a work of art as "priceless" tends to be an exaltation collectors like to hear. That is, unless the art is literally valueless, like in the...
In the wake of New York City's most devastating natural disaster to date, many of the city's landmark institutions are stepping up to provide relief f...
For the 50 million of us who stood in the path of Sandy and the rest who watched its devastation, isn't it time to ask our leaders how we can avoid a future where Frankenstorms like Sandy become the new normal?
That Potter's work deals with changing identity makes it perfect viewing during those transitional periods in one's life. It's comforting to know that Potter's films are here to make those transitions with me.
Nobody, it seems, has a bad thing to say about Wade Guyton these days. Critic Roberta Smith called the artist's current mid-career survey at the Whitn...
While spending a Sunday afternoon browsing the permanent collection at the Museum of Modern Art in New York City, I stumbled upon the most interesting and satisfying exhibit of the day: a performance picnic.
On the one hand, contemporary art history is about the expansion of the site of art from being between one artist and his audience to being about collaboration. On the other hand, ironically, it's about a narrow focus on individuals.
Born in Turin, Boetti is not a household name outside of Italy. Alighiero Boetti: Game Plan, a magnificent retrospective at MoMA, on view through October 1, will certainly change that.
Baby Peggy: The Elephant in the Room is the title of documentary premiering September 5 at MOMA in New York. This fascinating and ultimately heartbreaking work tells the story of a childhood spent working like an adult.
A world in which designers think about and cater to children -- incorporating ideas of childhood into both their products (from UNICEF campaigns and u...